At long last, for your reading pleasure, we present Kerry Thornley’s poem Illuminati Lady, which Robert Anton Wilson and Robert Shea described in Illuminatus! as “an endless epic poem which you really ought to read.” Of course, the Illuminated Bobs gave no indication about how one would go about doing so, but now you’ll finally have the golden (apple) opportunity, as my crack staff here at Historia Discordia headquarters finally got around to scanning the darn thing.
As far as I know, the only place Illuminati Lady had previously appeared was in a late-60s zine called St. John’s Bread published by Paul Encimer (Discordian name, Dr. Confusion), who I corresponded with many years ago while researching The Prankster and the Conspiracy. While putting this piece together, I did a google search which unfortunately informed me that Paul passed away in January of last year. Encimer led a full and fascinating life, which you can read about here.
In the obit/bio, written by Kym Kemp, it states that Encimer’s “publication Saint John’s Bread reflected all his interests with a combination of entertaining stories and opinion and comic absurdity, he contributed to a friends long running In Light Times and worked with his peers The 7 Mighty Anvils as Dr. Confusion, creating together to distribute regular editions of the Saint John’s Bread Wednesday Messenger and Paranoid Flash Illuminator. These works explored imagined and esoteric spirituality, and current politics, they experimented with early psychedelia, poetry, fiction and surrealistic discordia with multi-hued paper printed cheaply on aging mimeograph machines. A creative impulse that would become the zine movement embraced by young sub-cultures everywhere. He was one of the early ordained ministers of the Universal Life Church in full agreement with it’s free wheeling take on spiritual practice, and always recalled the motto he saw etched at it’s founders enclave during an early gathering: ‘There is no hope, without dope.’ Paul slipped easily into what became known as a Hippy lifestyle, but politically he considered himself one of Abby Hoffman’s Yippies—Just under the wire at the fabled 30 year old cut-off….”
In the video below, Thornley discusses Illuminati Lady.
I just recently learned that my dear friend and fellow Discordian Louise Lacey passed away.
Here’s her obit from the San Francisco Chronicle, which described Louise as a
“…writer, feminist and advocate for restoration of California native plants… Her writing career encompassed her best known book, Lunaception, which explored traditional ways of natural family planning, Woman’s Choice, a newsletter by and for women on topics of interest to women in all stages of life, and Growing Native, which educated readers and researchers on native plants from the rich diverse climatological regions of California. Several trips to Southern Mexico and Guatemala led to an enduring interest in the Mayan people. A tech writer by day, Louise often spent weekends hiking the hills w
ith friends from the West Coast Dowsers, searching for her Power Places…”
Besides all of the above, Louise accomplished even more…
I first met Louise in the early 2000s when I was researching my Kerry Thornley biography, and we became fast friends. At first, Louise was a bit guarded about Kerry, and as we were winding up our first meeting, she said something to the effect: “I hope you treat him right.” Ultimately, I think I told Kerry’s story honestly, which of course meant documenting some of his more trying times when he was teetering on the edge of madness, including a story Louise shared with me about a time when Kerry was visiting her in the mid-to-late 70s, and Louise could hear him during the middle of the night screaming out for the voices in his head to leave him alone. It was during this stay that Kerry almost set Louise’s house on fire when he left something burning on the stove.
I spent about three hours with Louise that first day, pouring through her voluminous files in search of articles and Discordian related correspondence, not to mention some photos she’d been telling me about of Kerry in her front yard in Berkeley from the mid-80s holding a harmonica. Although we discovered several cool Kerry photos from those bygone days, the ones with the harmonica seemed nowhere to be found, as if Eris herself had plucked them from our spacetime continuum and deposited them Goddess knows where.
At one point in our visit, Louise recounted the time she’d done some research work on the history of drums for Mickey Hart of the Grateful Dead for his book Drumming at the Edge of Magic. During the course of conducting her research at the UC Berkeley Anthropology Library, Louise told me how she’d employed a method of dowsing to assist her in locating pertinent passages related to the history of the first drum. This method of literary dowsing was applied to save herself endless hours of thumbing through multiple shelves dedicated to drum history. Anyway, Louise demonstrated what she had done at the Anthropology Library way back when, by running her hands over her own bookshelf, then stopping at a place on the bookshelf where her intuition instructed her to.
