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Mellow Yellow and the Summer of Love

Kerry Thornley and family circa late-60s or early-70s. Photo courtesy of John F. Carr.
During the psychedelic 60s, Kerry Thornley and his wife Cara lived for a period of time in the former home of his grandparents in the Watts section of Los Angeles.

The Watts house became a blend of memorabilia and psychedelia. Antique window glass was decorated with pieces of translucent contact paper, to give it the effect of stained glass, as multicolored sunlight streamed through the strips of dangling paper. An ornately carved wooden mantle clock had the word “NOW” written on a round placard which covered its face. An old-time radio stood in the corner of the dining room, but now instead of playing Amos ‘n Andy and Fibber McGee and Molly, the big old box was tuned into Peter Bergman’s Radio Free Oz, booming music by Ravi Shanker, Simon and Garfunkel, and The Beatles.

With plenty of room for guests to roam around, the Watts house became a psychedelic social club. One frequent visitor was Bud Simco who recalled:

“Kerry was charismatic and had the ability to attract diverse personalities, people who would normally not be associated with each other, except by the force of Kerry’s personality. For example, there were so-called hippie types tripping under the dining room table, holding burning candles in their hands, while right-wing types were holding forth in the kitchen. One such character I recall had never been to Watts before, and showed up wearing a bullet proof vest and armed with a .45. He seemed reasonable enough, in conversation, but he was taking no chances (having never been around hippies before). There were people from all walks of life… including a pilot for the Flying Tiger Airlines, a student from MIT, some swingers, a fashion model, some writers, some SDS student types, and various and sundry others whom I did not know. One of my guests at one particular gathering was a former motorcycle gang member who lost his foot in a motorcycle accident, and his beautiful American Indian wife, who was at the time a co-worker of mine. He had never seen such an assorted group of people in his life, for example, but with his tambourine, magic mushrooms and a Donovan LP loudly playing, asserted his presence along with all the diverse others in one righteous happening. The thing is, everyone was tolerant of the other, regardless of individual inclinations and/or politics. At such an event, many people would never even interact with other groups, in other rooms, although many did. That was the one universal factor re: being present at one of Kerry’s gatherings, either at his home in Watts, or perhaps at one of the original ‘Be-Ins’ at Griffith Park.”

Photo of Kerry Thornley in Los Angeles in the company of several young ladies.
Although the development date on the photo is 1970, it was probably shot in 1967.
Photo courtesy of Louise Lacey.

At the Griffith Park Be-In, Kerry Thornley cut a singular swath, equipped with a sign bearing a perfectly surreal statement that seemed to say one thing while also saying something else entirely, just the sort of irreverent psychedelic koan that Kerry became famous for throughout his life. His sign read:

Stamp out quicksand.
Ban LSD.

Fellow Discordian Louise Lacey also attended the Griffith Park Be-In. She recalled:

“The weather was perfect. We were all stoned. A single engine plane came and circled, and I thought it was the media, keeping track of us, but then a man all in white dropped down with a parachute and the crowd roared with approval. Later I learned that an old friend of mine from Marin County was the pilot. He got that plane out fast, because it was illegal to parachute within the city limits.

“The Be-In was fascinating because I had never seen such a large collection of freaks. I couldn’t keep from grinning. I was particularly interested because some hard-assed sociologist had said that when you were on LSD you were extremely susceptible to being led. I was watching for people being led.

“I saw a group of people organized into a crack-the-whip game. Twenty or twenty-five people formed and a man with a megaphone was giving them instructions. (Definitely planned.) ‘Move up the hill, move down. Hang on tight. Join with more people.’ I couldn’t tell if anyone was listening or just all having fun. The people at the end of the line were moving so fast they kept being thrown off, tumbling down the hill in the grass, laughing hysterically. Then some of the crack-the-whip people let go of the hands of the people around them and drifted off. The megaphone man yelled more loudly. ‘Hang on, don’t let go.’ More people drifted away. He was screaming now. The group all dropped hands and disappeared in the crowds and the megaphone man was screaming at the top of his amplified voice, ‘Come back! We are playing a game here!’  But the people were gone. I didn’t worry any more about what that sociologist had said.

