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Sex, Drugs, and Discordia


The following article previously appeared in a slightly (chemically altered) form in Psychedelic Press Issue 23.


The Original Paste-Up Discordia (PUD), Page 00040, St. Gulik.
Courtesy of the Discordian Archives.
The Original Paste-Up Discordia (PUD), Page 00027, St. Gulik.
Courtesy of the Discordian Archives.


The handful of veiled (or perhaps not-so-veiled) drug references in the Principia Discordia include the ritual of Blessed St. Gulik the Stoned (pages 00027 and 00040), an allusion to a Discordian pot smoking ritual. (St. Gulik is a cockroach.)

The Original Paste-Up Discordia (PUD), Page 00068, Plant Your Seeds.
Courtesy of the Discordian Archives.
The Original Paste-Up Discordia (PUD), Page 00023, Discordian Application for Membership.
Courtesy of the Discordian Archives


Page 00068 of Principia Discordia featured “Plant Your Seeds,” a covert campaign to plant marijuana seeds throughout the cities of America to turn on the squares. “Lick Here” on page 00023 encourages the reader to stick their tongue on the dot for a special dose of you know what!

Principia Discordia (4th edition) evolved out of what were known as Groovy Kits, manila envelopes packed full of groovy goodies that were circulated by Greg Hill to a snail mail network of popes and momes during the Discordian Society’s halcyon days. Although Discordians have never been big on rules, it was encouraged that—upon receipt of said Groovy Kit—the recipient partook in the Ritual of St. Gulik to suitably prepare their heads before diving into the Groovy Kit goods and creating something likewise groovy to add to the package and then pass it along to the next Discordian on the list. (Rules is rules.) And so, in time, these Groovy Kits grew like some weird fungi, spreading their spores via the U.S. Postal System through the collective brains of those who elected to play the game; an art project made up of a communal Discordian stew of collages, counterculture memes, conspiracy theories, word games, irreverent humor, all of which contributed to the evolution of Principia Discordia which, in turn, provided inspiration for Robert Anton Wilson and Robert Shea’s Illuminatus!

Groovy Kit instructions courtesy of Kerry Thornley, circa late 1960s.

Robert Anton Wilson (RAW) provided some of the earliest reports of Discordian psychedelic experimentation in Cosmic Trigger I: Final Secret of the Illuminati. In 1963, RAW lived in “an old slave-cabin in the woods outside Yellow Springs, Ohio. With my wife, Arlen, and our four small children, I had rented the cabin from Antioch College for $30 per month and had an acre of cleared land to grow food on, 30 acres of woods to seek Mystery in…” It was there, with the aid of peyote, that RAW was able to tap into those ancient nature spirits, this at a time when you could still legally purchase peyote buttons via mail order.

“By mid-1963 [RAW] had logged 40 trips to inner space” and “frequently had the hallucination of telepathic communication with plants, both when flying on the wings of peyote and when [I] was straight… The strangest entity I contacted in those twenty-odd months of psychedelic explorations appeared one day after the end of a peyote trip, when I was weeding in the garden and a movement in the adjoining cornfield caught my eye. I looked over that way and saw a man with warty green skin and pointy ears, dancing.” RAW “watched for nearly a minute, entranced, and then Greenskin faded away ‘just a hallucination…’ But I could not forget him. Unlike the rapid metaprogramming during a peyote trip, in which you are never sure what is real and what is just the metaprogrammer playing games, this experience had all the qualities of waking reality, and differed only in intensity. The entity in the cornfield had been more beautiful, more charismatic, more divine than anything I could consciously imagine when using my literary talents to try to portray a deity. As the mystics of all traditions say so aggravatingly, ‘Those who have seen, know.’ Well, I had seen, but I didn’t know. I was more annoyed than enlightened. But that was not to be my last encounter with that particular critter. Five years later, in 1968, [RAW] read Carlos Castaneda’s The Teachings of Don Juan, dealing with traditional Mexican shamanism and its use of the sacred cactus. Castaneda, an anthropologist, saw the same green man several times, and Don Juan Matus, the shaman, said his name was Mescalito. He was the spirit of the peyote plant…”00001

RAW’s enthusiasm for psychedelics led to his 1964 article for Paul Krassner’s The Realist, “Timothy Leary and his Psychological H-Bomb” the result of an interview he conducted with Timothy Leary in 1964 at the Millbrook Ashram. As RAW noted:

“Later [Leary] asked me if I had majored in psychology, and was surprised to find most of my college years had been in the physical sciences. My knowledge of psychology comes entirely from omnivorous reading and several friendships with people in the field, but it may partially explain why Timothy Leary and I had a different sort of relationship than Tim usually has with writers and journalists.”00002

RAW became an ardent Leary advocate, and in the years to follow the two would forge a close personal and professional bond, co-authoring a number of articles together, as well as developing “The Eight Circuit Model of Consciousness” concept.

RAW continued his psychedelic explorations into the 1970s, incorporating consciousness expansion techniques, wicca, magick, tantra, yoga and in particular a Crowleyean ritual known as the “Conversation with the Holy Guardian Angel.” On July 23rd, 1973—coming down off an acaid trip—RAW was performing this Crowleyean ritual when he came into contact with what he perceived to be entities from the Sirius star system. RAW later discovered that July 23 is the very day when Sirius rises behind the sun, the fabled “Dog Days” as they are called. During this same period, RAW was in correspondence with Leary. As RAW recalled:

“In January 1974, Dr. Leary published Terra II, in which he reported his experiments during July-August 1973, attempting to achieve telepathic communication with higher Intelligences elsewhere in the galaxy. Dr. Leary “received” 19 transmissions—the so-called Starseed Transmissions—which he cheerfully admits may be hallucinations. He presents evidence and arguments that they may also be not-hallucinations.

“As soon as I read Terra II, it was obvious to me that I had somehow, during my yoga [magick] sessions, tuned in on Dr. Leary’s brain-waves. My July 23 communication from Sirius was either part of the Transmissions from the higher minds of the galaxy or was part of Dr. Leary’s hallucination, telepathically shared with me. Dr. Leary, however, did not mention Sirius…”00003

Greg Hill and Kerry Thornley in the late 1960s.
Courtesy of the Discordian Archives.

Greg Hill chronicled his psychedelic experiments in a number of journal entries, including a three page account from April 1965 entitled “An Experience with Mescaline.” (Download here.)

Body becomes helpless with laughter
As whirly-gig bugs return,
But now
Chills are back too
And the room is
Very desolate,
Save one single point
Of life and warmth:
The candle,
Far below on the floor.
As a Holy Guru
The Omniscient flame
Radiates its serenity
To all who
Will accept,
And body is once again granted
Warmth and
Comfort.

Kerry Thornley circa late 1960s.
Courtesy of John F. Carr.