We never did find the Kerry-with-the-harmonica-photo that afternoon, but Louise promised she would continue to seek it out. As Goddess would have it, Louise emailed me soon after with the following astounding revelation: “You know where I found the two photos of Kerry? At that place on the bookshelf where my hand ended up when I was telling the story about how I found the piece of information for Hart by dowsing!”
About 4 years ago I helped Louise move from her place in Berkeley to an assisted living facility. Her memory was starting to deteriorate at this point, but she still had enough on the ball to realize it was time to make this move, basically signing an agreement to hand over whatever savings and social security she had to lock in a deal at this senior facility that would provide a nice place to live and three square meals a day; somewhere she’d be able to live in comfort for the remainder of her days without constantly worrying about how she’d pay the bills from month to month.
As I was helping Louise make this life-changing move, many of the books she’d held dear for so many years were now slipping through her grasp; she didn’t care about a lot of them at this point, because the memories of what they’d meant, or the emotions she’d previously attached to them, were quickly fading from view. I ended up with a few of those books she was no longer interested in, or had no room for at her new space. One of these was Historia Discordia, which Louise had delighted in when I first presented her with a copy several years ago, but by this point I don’t think she remembered what it was about, or that I’d given her the copy; same thing with the Mickey Hart drumming book that she’d contributed to, which bore this inscription:
Louise’s Chronicle obit obviously hit on some of the high notes of her life, but I’ll add a few that weren’t mentioned. In 1963, Louise moved to Chicago where she worked as editor/staff writer at Novel Books, which published celebrity scandal type books in addition to titles with an Ayn Randian-Objectivist spin. Objectivism, at least in part, eventually morphed into what we know as Libertarianism, and during this period Louise was an adherent of sorts of Objectivism, or one might say she was a budding Libertarian; but like Kerry Thornley, Louise’s political identity soon after evolved into more that of an Anarchist, although any particular pigeonhole would never truly encompass such expansive characters as a Lacey or Thornley. Through her work with Novel Books, Louise first met Kerry in 1964 and ended up editing his first published work, Oswald.
After her stint in the windy city, Louise returned to California, working on the staff of Ramparts Magazine from 1966-1967. It was at Ramparts that Louise befriended Eldridge Cleaver, who worked as a freelancer there. As reported in Robert Anton Wilson’s Cosmic Trigger I, Louise’s Discordian moniker was “Lady L., F.A.B.” The “Lady L.” part was something Kerry had given Louise that was lifted from the title of a Romain Gary novel; however, the “F.A.B.” appellation was something Eldridge Cleaver had come up with, short for “fucking anarchist bitch.” As the story went, one day Cleaver was standing outside the Ramparts office with another unnamed staff writer who—when he saw Louise walking toward them out on the street—remarked, “Here comes that fucking anarchist bitch.” Cleaver, who had a soft spot for Louise, begged to differ with the fucking anarchist bitch appellation, noting that he considered Louise good people, and that furthermore she had taught him how to eat and appreciate artichokes.
Another book I took home with me during Louise’s move was Cleaver’s Soul On Ice, and only later flipping through it did I notice this inscription:
Like Thornley, Louise was an active observer/participant of the 60s counterculture as demonstrated in this previously posted article “Mellow Yellow and the Summer of Love”.
Louise was a founding member of Earth People’s Park, and during this late0-60s period she joined a commune called The Mendocino Way. I don’t really know all of the details surrounding The Mendocino Way, but her involvement with the group was short-lived when she apparently called BS on the leader who she felt was going down the guru path through manipulation of fellow commune members, including herself. In other words, Louise was shown the door when she started asking too many challenging questions of the group’s leadership. She was never one to fall in line.