“Many groups of people were gathered as families of friends. It was the first time I had seen this form of organization. So there were tents, and lean to’s and lots of signs pounded into the dirt, describing one thing or another to identify who the friends were. (This is where Kerry’s sign fit in.) As I didn’t live in LA, I didn’t recognize anyone other than Kerry’s friends, who didn’t stay around his sign, but it didn’t matter. I ‘knew’ the strangers as friends, and we laughed and hugged and shared doobies, and listened to music and I moved on. Nobody got hurt, everyone had a good time (except, I imagine, the man with the megaphone). As the day progressed, I gravitated back to Kerry’s sign and others did, too, and we shared what we have experienced, eventually gathered our stuff and drove home to Kerry’s. A most successful day.”

Louise Lacey, in the late-60s, during her green period.

In March 1967, the Los Angeles Free Press ran an article about how you could get high from smoking banana skins, including instructions on how to prepare the stuff. Kerry decided to give this new craze a go, and in the company of co-conspirator Louise Lacey visited the local Safeway supermarket, as the two of them cleaned out the produce section of their banana supply, then brought home the banana bounty, removed the fruit and baked the inner portions of the skins on cookie sheets just as the Los Angeles Free Press article had instructed.

While this cosmic concoction was cooking, Kerry and Louise went around the Watts neighborhood, ringing door bells and offering skinned bananas to any interested parties. As Louise recalled: “This was a mostly black neighborhood, who knew Kerry, at least by sight, but still they weren’t interested. He explained that it was an experiment, and that no one had messed with the bananas (which were getting brown), but they thanked him and shut the door, again and again, so we gave up.”

Kerry’s friend Becky Glaser remembered walking into Kerry’s house and discovering that every container conceivable was filled with peeled bananas. Becky said she will always remember the wild look in Kerry’s eyes, when she walked in and asked him:

“And what the hell are we gonna do with all these fucking bananas?!”

“Well, I’m urging you all to eat them.”

“And what’s gonna happen if we eat them?”

“I’ll get rid of them!”

“Yeah, but what are you going do with the peels?”

“Aha! That’s the important part!”

As Kerry’s brother, Dick Thornley, remembered: “Kerry enthusiastically invited me over for some Mellow Yellow that night.  The invitation came after they had baked it.  I recall the stuff was essentially powdered charcoal by the time it came out of the oven.  It was nearly impossible to light, let alone smoke.”

The Mellow Yellow craze is now considered an urban legend that was promoted by the Los Angeles Free Press article and Donovan’s groovy tune of the same name. According to the liner notes of Donovan’s Greatest Hits, the rumor you could get high from banana peels was started by Country Joe McDonald of Country Joe and the Fish.

Whatever the origin of the Mellow Yellow mythos, Louise Lacey remembers that inhaling the banana skins was anything but mellow. As for copping a buzz, the only one who got off on the stuff was Kerry, who after toking down on a Mellow Yellow reefer, proclaimed, “I’m high!” Leave it to Kerry to be the only person in the history of the Mellow Yellow craze to actually get off on the stuff. Of course, this wasn’t out of the ordinary, because—as Becky Glaser recalled—“Kerry got high off of everything.”

Hear the Mellow Yellow story from an interview I conducted with Louise Lacey in 2007. Play below or download the MP3 here.

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art discordianism illuminatus! monkey business robert anton wilson robert shea writings

Re-Release of the Illuminatus! Comic

I recently received this announcement from Mark Philip Steele:

“Good news, folks, the ILLUMINATUS! comic I published back in 1987 is now in e-comic format, including text commentary. It’s a zip file available for download, and may end up at other sites in other formats. If you’re interested, download the comic and contact me about it. Some of the comments MAY be posted in further editions. There was one self-published issue, then 3 with Rip Off Press, and an unpublished 4th issue. Plans are for us to release one a month from now till we’re done.”

http://fnord.wikidot.com/illuminatus-e-comic

Mark was gracious enough to let us post the first installment (PDF) of the series here at Historia Discordia. —Adam Gorightly

July 1987 premier issue of the Eye-N-Apple Productions ILLUMINATUS! comic. (PDF)

Download PDF

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July 2015 Eris of the Month: Deep Fried ‘Adoration of Eris’ by Gg

June 2015 Eris of the Month, 'Deep Fried Adoration of Eris' by Gg.