In the mid 1960s, Kerry Thornley joined Kerista, “a sexually swinging psychedelic tribe” into mate swapping, dope smoking and acid tripping. Renowned for their “beautiful weekend orgies,” Kerista was established in New York the late 1950s by John Presmont (aka Brother Jud). After running afoul of the law in NYC, Brother Jud and his crew moved to Southern California, where they joined forces with Kerry. During this period, Kerry’s income was a total of $50 a week, which he earned from writing “case histories,” most of them factual, for Monogram Publications—a southern California erotica publisher—based on his experiences with the Keristas.00004

In 1966, the group’s newspaper changed its name from Kerista to Kerista Swinger, presumably to generate greater appeal with a new generation of hip sexual experimenters. Kerry—calling himself “Young Omar”—wrote several articles for Kerista Swinger, including the group’s mission statement:

Kerista is a religion and the mood of Kerista is one of holiness. Do not, however, look for a profusion of rituals, dogmas, doctrines, and scriptures. Kerista is too sacred for that. It is more akin to the religions of the East and, also, the so-called pagan religions of the pre-Christian West. Its fount of being is the religious experience and that action or word or thought which is not infused with ecstasy is not Kerista. And Kerista, like those religions of olden times, is life-affirming.

By 1967—the so-called “Summer of Love”—Kerry’s politics had gone through a radical shift. His rallying cry was now “sex, drugs, and treason”—everything that flew in the face of a conservative agenda he’d previously embraced with his enthusiasm for Ayn Rand styled Libertarianism. As Kerry later wrote:

When the conservatives began complaining that radical students were interested in nothing but “sex, drugs, and treason” I realized that, instinctually, they had hit the nail on the head. Sex, drugs, and treason were the three things I stood for…. Regarding sex, I became firmly convinced that unless there were trends established in our culture in the direction of uncompromising sexual honesty, tolerance for minority sexual preferences, equal treatment of the sexes, rational openness concerning VD and birth control, and saner attitudes regarding sex and child-rearing, particularly with reference to masturbation—further meaningful social change would not be possible…

Regarding drugs, I gained a great deal of respect for psychedelic substances as powerful tools for restructuring portions of one’s personality which could not be reached by intellectual effort alone, for expanding one’s sense of identification and compassion, and for opening the narrow and dry Western ego to mystical possibilities. Zen and similar styles of meditation, along with the yoga disciplines, I came to see as methods for maintaining psychedelic levels of awareness, once the chemicals had demonstrated the nature of such modes of consciousness…

Regarding treason, I came gradually to a position of supporting nearly all factions on the radical left, except in their quarreling with each other and the dogmatic insistence of some of these groups on the insistence of political violence (or, in other cases, the immorality of violence under all circumstances). I came to this position without ever abandoning some of the more libertarian elements on the extreme right. Meanwhile, I continued to refine my own political philosophy of anarchism—not because I favored “violence and chaos” with which anarchism is nearly always falsely equated, but because of my opposition to violence and chaos, for which government military machines and bureaucratic structures are largely responsible in today’s world…00005

Louise Lacey, late 1960s.
Courtesy of Louise Lacey.

Kerry Thornley helped organize the Griffith Park Human Be-Ins, which were the perfect set and setting to display his irreverent brand of humor. At the first Be-In, Kerry cut a singular swath, equipped with a sign that read: “Stamp out quicksand. Ban LSD.” Fellow Discordian Louise Lacey (Lady L., F.A.B.) recalled the first Griffith Park Be-In thusly:

The weather was perfect. We were all stoned. A single engine plane came and circled, and I thought it was the media, keeping track of us, but then a man all in white dropped down with a parachute and the crowd roared with approval. Later I learned that an old friend of mine from Marin County was the pilot. He got that plane out fast, because it was illegal to parachute within the city limits.

The Be-In was fascinating because I had never seen such a large collection of freaks. I couldn’t keep from grinning. I was particularly interested because some hard assed sociologist had said that when you were on LSD you were extremely susceptible to being led. I was watching for people being led.

I saw a group of people organized into a crack-the-whip game. Twenty or twenty-five people formed and a man with a megaphone was giving them instructions. (Definitely planned.)

“Move up the hill, move down. Hang on tight. Join with more people.” I couldn’t tell if anyone was listening or just all having fun. The people at the end of the line were moving so fast they kept being thrown off, tumbling down the hill in the grass, laughing hysterically. Then some of the crack-the-whip people let go of the hands of the people around them and drifted off. The megaphone man yelled more loudly. “Hang on, don’t let go.” More people drifted away. He was screaming now. The group all dropped hands and disappeared in the crowds and the megaphone man was screaming at the top of his amplified voice, “Come back! We are playing a game here!” But the people were gone.

I didn’t worry any more about what that sociologist had said.

Many groups of people were gathered as “families of friends.” It was the first time I had seen this form of organization. So there were tents, and lean-to’s and lots of signs pounded into the dirt, describing one thing or another to identify who the friends were. (This is where Kerry’s sign fit in.) As I didn’t live in L.A., I didn’t recognize anyone other than Kerry’s friends, who didn’t stay around his sign, but it didn’t matter. I “knew” the strangers as friends, and we laughed and hugged and shared doobies, and listened to music and I moved on. Nobody got hurt, everyone had a good time (except, I imagine, the man with the megaphone). As the day progressed, I gravitated back to Kerry’s sign and others did, too, and we shared what we had experienced, eventually gathered our stuff and drove home to Kerry’s. A most successful day.00006

At the time, Kerry had moved into a house in the Watts section of Los Angeles that became a sort of psychedelic social center. One frequent visitor to this scene was Kerry’s friend, Bud Simco, who recalled:

“Kerry was charismatic and had the ability to attract diverse personalities, people who would normally not be associated with each other, except by the force of Kerry’s personality. For example, there were so-called hippie types tripping under the dining room table, holding burning candles in their hands, while right-wing types were holding forth in the kitchen. One such character I recall had never been to Watts before, and showed up wearing a bullet-proof vest and armed with a .45. He seemed reasonable enough, in conversation, but he was taking no chances [having never been around hippies before]. There were people from all walks of life… including a pilot for the Flying Tiger Airlines, a student from MIT, some swingers, a fashion model, some writers, some SDS student types, and various and sundry others whom I did not know. One of my guests at one particular gathering was a former motorcycle gang member who lost his foot in a motorcycle accident, and his beautiful American Indian wife, who was at the time a co-worker of mine. He had never seen such an assorted group of people in his life, for example, but with his tambourine, magic mushrooms and a Donovan LP loudly playing, asserted his presence along with all the diverse others in one righteous happening. The thing is, everyone was tolerant of the other, regardless of individual inclinations and/or politics. At such an event, many people would never even interact with other groups, in other rooms, although many did. That was the one universal factor re: being present at one of Kerry’s gatherings, either at his home in Watts, or perhaps at one of the original “Be-Ins” at Griffith Park…”00007

A frequent visitor to Kerry’s house in Watts was John Overton who after his first acid trip changed his name to Camden Benares, the idea of which was to bring the teachings of the East into the West: “Camden” for Camden, New Jersey, and “Benares” after Benares, India, the city where the Buddha delivered his first sermon. Benares went on to write the classic Zen Without Zen Masters and was a contributor to the Principia Discordia with “A Zen Story” on page 00005. Camden’s Discordian name was Felix Pendragon. Felix—according to Discordian legend—always carried a pen, and in said pen was a joint. So, when somebody asked Camden who Felix Pendragon was, he’d take out the pen, remove the joint, and “drag on” it.