Around this time, Louise began working on a book about the counterculture called With No Respect for Authority, which you must admit is a rather brilliant title. During our many conversations, Louise occasionally mentioned this project (that ultimately never came to fruition) and I don’t know why it was never completed, but by the mid-70s she had moved in another direction, having her first book published, Lunaception (1975), her landmark work on a natural method of conception, using the phases of the moon as a guide.
However, as I would later learn, Lunaception wasn’t technically Louise’s first published work, and that while with Novel Books she had ghost-written a tabloid style tell-all called The Beautiful Pervert, concerning Errol Flynn’s under-aged lover. Although Louise pretty much always kept this book on the down-low and never listed it in any of her published biographies, she would nonetheless pull it out on occasion and show it to me punctuated by her famous and uproariously nose laugh.
As the 1960s rolled into the 1970s, Louise published a newsletter called Woman’s Choice. As she described the concept at the time:
“Woman’s Choice is the ultimate realization of a twenty-plus year-old dream whereby people would pay me to write to them. My curiosities are so omnivorous that I could never write a book about each subject that fascinates me. Woman’s Choice is an intimate monthly letter by subscription. Thus I have a vehicle with which to write about things as diverse as dependency, the rhythms of life, and traveling alone. My purpose is to give a mental, emotional, and spiritual goosing to the reader on a new subject each month. No dogmas, just intriguing ideas and a fresh perspective in a personal but non-sentimental style.”
Here’s a download of Issue #2 of Woman’s Choice, which features a fascinating recounting of Louise’s experience with past life regression, and her subsequent journey to Central America in an attempt to confirm what she experienced during her trance state.
To fund Woman’s Choice, Louise decided to sell her house in the Berkeley Hills, which she’d later regret during the last decade or so of her life when the cost of Bay Area housing really put a crunch on her expenses, as over time she was forced to move from one place to another, with the condition or arrangement continually getting worse. Not that Louise ever lived in poverty, but times were certainly getting rough over the last decade and she had to pinch her pennies and get creative to make ends meet.
Among Louise’s many accomplishments was a government study she was involved in that resulted in a report she authored called Drug Use in San Jose, Project DARE (1978.) She found a certain irony in this project, as her lover during this same period became addicted to methamphetamine, effectively ending their relationship.
As noted in her Chronicle> obit, Louise sometime worked as a “tech writer,” which wasn’t quite accurate; Louise often freelanced as a technical writer for different outfits, but she was never really a “techie,” so to speak, and like a lot of people her age Louise often struggled keeping up with computers and technology. Louise never engaged in social media, but she was tech savvy enough to be concerned about the potential threat that social media posed to our personal privacy and so she avoided it like the plague. However, with the help of a webmaster, at one point Louise launched a site where she sold information about a cure for hemorrhoids she’d discovered. And so she was always working one angle or another to keep a positive cash flow rolling in.
As the Chronicle obit noted, Louise was a “Power Place Dowser.” Much like “water witches,” there’s a large community of folks who dowse for so-called “power places.” I have a number of Louise’s writings and recordings on this subject, materials I’ll share at a future date.
This is Part Two of The Illuminati Files by Brenton Clutterbuck. If you missed Part One, here you will find A Conspiracy is Born.
Suddenly, nothing happened!
Or at least not much. While the Illuminati had copped the blame for trying to challenge the power of church and state in Germany (a fair cop), instigating the French Revolution, and interfering with the founding years of the United States (both substantially less likely), for most of the late 1800s, concern about the Illuminati died down, only to return mutated and with a vengeance in the 1900s. Conspiracy author Nesta Webster brings them back in 1919, characterising them as a Jewish conspiracy dating back to the days of Jesus. She produced several works across her lifetime about the Illuminati. In 1965, the rightwing monthly The Cross and the Flag published by Gerald L. K. Smith featured an article that named the Illuminati as the second most important enemy in the world (pipped to the post by those dastardly world bankers!) Around the same time, a man named Robert Welch was beginning his own crusade against the Illuminati, via the organisation he founded — the highly influential rightwing organisation, the John Birch Society, which characterised the Illuminati as the precursor to Communism.