Happy Robert Anton Wilson Day!



Send us your Eris of the Month Club submissions (more info here) by using the form at the bottom of The MGT. page.

Hail Eris! All Hail Discordia!

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brunswick shrine discordian timeline discordianism greg hill kerry thornley monkey business photo principia discordia

The Brunswick Shrine Has Gone Dark!

Brunswick Shrine: Friendly Hills Bowl.
Courtesy of the Discordian Archives.
THE PROFITCIES WERE SOLD!
THE SIGNS WERE SEEN!
GREYFACE HAS COME!

Sad news, my fellow Discordians. The Brunswick Shrine has gone dark!

The announcement came through the following news reports detailing the end of an era, the closure of the birthplace of Discordianism, the Friendly Hills Bowling Alley:

Whittier’s Friendly Hills Lanes closes
Three Historic L.A. Bowling Alleys Go Dark

And now, let’s take a look back at the Brunswick Shrine and its Erisian vibe with a series of Historia Discordia posts we like to call…

“Tales of the Brunswick Shrine”

Tales of the Brunswick Shrine (Part 00001)
Tales of the Brunswick Shrine (Part 00002)
Tales of the Brunswick Shrine (Part 00003)
Tales of the Brunswick Shrine (Part 00004)
Tales of the Brunswick Shrine (Part 00005)

Brunswick Shrine: A Sign From Eris.
Courtesy of Discordian Archives.
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The Cosmic Trigger Experience — Two Days That Shook The Wirrall

Adam Gorightly at The Find The Others Conferestival, Liverpool, England, Nov. 23, 2014. Photo by Adam Clark.
Last November, during the Discordian Holy Days of November 22nd and 23rd, I had the distinct and mind blowing privilege to attend the Cosmic Trigger Play and Find The Others Conferestival in Liverpool, England, the cradle of yellow submarine civilization.

I’d planned to do a write up of the Cosmic Trigger event, but each time I attempted to put pen to paper, I felt I could never do justice to the experience, as it had a profound effect on me—equally hilarious and heartbreaking—and each time I attempted to write about it, my words fell short.

Fortunately, Ian “Cat” Vincent did all the heavy lifting for me in his review of the event from the December 2014 issue of Fortean Times and gave us the go ahead to reprint it. Goddess willing, Daisy Eris Campbell and Her Band of Merry Pranksters will soon bring their glory to us from across the pond. Hail Eris and keep the rainbow knickers flying!
Adam Gorightly


The Cosmic Trigger Experience —
Two Days That Shook The Wirrall

by Ian Vincent

“This is too important to take seriously.”
Robert Anton Wilson (1932-2007 CE)

This is not, and could never have been, an objective review. Robert Anton Wilson matters too much to me.

Wilson – writer, philosopher, occasional past Fortean Times contributor and woefully unsung cultural influence on everything from conspiracy theory to comic books – matters to Daisy Campbell, too. She literally would not be the woman she is today without him.

Daisy Eris Campbell was conceived backstage at the Liverpool School of Language, Music, Dream and Pun, during her father Ken Campbell’s ground-breaking stage adaptation there in 1976 of Wilson and Robert Shea’s novel Illuminatus! (“It was a long play” noted her mother, actress Prunella Gee.) Unsurprisingly, theatre was in Daisy’s blood and drew her on to work with her father on his 24-hour-long adaptation of Neil Oram’s The Warp and other productions.

A while after Ken’s death in 2008, several people approached Daisy about the possibility of her directing a revival of Illuminatus! for the stage. This idea didn’t appeal – but the string of synchronicity which had begun at the moment of her conception seemed to be tugging her towards doing something connected to both Wilson and Ken’s work. Daisy’s idea was to create a stage version of Wilson’s autobiography, Cosmic Trigger: Final Secret of the Illuminati which, since it included scenes from when Wilson came over to London to meet Ken and make a cameo appearance in the notorious Black Mass scene in Illuminatus!, would allow her to pay homage to both Wilson and her dad alike. The fact that Daisy had just reached the same age as her father was when he mounted Illuminatus! was icing on the golden apple.