While this scene was happening at Kerry’s Watts house, Greg Hill was finishing up his military service. After his discharge in early ‘68, he relocated to San Francisco, and ramped up his Discordian activities while immersing himself in the burgeoning counterculture. Among these endeavors included the “Plant Seeds” chain letter he anonymously forwarded to underground papers and news outlets courtesy of “The Discordian Society.”

The 'Plant Your Seeds' chain letter by Greg Hill.
Courtesy of the Discordian Archives.

In addition to disseminating Groovy Kits to his circle of Discordian co-conspirators, Hill interacted with many of the psychedelic luminaries (and trouble makers) of the era, including Tim Leary, Art Kleps of the Neo American Church (author of the Boo Hoo Bible) and Jefferson Poland (aka ‘Jefferson Fuck Poland’) of the Psychedelic Venus Church, among others, often joining their respective psychedelic churches and receiving certain sacraments through the mail. One batch of illuminating correspondence that Hill received from Kleps included a curious index card:

Late 1960s correspondence index card from Arthur Kleps to Greg Hill.

Dr. Robert Newport was another long time friend of both Hill and Thornley as well as contributor to the Principia Discordia with “The Parable of the Bitter Tea” (page 00037) In Brenton Clutterbuck’s book Chasing Eris, Newport recalled his introduction to LSD:

“I was in this psychiatric residency in California in the late 1960s, and the world was in turmoil…. I had been struggling to keep up with all of it, then Greg [Hill] showed up with LSD, and that was goodnight… I had taken LSD months before I left for Okinawa [drafted into the military]… my head was just completely blown apart. And the hostility and violence of the military—I was not obeying too much. I became a revolutionary; I was doing all kinds of things that could have gotten me court-martialed. I didn’t because I tended to be smart enough to stay ahead of whomever… But eventually I was totally stupid and got myself kicked out, which was OK. I didn’t belong there anyway.” 00008

Greg Hill addressed Newport’s troubled military service in his Discordian newsletter The Greater Poop:

The Rev. Dr. Hypocrates, [Newport], has returned from his Okinawa Mission and is presently at Norton Cabal awaiting developments. Brother Hypoc, as you may or may not know, is a POEE psychiatrist who completed his residency in Berkeley a year ago and then promptly got his ass drafted into the United States Air Farce. Poop readers may recall a Xerox of Hypoc’s dog tag which started “Erisian” for religion (issue #6)…

Brother Hypoc [Newport], narrowly escaping legal prosecution, for some LSD antics, because of his professional status as an MD and his privileged status as an Officer, is presently trying to discharge the Pentagon from his life. Human beings in comparable situations but without Privilege Status, of course, are routinely crucified, caged, or psychosmashed by the pig machine, but they couldn’t send Hypoc to the Base Psychiatrist because Hypoc was the Base Psychiatrist, and he advocates that military psychology be in the service of mental health. Due to the awkwardness of the Military’s position, a discharge seems realistic—as soon as Big Uncle finally understands that Rev. Dr. Magoun has sworn the Hippocratic oath as a healer and finds it his moral obligation to RELEASE every person he can from the destructive and corruptive state of being in which the government confines US Citizens for the purpose of turning human beings into soldiers…

This loose-knit Discordian network in which Greg Hill found himself front-and-center was similar to the scene that revolved around Kerry Thornley’s pad in Watts; a colorful coterie of personalities moving from one end of the political spectrum to the other; a melting pot of freaks interested in alternative religions, sexual experimentation, psychedelics, political activism, the civil rights and the back-to-nature movements—with a dash of whimsy and irreverence added in—all of these cultural currents were part of this Discordian letter writing circle that Hill orchestrated.

While some of the Early Discordians have been associated with Libertarianism, it should be noted that their brand of Libertarianism had more to do with hippies and Yippies and freaks of all stripes than it did with current Libertarian strains. The Discordian Society’s involvement in these earlier Libertarian strains concerned their opposition to government overreach into our bedrooms and brains; whereas, nowadays, those who identify themselves as Libertarianism are, in many instances, focused on gutting environmental regulations, which runs counter to where many of the Early Discordians heads were at, such as Louise Lacey, who was more of the Anarcho-Libertarian persuasion: pro-environment and at the same time anti-privatization of land. Louise was one of the founders of the Earth People’s Park.

How can one man own another man?
How can one man own another’s time?
How can he own another’s energy?
How can he OWN a piece of the sky, or the sea, or the earth?
“And who shall command the skylark not to sing?”

—Earth People’s Park brochure (2/70)

Early Discordians Tim and Mary Wheeler.
Photo Courtesy of Mary Wheeler.

A couple other Early Discordians, Tim Wheeler (Harold Randomfactor) and his wife Mary Wheeler (Hope Springs) were about as conservative (politically) as you could get, although with an abiding enthusiasm for the Ritual of St. Gulik. To this end, Wheeler cultivated a marijuana crop on his farm in Indiana to help supplement his income as a humor writer for the National Review. As Mary Wheeler reminisced:

“When we moved to Indiana, we had 25 acres of land, and three acres surrounding the house; that is, not under cultivation. Yes, we grew a lot of pot—it kept us afloat through those years. It was an income for us, though it simply horrifies me now to think how reckless we were. I don’t know about the others [Discordians], but we smoked just for the feel good. No thoughtful insights, no magical apparitions. We smoked with a couple of our conservative friends, but I don’t know about the others. My guess is that everybody smoked, but most people didn’t gab about it…”00009

Tim Wheeler in the late 1960s.

In the early-70s, Bob Newport relocated to the Russian River area, north of San Francisco. At the time, land was dirt cheap there and he was able to acquire a couple of properties, one of which was a five-hundred seat movie theatre—located in a converted military Quonset hut—named The Rio Theatre.

A rare photo of the Cinema Rio being revitalized by Wilfred dePaola.
Courtesy of the Discordian Archives.

Newport enlisted Greg Hill and his wife Jeanetta to co-manage the theatre, and over time Cinema Rio became a community effort, a theatre by and for the local freaks, who had fled city life to live among the redwoods along the river in a back-to-nature setting. Cinema Rio was unique in the sense that it was a community effort, a theater by and for the local freaks. In this spirit, artists helped decorate the building, which included a marquee with a free-flowing Mayan theme painted by Wilfred dePaola. Once a month, all the locals who worked at the theatre would gather for a party/meeting and select the films for the following month, usually titles that reflected the counterculture, like Easy Rider or Woodstock.