After getting both the blessing and the rights to the book from Wilson’s surviving daughter, Daisy (along with co-conspirator John Higgs, author of the recent splendidly Discordian biography of The KLF, whose Bill Drummond worked on the Illuminatus! sets) took to the road to both promote the entirely crowd-funded show and test out early scenes with a hopefully sympathetic audience. It’s here that I enter the story.

In October of 2013 (on the 23rd, of course), Daisy and Higgs appeared at London’s Horse Hospital venue with a pair of talks about both Wilson and the production, and to offer a couple of preview scenes to view – and I made a point of being there. Wilson had been a significant influence on me since my early teens, and I was delighted to see a revival of interest in his work, especially in times where rising dualistic us-and-them narratives trouble the globe… maybe a little of Wilson’s multi-model approach and Gnostic Agnosticism coming back into the cultural conversation could help, in some small way.

The preview scenes – a meeting between Wilson, William S. Burroughs, Alan Watts and his wife at Playboy Magazine in 1968, and an interview with Ken Campbell during the Illuminatus! production&mdashwere smart, funny and hinted that the final production would be something special. Adding further interest was the news that writer, magician and Wilson fan Alan Moore would be contributing his recorded voice and visage to the play in the role of the artificial intelligence FUCKUP.

Cut to February 23, 2014.

Daisy and Higgs brought their act to the Kazimer Theatre in Liverpool. With the crowdfunding well on course and the play close to having a finished script, the next question was: where to mount the play? Daisy’s first instinct was Liverpool – both for the connection to Ken’s original and the synchronistic echoes with both the production and the life-changing vision of C.G. Jung, who had once dreamed that Liverpool, a city he had never before visited, was the Pool Of Life. The Kazimer gathering was partly to share the progress, show some exclusive footage on Alan Moore talking about Wilson’s influence on both his attitude to conspiracy theory and magic, and to air another preview scene – a recreation of Wilson’s first LSD trip. All of these were spectacularly impressive – especially the LSD sequence, which successfully employed clever scene-changing, music and some heart-rending acting from Oliver Senton, the actor cast as Wilson. By the end, it was clear that Liverpool was going to be the right place.

Following the performance, a group of us went to Mathew Street, just down from where the old Cavern Club had stood, to conduct a small street ritual to the bust of Jung there, which had been commissioned by Peter O’Halligan, founder of the Liverpool School of Language, Music, Dream and Pun, many years before. Being not unfamiliar with the idea of street magic, I suggested we combine the ritual with a calling upon the synchronistic powers of Alan Moore’s Liverpool-born creation, John Constantine… and so we did.

(For more about this event and ritual, see my Daily Grail post: http://tinyurl.com/cosmicliverpool)

By the time the play was ready for its first performance on November 22nd at the Camp And Furnace venue in Liverpool’s docklands, the weekend of its premiere had expanded considerably – Daisy and her cohorts not being the type to do things by halves, it was now going to be a two day celebration of the thought and works of both Wilson and Ken Campbell.

The play itself began by setting out a new standard instruction for theatre… “Start with a striptease, and then build to a climax”. The striptease is a recreation of the story of Ishtar, surrendering all her clothes and symbols before entering, naked and pure, into Hell. From there, Senton’s Wilson takes up the tale of how he entered that most illuminating of Hells, The Chapel Perilous – from which one can only emerge as a stone paranoid, or an agnostic.

There are many astonishing things about the play of Cosmic Trigger itself: the sheer range of emotion and theatrical styles (from hilarity to tragedy, from crisp two-person dialogue scenes to full-blown song-and-dance numbers); the dedication and enthusiasm of the cast (all were excellent, but stand-outs were Senton, Kate Alderton as his wife Arlen, Josh Darcy as Ken Campbell and 15 year old Dixie McDevitt, Daisy’s daughter, as Luna Wilson); the back-projected sets by Scott McPherson combined with recreation of Bill Drummond’s original Illuminatus! sets; Steve Fly’s music, songs and live drumming… but one thing I especially appreciated was the skill with which Daisy adapted Wilson’s book with great fidelity, while not allowing it to fall into hagiography – both Bob and Ken are shown as fragile, deeply human men, faults and all – and their work all the better for it.