Cinema Rio flyer constructed by Greg Hill, August 1972.
Courtesy of the Discordian Archives.

During this period, Newport operated a psychiatry practice at a property he acquired in nearby Guerneville with a sign at the entrance that read: “Trespassers Welcome.” The property consisted of an acre and a half, with several cabins scattered throughout the redwoods. Newport was also heavily involved with the psych department at nearby Sonoma State; his “office” was located in a tree house on the property, in the center of a circle of redwoods, in addition to a fifteen-foot hot tub where Newport conducted group therapy sessions.

Newport became dissatisfied with the local public school system and decided to home school his children:

“I put together a small school on my property,” Newport recalled, “because I didn’t want to send my kids to the public school, which was horrendous; it was a redneck school and the teachers hated hippies and tortured kids—I mean they were just terrible to the kids who were going there—so I started a school for my kids and hired a governess out of San Francisco… a licensed, credentialed teacher who was also dropping out, and she came up, and that lasted about three days before word got out, and suddenly I had 20 kids in school, and that then started a home schooling movement and we had eight different schools. In all the satellite communities we had close to 300 kids from K to 12, all with teachers who were dropping out, but credentialed… we started a school board and my wife and I administered all of the schools on a budget of 50,000 bucks, which was like charging parents who could afford it 20 bucks a month to put their kids in school, and parents who couldn’t afford it put their kids in school for nothing because we were not in anything to make money…”00010

RAW—who had relocated just north of Guerneville, in Rio Nido—was a frequent visitor to the Russian River scene, and his son, Graham received psychological counseling from Newport, which in turn led to interactions with Tim Leary. As Newport recalled:

“[Leary] and I had an interchange one day. He wanted to talk to me about Bob [Wilson’s] son, shortly when he was breaking and coming apart. So I talked to him about it, and [Leary] had, as far as I could see as a psychologist, as little empathy, real empathy, and as little understanding of schizophrenia as anybody I’d ever met. And it just pissed me off. I was really hoping I was going to get something… So he and I never interfaced really well after that. And Bob sort of rescued Leary, over the objections of a lot of the hip community who felt that Leary had really sold out a lot of people to enumerate his own problems with the law. And there were a lot of people who were pissed off at Bob, too, for doing that. I would do anything to get anybody out of prison, but I don’t think I’d sell out my friends to get myself out of prison and he basically did that. So I basically didn’t have much regard for him after that. I like the stuff he wrote but I didn’t think much of him as a human being.”00011

Not long after opening The Rio Theatre, an old redwood dance hall across the street from the theatre came up for sale, which Newport and Hill purchased and started a community center there that included a restaurant called Stone Soup, in addition to a food co-op, a health clinic (ran by a doctor who had dropped out), as well as an office for the community newspaper.

“A few rock musicians would come through… and all summer long we had these concerts which we organized, and as part of the concert we fed people. A lot of kids would drop through with nothing and were on the road and hungry and on weekends they could sleep on the beach and count on getting fed…”00012

Kerry Thornley and Camden Benares circa late-70s.
Photo courtesy of John F. Carr.

Meanwhile, Camden Benares had his own scene going on a few miles south of Monte Rio at Camp Meeker, which consisted of a cluster of summer cabins that had been overrun by hippies. Kerry Thornley joined Camden there in a lifestyle dedicated to hedonism and assorted forms of Discordian debauchery. At the time, Camden was married to his second wife, Melissa, and mate swapping was a common theme at Camp Meeker, as both Camden and Kerry had been into swinging going back to his days with Kerista in the mid-60s. Kerry and Melissa were an item for awhile; Kerry referred to her as “his ambassador to the world.” Another member of the party was a six-foot-two tall lady named Jerry.

During this period, Benares was writing erotica for The San Francisco Ball. Kerry was also a frequent contributor to The Ball, chronicling his opinions in a column called “Erotic Minority Liberation,” a 13-part series where he defended nearly every taboo under the sun, including exhibitionists, voyeurs, fetishists, transvestites, nymphomaniacs, obscene phone callers, animal lovers, and sadomasochists.

For shits and giggles, Camden sent out sporadic dispatches to his Discordian friends under the title of The Camp Meeker Truth and Foma Forum.

Benares was also working on a book project, Zen Without Zen Masters, which was subsequently published in 1977 and, like Illuminatus!, dedicated to the dynamic duo of Thornley and Hill.

Cinema Rio and the Monte Rio Community Center eventually folded in the spring of 1973, largely because Newport and Hill were over-extended financially. But there were other factors, as well, which caused the scene to run its course, namely the dissolution of Greg’s marriage to his wife, Jeanetta. As Newport recalled:

“It would have been a miracle if the marriage had survived. Life at the River was incredibly difficult. I mean it was wild, it was high and it was fun, it was creative… and there was no money, which meant that just trying to scrimp by with a living was hard to do… It was hard for me, too. I mean I had a little income because I had a practice going. But the theatre made no money—that cost us money. All these other activities we had going—none of them made money… So things were incredibly stressful. And when the marriage broke up, Greg became very depressed. And basically about that time, my mentor who lived next door to me, who had been a very interesting old man, who had dropped out as a President of Union Bank, and had come to the River, and had a very interesting Libertarian philosophy… ah, anyhow, he died, Jeanetta left, and pretty much everything collapsed…”00013

Psychedelic experimentation continued coursing through the Discordian bloodstream well into the 1970s. In a December 1974 letter, Newport reported to Greg Hill that “There’s a new psychedelic out – Legal, too, still – Ketamine HCL. Dosage 100mg. By I.M. injection – Cosmic consciousness in 4 min. Lasts 1 hour – 2 additional hours to come back down – Brand names Ketaject & Ketalar – Ask a long-haired doctor for a prescription.”

December 1974 letter from Bob Newport to Greg Hill
on an Altair Design coloring book page.
Courtesy of the Discordian Archives.

On November 23, 1976—which just so happens to be a holy Discordian Holiday, both due to the mystical manifestation of the number 23 and because it’s Harpo Marx’s birthday—an Englishman named Kenneth Campbell premiered a ten-hour stage production of Wilson and Shea’s Illuminatus! novel at the Science-Fiction Theatre in Liverpool. In true Discordian fashion, the production consisted of five plays of five acts (according with the Discordian Law of Fives) with each act 23 minutes in duration. As RAW wrote in Cosmic Trigger:

Campbell’s adaptation was totally faithful to this nihilistic spirit and contained long unexpurgated speeches from the novel explaining at sometimes tedious length just why everything the government does is always done wrong. The audiences didn’t mind this pedantic lecturing because it was well integrated into a kaleidoscope of humor, suspense, and plenty of sex (more simulated blow jobs than any drama in history, I believe.)00014

RAW and his co-author Robert Shea traveled to London to attend the production of Illuminatus! According to some accounts, RAW came bearing LSD tabs which he passed out to the cast members before the play commenced. As he recalled:

“The cast dared me to do a walk-on role during the National Theatre run. I agreed and became an extra in the Black Mass, where I was upstaged by the goat, who kept sneezing. Nonetheless, there I was, bare-ass naked, chanting ‘Do what thou wilt shall be the whole of the law’… and I will never stop wondering how much of that was programmed by [Aleister] Crowley before I was even born.”00015

The following year, a Discordian reunion took place that included RAW and his wife Arlen, Bob Newport and his wife Rita, Louise Lacey and Greg Hill who traveled to Seattle to attend the U.S. performance of the Illuminatus! stage play.

‘Twas a chilly night in Seattle, so someone (who shall remain nameless) produced enough MDMA for one and all (ingested between the second and third acts) which in due time took the chill from the bones of the assembled Discordians—and cranked up the glow surrounding their collective auras—as they sat enraptured, entranced by the spectacle. Louise Lacey recalls the Illuminatus! stage production as a “sublime experience.” As usual, laughter was a common theme. On the plane to Seattle, the group laughed all the way there, and in Seattle they laughed all through the stage play, laughed the rest of the night, and laughed all the way back home….00016

 


Notes


00001 Wilson, Robert Anton. 2016. Cosmic Trigger I: Final Secret of the Illuminati. Hilaritas Press. (Pages 22-23)

00002 Wilson, Robert Anton. Starseed Signals: Link Between Worlds. Unpublished manuscript. (Page 19).

00003 ibid. (Page 18)

00004 Gorightly, Adam. The Prankster and the Conspiracy: The Story of Kerry Thornley and How He Met Oswald and Inspired the Counterculture. Paraview Press. (Page 49)

00005 Thornley, Kerry. 1975. Untitled paper. Courtesy of the Discordian Archives.

00006 Gorightly, Adam. The Prankster and the Conspiracy: The Story of Kerry Thornley and How He Met Oswald and Inspired the Counterculture. Paraview Press. (Page 60)

00007 ibid. (Page 50)

00008 Clutterbuck, Brenton. Chasing Eris. (Page 51)

00009 “The Secret History of Immanentizing the Eschaton: The Mary Wheeler Interview”, historiadiscordia.com. November 2, 2014.

00010 Clutterbuck, Brenton. Chasing Eris. (Page 53)

00011 Excerpt from Brenton Clutterbuck’s interview with Robert Newport, 2012 .

00012 Clutterbuck, Brenton. Chasing Eris. (Page 53)

00013 Gorightly, Adam. < a href="https://amzn.to/2IL23V9">The Prankster and the Conspiracy (p. 140). Cosimo, Inc. Kindle Edition.

00014Wilson, Robert Anton. 2016. Cosmic Trigger I: Final Secret of the Illuminati. Hilaritas Press. (Page 224)

00015 ibid.

00016 Gorightly, Adam. The Prankster and the Conspiracy: The Story of Kerry Thornley and How He Met Oswald and Inspired the Counterculture. Paraview Press. (Page 210)

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Chaos in the UK: From the KLF to Reclaim the Streets

Brenton Clutterbuck and the Illuminatus! play manuscript.

Discordianism is the most influential parody religion you’ve never heard of. However, the half-century old “joke disguised as a religion” is experiencing something of a resurgence, with events such as Daisy Eris Campbell’s Cosmic Trigger play and the ‘Find the Others Festival’ organized by a team of chaotic pranksters including Ben Graham.

Now that chaos is returning to the UK (in style!), I talk to Ben Graham to look back on the long strange journey it’s taken to get here. From the pop sensation that burned a million pounds, to the reclaim the streets movement, Graham tracks chaos from comics to the Cosmic Trigger play.


Chaos culture is coming to you;
here’s where it’s coming from.

In 2015 trend forecaster K-Hole made a bold prediction; the next big thing would be Chaos Magic. To their credit, they seemed to have their finger firmly on the pulse of the zeitgeist—bit by bit, Chaos seemed to start waking up. A sudden resurgence of interest in Discordianism—a chaos worshipping ‘joke religion’—saw multiple book releases from names such as Adam Gorightly and John Higgs. John Higgs also began to do a tour to promote the legacy of famous Discordian author Robert Anton Wilson. Robert Anton Wilson’s family regained copyright to his works and began publishing under the name Hilaritas press. Meanwhile his book Cosmic Trigger (Amazon) was adapted into a play by Daisy Eris Campbell, and a Discordian festival was announced in ‘a south Yorkshire woodland’.

Suddenly, Chaos seemed to be creeping out from nowhere. But of course it hasn’t come from nowhere—in fact, while Anarchy may get all the attention, Chaos in the UK has a long and appropriately complicated history.

Ben Graham in 2016.
Courtesy of Ben Graham.

On a cold evening in London, I spoke to writer Ben Graham, an organizer of Festival 23 and author of A Gathering of Promises: The Battle for Texas’s Psychedelic Music From the 13th Floor Elevators to the Black Angels and Beyond (Amazon), who agreed to guide me through the strange trajectory of British Chaos. 

I meet him at a pub up the top of Paddington Station. He has a kind of geeky manner to him, and that delightful British politeness that we see in Hugh Grant movies, shaggy sandy hair framing a friendly face well speckled with rough stubble.

From Magic Manual to Comic Book

Ben starts his tour of the chaotic in his childhood; his first forays into these concepts of chaos came as a child reading comic books. Specifically, a hugely popular series called 2000AD—the series that spawned the character Judge Dredd.

First issue of 2000AD,
February 26, 1977.

“Basically 2000AD was a British kids comic starting 1977,” he says. “It’s still going today. It started as a fairly kind of violent high-end kids comic with science-fiction themes off the back of Star Wars… it was also a primer in Chaos Magic for a few years there because the guys who were writing it were slipping all this stuff in. Alan Moore, you had Grant Morrison very into it. You also had people who never really got out—like Pat Mills did a comic strip called Slaine which had a lot of Celtic mythology—very into magic ideas. I would have been reading it as a kind of 15/16 year old.”

Grant Morrison, would go on in the late-80s to publish a strip named Zenith, notable for its themes of Chaos Magic. Here, he took influence from Chaos Magician Peter Carroll, the founder of the Chaos Magic organization Illuminates of Thanateros. The inspiration was quite overt—too overt perhaps—at one point Carroll threatened legal action against Morrison.

“You had a kind of a mainstream kids comic where three out of five strips in it would be kind of Chaos Magic primers for kids,” Ben tells me. This early transferal of Chaos Magic ideas from Carrol’s somewhat obscure special interest publications, into mainstream youth popular culture was perhaps one of the first big steps that Chaos took into the mainstream of the British public’s imagination.