It is also likely to remain the only stage production in which a woman, playing her own mother, recreates the moment of her own conception.

The rest of the festival was overflowing with joys. The evening show following the performance included outstanding work from a range of performers, including Ken’s former lover & protege Nina Conti, whose skilled and twisted ventriloquism routine had the audience crying with laughter, and music from T. C. Lethbridge and a DJ set from Youth of Killing Joke.

The Sunday – the 23rd, Harpo Marx’s birthday – was no less significant, with a range of talks, workshops and performances. It began with a powerfully moving ritual to the Ancestors, given by Rupert and Claire Callender of the Green Funeral Company (http://www.thegreenfuneralcompany.co.uk/). Speakers included Robert Temple (whose book ‘The Sirius Mystery’ had been such an influence on Wilson and who coined the term Cosmic Trigger), Discordian archivist Adam Gorightly and Robin Ince (who spoke movingly and hilariously of his love of Wilson’s angle on skepticism). The art show contained contributions from the likes of Jimmy Cauty, the other half of the KLF (who also designed the posters) and Melinda Gebbie. There were also bands, DJ sets and a film show (which included one of Wilson’s favourites, Orson Welles’ ‘F For Fake’ and the first showing of the video of Alan Moore’s ‘Moon and Serpent Grand Egyptian Theatre of Marvels’ performance/ritual of 1994).

And then there was one last twist for me… when Daisy asked if I happened to be an ordained priest (I am – thanks, Universal Life Church!) because she had decided that it was the perfect day to marry her long time partner, Greg Donaldson – “all my friends are here!”. It was half-improvised, a bit ramshackle in places… but, somehow, a glorious wedding. Much like the whole event.

‘Cosmic Trigger’ the play went on to a sold-out 5 performance run in London the following week. Plans are being made for an international tour. Keep an eye on cosmictriggerplay.com for details.

Fnord.

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art discordianism monkey business robert anton wilson writings zines

New Discordian Zine: Discordia Britannica

Hot off the presses is Discordia Britannica, the product of a couple Liverpudian Discordians named Lucas and Jason who informed me that, “We like the home-made look of it—it reminds us of things we used to pick up all the time but never see anymore.”

Featured in this first edition is an interview with RAW conducted by Lewis Shiner that originally appeared in issue #5 of Trajectories (not to be confused with RAW’s magazine by the same name), a Sci-Fi zine published by Richard Shannon in Austin, Texas in the late-80s, as well as a Q&A with Anton Newcombe of Brian Jonestown Massacre—not to mention an article by yours truly entitled “The Dead Comedian Conspiracy.”

For more info email discordian9@gmail.com or check ‘em out on facebook.

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art book daisy eris campbell discordianism illuminati kerry thornley monkey business play robert anton wilson timothy leary video

VIDEO: Cosmic Trigger Theatrical Promo

Cosmic Trigger Theatrical Promo from C S on Vimeo.

Promo for the Cosmic Trigger theatrical experience!

http://www.cosmictriggerplay.com/

Shot by: Laurence Blyth, Beccy Strong, Emma George, Nic Alderton.
Edit: Nic Alderton.

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art discordianism jfk jim garrison kerry thornley lee harvey oswald monkey business official business principia discordia writings zines

SHOUT OUT: Steamshovel Press Winter 2015: The Tyrant’s Foe. The People’s Friend.

Kenn Thomas has released the latest edition of Steamshovel Press as a $2.99 digital download with a dead-on retro zine cover that clearly nods to the Principia Discordia.

Steamshovel Press Winter 2015 Edition.
Grab your copy here.

A great issue on a variety of subjects and with this slick piece of work tucked into it:

“Aside from David Ferrie, there was no other among Jim Garrison’s sordid cast of suspects more colorful than Kerry Wendell Thornley, who not only co-founded the spoof religion Discordianism in 1958, but was also writing a novel, The Idle Warriors, based on Lee Harvey Oswald three years before JFK’s assassination. Garrison claimed that The Idle Warriors—as well as Thornley’s non-fiction work, Oswald—were attempts to set up his old Marine Corps pal prior to the assassination. If that wasn’t enough, Garrison claimed that Thornley was a CIA agent who impersonated Oswald and had an affair with his wife Marina…”

Read more of “Kerry Thornley’s FBI Files” by Adam Gorightly in the latest issue of STEAMSHOVEL PRESS.