Chaos Magic has another notable influence; the ostensibly jocular religion of Discordianism. In his work Oven-Ready Chaos Phil Hine describes this influence:

An important influence on the development of Chaos magic was the writing of Robert Anton Wilson & co, particularly the Discordian Society who revered Eris, the Greek goddess of Chaos. The Discordians pointed out that humor, clowning about and general light-heartedness was conspicuously absent from magic, which had a tendency to become very ‘serious and self-important’. There was (and to a certain extent remains) a tendency for occultists to think of themselves as an initiated ‘elite’ as opposed to the rest of humanity.

Unlike the variety of magical systems which are all based in some mythical or historically-derived past (such as Atlantis, Lemuria, Albion, etc), Chaos magic borrowed freely from Science Fiction, Quantum Physics, and anything else its practitioners chose to. Rather than trying to recover and maintain a tradition that links back to the past (and former glories), Chaos magic is an approach that enables the individual to use anything that s/he thinks is suitable as a temporary belief or symbol system. What matters is the results you get, not the ‘authenticity’ of the system used. So Chaos magic then, is not a system—it utilizes systems and encourages adherents to devise their own, giving magic a truly Postmodernist flavor.

The Illuminatus! Trilogy, 'candy apple red' edition from Dell Trade Paperback, January 1984. Courtesy of the Discordian Archives.

Robert Anton Wilson was himself one of the original Discordians, and is probably single-handedly the person most responsible for the spread of Discordian ideas through the series of books he wrote with his friend Robert Shea—The Illuminatus! Trilogy (Amazon). This strange trilogy featured Discordians fighting against the evil plans of the Illuminati, and proposed that nearly every conspiracy theory popular at the time of writing was simultaneously true.

Epic Productions: Illuminatus! on Stage and the KLF

The event that bought Wilson’s ideas across the pond from the USA was the adaption of his Illuminatus! Trilogy into a play in 1977. Such a feat seemed impossible to do; luckily the discovery of the trilogy came to Ken Campbell; a man who regarded nothing as worth doing unless it was impossible. He was also the father Daisy Eris Campbell, who recently produced the play of Wilson’s book Cosmic Trigger.

Campbell was a theatre legend. His production of Illuminatus! into a play was a testament to his drive and creativity—the final presentation was performed as five acts across five nights, followed by an epic 10 hour presentation of all acts together. The opening date—November 23, 1976—took advantage of the Discordian obsession with the number 23.

As part of Ben’s writing career, he had the opportunity to interview one of the participants in this epic scale caper—Bill Drummond, who had developed the visionary set design of the play, creating surreal sequences with sets out of proportion to the actors, and using innovative techniques to position audiences in surprising ways, such as presenting actors horizontally to allow for a birds eye view of a tarot reading.

“So when I interviewed him, it wasn’t long after Ken Campbell had died,” Ben tells me. “So I wanted to ask him about that. And he was very effusive about the influence Ken Campbell had had on him when he worked on the 1977 production of Illuminatus! at the Liverpool Theatre and how he introduced him to those book and those ideas. Also I didn’t realize that Ken Campbell had been a lifelong friend. He would go to his house, keep in touch, for dinner, stayed like a friend with his family, more or less up to the point where he died. He said he was like a friend, not just a mentor from way back. He’d lost somebody who was an important guiding light.”

“He was always working in the now, he wasn’t thinking in terms of making films, writing books; it was always like, the event, what’s actually happening in the room,” Graham’s 2010 Quietus interview quotes Drummond as saying. “That was one of the big things I learnt from Ken Campbell. And taking risks, and just making things happen. That continued to inspire me about what he does, what he did do, right up until he died. And so I always got a lot out of getting together with Ken Campbell, or going to see a Ken Campbell production.”

The KLF: Bill Drummond and Jimmy Cauty

Drummond is actually more famous for his role in music than for his role in the Illuminatus! play. He, together with Jimmy Cauty, founded The KLF, a sample based pop outfit. Their original name was The JAMS, a name alluding explicitly to a group in Wilson and Shea’s Illuminatus! Trilogy.

By the time Ben had had his interview, the band had been long broken up. They ended their career in an extraordinary way—by announcing their retirement, shutting down their record catalogue and traveling out to a small island on Jura to burn the money they made—an entire million pounds. (For those interested, aforementioned author John Higgs has brought this strange tale back into the spotlight with his book, The KLF: Chaos, magic and the band who burned a million pounds (Amazon.)

When the band first burned the money, they followed up with a tour where they invited audiences to ‘tell them’ why they burned the money. Ben was in attendance at one of these nights in 1995, and detailed it for his fanzine News From Nowhere.

“They came to Bradford where I was staying and did a showing, a Q&A. I took part in the Q&A, so I had some interaction with the guys but it wasn’t an interview. I did write up the piece. I kind of tied it in with a lot of Discordian Illuminati type thing to sort of put my spin on why they’d done that. It did kind of get back to the KLF chaps, and I gathered that they thought that that was kind of the best piece on it at the time.”

Ben later sends me a copy of it. It is a good piece. The mood of the gathering is palpable, an audience frustrated at being asked questions rather than being given answers, in parts angry, congratulatory and indifferent.

“It was at the One in Twelve Club, Bradford, which was the kind of Anarchist underground club there, so the quotes from the people watching it were that these were kind of rich pop-stars that were burning money that could have gone to a good cause—that it was kind of an indulgent, decadent act. The guys, when they were talking, they weren’t really trying to defend themselves. Their approach was that they were trying to say, ‘we’re trying to find out why we did it, you tell us why we did it, we want to hear your stories,’ so they were being a bit of a kind of blank canvas.”

At one point Graham describes some of the outbursts of the crowd, describing the reaction of a group of punks unhappy that no explanation would be forthcoming.

“How do you get rid of piles,” they demand, amidst assorted jeers and heckles.

“Grab ‘em in your hand, right, and shove ‘em back up yer arse and hold ‘em there,” demonstrates Bill.

“It was a hostile night for them I think at the One in Twelve. My take on it; I suppose I kind of thought that one thing—it was their money. People have wasted that amount of money, music people have made that amount of money and wasted it on far more frivolous things, not many people give it to a charitable cause—they spend it on cars, houses, drugs, whatever with that money. They chose to make an art project by burning it. And I think it was quite a good reaction, they did make people think about the notion of money, money is the relationship between the paper and whatever it is you value in the world.”

His article also quotes the following passage from The Illuminatus! Trilogy:

“And you know what they do with Federal Reserve notes. Every time they get one, they burn it. Instant demurrage, they call it.”

“I doubt that it’s literal that they kind of saw this reference in the book and either it gave them the idea or said that it justifies that. You know, it’s not like the Bible where you’re looking for quotes to justify or base your actions on. But I think the action of doing that was sort of in line with the ideas that came from Discordia and the Illuminatus!…”

“And the burning of the money—it is a random act in the sense that they—they sort of knew why they were doing it I think, but you don’t really know what the consequences are going to be. You know you’re taking this money and you’re burning it and it’s a big—it’s sort of a magical ritual. In that way I think it’s very much a Discordian thing to do. And they deleted their back catalogue. Seemed sort of very much, let’s destroy the idea of the KLF but also you’re sort of creating more of a myth you know, beyond the sort of money making, the actuality of the music business, actuality of the KLF—you’re actually furthering its mythical life.”

At one point in the article Graham quotes one of the pair saying they weren’t trying to make a big statement like “chopping off our hands or something.” The joke would have been lost on the audience—Bill publicly admitted seriously considering that mad idea in his book 45, released in 2000.

One interesting point made towards the end of the article is Graham quoting Bill talking about a gender divide; men were more likely than women to support the burning.

Temporary Autonomous Zones and Radical Rave Culture

“After the KLF, some of the Illuminati stuff did spread into more general rave culture for a few years when it was in its peak,” Graham tells me. He pronounces it Illumin-ar-tai. “Kind of in the early-90s people kind of talked on—sort of around ’87, ’88 but then it went more widespread. It was also in that period when you had in the UK, the kind of club, the rave sort of techno clubs crossed over with the older traveling free festival scene that sort of came with the guy in the 60s and 70s, Hawkwind, that had been traveling hippy dreadlocked guys, because of the ravers that had been having free festivals out in fields, they ended up teaming up with guys who’d been having hippy rock festivals in fields forever. Those guys ended up getting into a lot of techno music, but they would have been guys who were reading the Illuminatus! books in the early 70s. It had the whole kind of esoteric hippy knowledge and stuff behind it, and guys who’d been living outside society for like a decade or so, going around in buses and all sorts of stuff.”

Ben Graham, an illuminated fountain on British Chaos.
Courtesy of Ben Graham.

“I don’t know how much you know about this stuff; the whole peace bus in the UK, the battle of the Beanfield at Stonehenge where police smashed up, destroyed buses and a whole community, then you had the Castlemorton Festival which led to the Criminal Justice Bill which is a law in the UK outlawing repetitive beats in public places which basically killed the outdoor bass scene. But when you had that whole scene going in the 90s, you had the club rave kids meeting the hippy travelers, one side being electronic techno music and ecstasy, and the other bringing this kind of like hippy philosophy and ethos and knowledge and it all kind of crossing over. And certainly I think a lot of the kind of Illuminati ideas. Suddenly it became cliché to be referencing the number 23 and something, for one thing.”

I mention to Ben the prevalence of the concept of the Temporary Autonomous Zone, in the rave scene. This idea came from Hakim Bey, a philosopher, who described this concept of a space in which the usual laws did not apply in his 1991 book of the same name.

“Yeah,” says Ben. “And in practical terms that sort of crossed over into the reclaim the streets movement doesn’t it. What they were doing certainly kind of early on, there was a lot of theory behind it and the notion of Temporary Autonomous Zone was very much to do with what they were doing, going into the business area of London and having a big party and stopping the traffic. It wasn’t really a protest. Maybe a protest against business or car culture or whatever but at the same time it was the notion of the Temporary Autonomous Zone. It’s like the Situationist idea of beneath the pavements, the beach and in the heart of the city we can have a party, we can bring flowers, we can have a fete in the middle of the road, and that came out of that sort of politicized and radicalized rave culture. You know, they became the reclaim the streets movement and the anti-road protesters, it’s really the same people who’ve moved on from music just into protesting. They’re outdoors and they’re reclaiming their environment, on a kind of Utopian Situationist principle.”

He describes the recent Occupy as a natural outgrowth of reclaim the streets movement.

“It’s like William Burroughs says,” he tells me. “Artists legislate the world, they’re more powerful than politicians because artists create ideas and politicians just put things into action; good artists come up with something new and put it into the world and that kind of changes things.”

Ben Graham has joined forces with a number of other co-conspirators to be part of a contemporary Discordian celebration—Festival 23—that in part formed itself through the energies of the motley crew that came together for the ‘Conferestival’ that marked Daisy Eris Campbell’s opening of Cosmic Trigger. Festival 23 hosted a giant artwork by Jimmy Cauty—an industrial container filled with an epic post-riot miniature landscape. Ben Graham provided the writing on a leaflet that accompanied the artwork:

Both festivals and riots aspire towards freedom; both ultimately are only temporary negations of a stultifying status quo, but may lead to more long-term solutions catalysed by their unfettered expression of energy, anger, love and/or ecstasy. There is freedom in the heart of a riot; a wild abandon and a sense that suddenly anything is possible. Do what thou wilt is quite literally the whole of the law, for the law as defined by policemen, judges and politicians is shown to have no empirical natural authority. It is an assumed condition imposed by those temporarily in power, and can be overthrown both within and without by the will of the people, if only for a limited time and space. But if it can be done once, even for a few seconds, can such glorious lawlessness not be achieved again?

Festival 23 flyer.
Courtesy of Ben Graham.



* * *

So did chaos jump from magic manual to comic book, find itself in fiction, transferred to stage before implanting itself in the minds of future pop superstars, whose rave hits implanted it into the culture of rave, and ultimately protest and party culture?

Well, of course not—such a story is far too clean for the messy madness that is chaos. But if there’s a lesson here, it’s that every strange step of history sets off another twenty-three steps in all sorts of directions. With so many chaotic steps bouncing off each other, how long do you think it will be before you too have the pleasure of being plunged into chaos?


Chasing Eris by Brenton Clutterbuck

My forthcoming book Chasing Eris will be released next month. The book documents my worldwide adventure to experience modern Discordian culture, meet its personalities, and the discovery of many elusive Erisian mysteries.
Brenton Clutterbuck

 

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January Eris of the Month 2018: Vintage 2014 Eris Chardonnay by Carneros Estate

January Eris of the Month 2018: Vintage 2014 Eris Chardonnay by Carneros Estate
Lots of chaotically wondrous things were happening in the world of Eris in 2014, such as Daisy Campbell’s Cosmic Trigger Play, which I had the good fortune of attending in merry old Liverpool on November 22, 2014.

Not to mention the double-barreled release of my two Discordian related books, Historia Discordia and Caught in the Crossfire.

On top of it all came this vintage wine straight outta Napa.

Hail Eris.

Thanks to my friend Christy S. for providing the photo.

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The Dog Days Edition of Eris of the Month: RAW and Eris

August Eris of the Month 2017: 'RAW and Eris' by Jason Atomic.