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art book discordianism greg hill illuminatus! letters monkey business principia discordia writings

Introducing Dr. Mungojerry Grindlebone: Week 53 of the Illuminatus! Group Reading

On Page 566 of Illuminatus! we are introduced to a passage from Principia Discordia called “Sink” that is attributed to Ala Hera, E.L., N.S.

Sink as it appears in the Principia Discordia, page 000066.
Original SINK document authored by Bob McElroy sent to Greg Hill aka Mal-2.
Courtesy of the Discordian Archives.

The actual Discordian author of “Sink” was better known as Dr. Mungojerry Grindlebone or just plain “Mungo” (real name Bob McElroy) an active player in the early New Orleans Discordian scene of the late-60s.

Supposed self-portrait of Bob McElroy. Courtesy of the Discordian Archives.

McElroy was apparently a Discordian recruiter of sorts as seen from this blurry advertisement (sorry about the poor reproduction!) that appeared in a New Orleans counterculture newspaper called The Ungarbled Word published by fellow Discordian Roger Lovin (aka Fang the Unwashed.) At the bottom of this recruitment notice we see McElroy’s P.O. Box address in Rayville, LA.

Discordian recruitment notice authored by Mungo
from August of 1968 as it appeared in The Ungarbled Word.

Although I know less about Bob McElroy than most of the other Early Discordians of the period, his contributions to Principia Discordia are noteworthy, which include an Erisian Hymn on page 00019, a poem on page 00026 as well as Sink on page 00066.

An Erisian Hymn as it appeared in Principia Discordia, page 00019.
An Erisian Hymn submitted to Mal-2 for later inclusion in Principia Discordia.
Courtesy of the Discordian Archives.
A poem by Rev. Dr. Grindlebone from Principia Discordia, page 00026.

For more Discordian knowledge as fiction that is fact but fiction contained within Illuminatus!, point your browser to the book’s group reading page at RAWIllumination.net.

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art discordianism monkey business

Upcoming Discordian Related Gigs For Gorightly

Discordianism will once again rear its Eristic head at Pantheacon and the sumptuous Doubletree San Jose, which is really located in Santa Clara, California, but don’t let that confuse you—because as we all know (Hail Eris!)—the map is not the territory… nor is the goat, the cheese.

The first salvo—or Golden Apple—to be tossed (or rolled) into this New Age Pagan Wicca festival of fortune tellers and crystal channelers will be provided courtesy of my friend St. Mae and her chaotic crew at Discordian.com who will present at the exalted hour of 11pm (otherwise known in Aneristic-militaristic-clock-time as 2300) on the ever lucky day of Friday, February 13th—an “Authentic Recon Lady Gaga Devotional/Clothing Swap,” which hopefully indicates that people will be taking their clothes off, a longstanding Discordian tradition dating back to at least the late-60s.

A latter day Discordian, indeed.

When I asked St. Mae for more details about this Lady Gaga inspired clothing swap, she replied:

“I am very pleased with the meat costume one of us will be wearing. We found a bacon dress costume, and I am making a headpiece out of a steak dog toy.”

As for yours truly, I’ll be doing a Historia Discordia song-and-dance the following evening, Saturday, Feb. 14 (1+4=5)—once again at the exalted hour of 2300 (2+3+0+0=5)—according to the Law of Fives.

So if you Pantheacon attendees have had enough charka cleansing and bathing your feet in tea by this late hour come check us out!

Preceding my presentation will be Erik Davis with Babalon Rising: Jack Parsons’ Witchcraft Prophecy which sounds like a hoot.

Here’s the complete Pantheacon program guide.

On a related note, Discordianism will go all academic-like on April 23rd (according to the Law of Fives and the 23 Enigma) when I’ll be speaking at CalArts for a series Doug Harvey has masterminded called “Outsider Theory” where he’s presenting for his students the works of such mad geniuses as Richard Shaver, James Shelby Downard, not to mention certain fringe religions.

I may even show up with a rare Holy Discordian text or two.