The August dog day’s edition of our Eris of the Month comes courtesy of Jason Atomic with a sketch of Oliver Senton in the role of RAW and Claudia Bolton as Goddess Eris (with a sword and one-eyed smiley-face shield) that Jason conjured up during the recent London run of Daisy Campbell’s Cosmic Trigger play.

I first became aware of Mr. Atomic’s magnificent artwork a few years back when he sent me a copy of Satanic Mojo Comix that—according to Jason—had been inspired in part by some of the more salacious sections from my book, The Shadow Over Santa Susana: Black, Magic, Mind Control and the Manson Family Mythos.

Front and back cover of issue No. 1 of Jason Atomic's Satanic Mojo Comix.
July 2, 2013 letter from Jason Atomic to Adam Gorightly.
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The Illuminati Descends on London!

Rosie Kay Dance Company: MK Ultra. Photo by Brian Slater.

Keep Calm and Ewige Blumenkraft.

Had I only known (when I talked to him a couple months ago) that Adam Curtis was working on a project about the dreaded Illuminati, I most certainly would have interrogated him on the matter! What other secrets is he concealing???

According to Judith Mackrell in the April 21, 2017 edition of The Guardian:

“Against a rising tide of fake news and conspiracy theories, choreographer Rosie Kay and film-maker Adam Curtis have found a timely subject for their new collaboration, MK Ultra. Splicing together documentary footage and a pumped-up stream of dance and music, this two-hour work tells the story of how a generation of under-25s have come to believe in the Illuminati, a shadowy cult they say is attempting world domination through mass brainwashing.

“According to popular myth, the cult operates by grooming targeted individuals to become celebrities, using pop stars such as Britney Spears to disseminate the cult’s agenda through the content of their songs and videos. MK Ultra is an exceptionally stylish production. Illuminati imagery percolates through every aspect of its design, from the pyramid-shaped film screen to the arcane symbols that decorate the seven dancers’ costumes.

“Curtis’s documentary uses a characteristically sophisticated blend of contemporary interview and archive footage to narrate the rise of the Illuminati myth, while Kay’s choreography portrays a group of dancers who have apparently been signed up to the Illuminati programme, drilling themselves for stardom through a relentlessly competitive (and cleverly parodic) regime of twerking, urban, sexy moves.”

So if you’re lucky enough to be in the UK this month, you can totally get your Eye in the Pyramid groove on by attending both MK Ultra and the Cosmic Trigger Play at The Cockpit in London.

In addition, there will be an extended Cosmic Trigger Play extravaganza on May 27th including talks by Alan Moore and Adam Curtis. Find out more here.

Rosie Kay Dance Company: MK Ultra. Photo by Brian Slater.
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Will you pull the Cosmic Trigger in London in May?

2017 : CTB_05// Will you pull the CosmicTrigger? 5 of 5 from amoeba on Vimeo.

Promo for CosmicTrigger the play
May 4th-27th The Cockpit, London.
Cosmic Trigger Broadcast 05//
Visual Propaganda meme for the Robert Anton Wilson
based, audio visual stage performance
extravaganza that is cosmictriggerplay.com
by Daisy Campbell

//made deep within thee state by amoeba
www.theestateovcreation.co.uk

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WHAT GOES UP MUST COME: Confusion Contest ’75: ConCon: Fun! Games! Meaning!

Greg Hill relocated to New York from 1973—1975 and while there one of the Discordian projects he launched (under his Discordian persona of Rev. Dr. Occupant) was…

The Confusion Contest or ConCon.

Confusion Contest Flyer. Courtesy of the Discordian Archives.




As part of his official duties overseeing the Confusion Contest, Rev. Dr. Occupant issued the following report:

1975 Official Confusion Contest Report. Courtesy of the Discordian Archives.




And drum roll please…

Here are the winners of ConCon 75!

The result of ConCon 75. Courtesy of the Discordian Archives.




One of the ConCon entries “came” courtesy of Discordian poetess and one-time lover of Kerry Thornley, Judy Abrahms.

ConCon entry from Discordian Judith Arahms. Courtesy of the Discordian Archives




Here’s another ConCon entry promoting “Hot finger-size Chicken Sandwiches.”

1975 ConCon Entry: Hot finger-size Chicken Sandwiches.
Courtesy of the Discordian Archives.




The content from the ConCon files strewn across the floor
at Discordian Archives West hindquarters.

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July 2016 Eris of the Month: Kallisti – Find the Others


Send us your Eris of the Month Club submissions (more info here) by using the form at the bottom of The MGT. page.

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art book brunswick shrine daisy eris campbell discordianism hilaritas press music official business play robert anton wilson writings

Discordian News Roundup

Inspired by last year’s production of Daisy Campbell’s Cosmic Trigger Play and Find the Others Festival, an intrepid group of Discordians across the pond are crowdsourcing a Disco free-for-all called Festival 23 slated for the weekend of July 23rd, 2016 that is described as “An interactive celebration of literature and the arts; of theatre, playshops and music inspired by the Discordian movement; a society of philosophers, theologians, magicians, scientists, artists, clowns and similar maniacs who are intrigued with Eris, Goddess of Confusion, and with her doings.”

One of the organizers of the Festival 23 event recently appeared on the Cult of Nick which you can hear here.

Hear, hear!

Word on the street is that Daisy Campbell and her band of merry misfits will also be involved with Festival 23, all of which will presumably keep the Golden Apple rolling in a positive direction all the way to Santa Cruz, California where Daisy and the troops intend to stage the Cosmic Trigger play in 2017—on July 23rd to be exact—the same date of the annual Robert Anton Wilson Day in Santa Cruz as well as the day when RAW originally pulled the cosmic trigger back in 1973, which is what all this fuss is about.

For more of a tease, read Daisy’s update here.

To coincide with all these Cosmic Trigger related happenings, the RAW estate has just announced the official launch of its publishing arm Hilartius Press and re-release of a whole slew of RAW titles. First out of the chutes will be—you guessed it!—Cosmic Trigger I: The Final Secret of the Illuminati with a brand spanking new intro by John Higgs author of the fabulous Discordian title KLF: Chaos Magic Music Money that if you haven’t read, you really should, and quickly.

Brunswick Shrine: A Sign From Eris.
Courtesy Discordian Archives.
And if all of that wasn’t enough jolly good news to keep all you greyfaces out there from totally immanentizing the eschaton, Tom Jackson over at rawillumination.net just the other day reported that the fabled Brunswick Shrine has apparently been rescued from the wrecking ball!

Hail Eris! All Hail Dick Weber!

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discordianism illuminatus! interview jfk kenneth campbell lee harvey oswald play robert anton wilson robert shea writings zines

1994 HOAX! Magazine interview with Ken Campbell

The following is an interview of Ken Campbell for HOAX! Magazine dated October 1994 conducted by John C. S. Quel, reprinted with permission.

Grab the PDF here.

The October 1994 cover of HOAX! Magazine.
Download the PDF here.