We find ourselves in the United States of the 1950s and 1960s, in a society being rocked by social change and in an environment where conspiracy theory (some of which would ultimately be proved correct!) was running wild. Campaigns of propaganda helped to overload the bullshit detectors of many, and very quickly, large numbers of people developed the firm suspicion that somewhere, someone was doing something, and whatever it was, it wasn’t good.
Into this paranoid stew of confusion and confoundment, came a new religious movement. It was called ‘Discordianism’, and perhaps unsurprisingly it was obsessed with chaos, disorder, and the impossibility of reaching out to grasp objective truth. Truly, this was a movement of its time.
With such fixations of the nature of truth, confusion, and the great unknown, it is no wonder that many Discordians were themselves entranced by ideas of conspiracy. The Principia Discordia, among other Discordian materials, satirised this re-emergence of Illuminati fever. Riffing on the Illuminati led to the ‘Illuminati letter’ appearing in the Principia Discordia. As with much of the PD, it is influenced by a mixture of sources.
Episkopos Mordecai, Keeper of the Notary Sojac, informs me that you are welcome to reveal that our oldest extant records show us to have been fully established in Atlantis, circa 18,000 B.C., under Kull, the galley slave who ascended to the Throne of Valusia. Revived by Pelias of Koth, circa 10,000 B.C. Possibly it was he who taught the inner-teachings to Conan of Cimmeria after Conan became King of Aquilonia. First brought to the western hemisphere by Conan and taught to Mayan priesthood (Conan is Quetzlcoatl). That was 4 Ahua, 8 Cumhu, Mayan date. Revived by Abdul Alhazred in his infamous Al Azif, circa 800 A.D. (Al Azif translated into Latin by Olaus Wormius, 1132 A.D., as The Necronomicon.) In 1090 A.D. was the founding of The Ismaelian Sect Hashishim) by Hassan i Sabbah, with secret teachings based on Alhazred, Pelias and Kull. Founding of the Illuminated Ones of Bavaria, by Adam Weishaupt, on May 1, 1776. He based it on the others. Weishaupt brought it to the United States during the period that he was impersonating George Washington; and it was he who was the Man in Black who gave the design for The Great Seal to Jefferson in the garden that night. The Illuminated tradition is now, of course, in the hands of The Ancient Illuminated Seers of Bavaria (A.I.S.B.), headquartered here in the United States.
Our teachings are not, need I remind you, available for publication. No harm, though, in admitting that some of them can be found disguised in Joyce’s Finnegan’s Wake, Burroughs Nova Express, the King James translation of the Holy Bible (though not the Latin or Hebrew), and The Blue Book. Not to speak of Ben Franklin’s private papers (!), but we are still suppressing those.
The letter goes on for quite some time, but luckily for the human race, the Discordian articulation of the Illuminati quest turned out to be actually, pretty wholesome!
Look, if you people out there can keep from blowing yourselves up for only two more generations, then we will finally have it. After 20,000 years, Kull’s dream will be realized! We can hardly believe it. But the outcome is certain, given the time. Our grandchildren, Mal! If civilization makes it through this crises, our grandchildren will live in a world of authentic freedom and authentic harmony and authentic satisfaction. I hope I’m alive to see it, Mal, success is in our grasp. Twenty thousand years….!
Ah, I get spaced just thinking about it. Good luck on the Principia.
Also included in the preceding pages are an advertisement for the Bavarian Illuminati, and a telegraph, apparently from the illuminati to the Discordians, with a comically unbreakable cypher that could be used to permanently render incoherence to any sensitive messages (let’s just hope nobody —ever— needs to decode them!).
Discordian elder Robert Anton Wilson got on board the Illuminati train in a major way. He had been drafted into the Discordians in ’67, but they wouldn’t provide his first exposure to the Illuminati conspiracy. By the time the Discordians drafted him into their weirdness, he’d already been working at PLAYBOY‘s letters section for two years, alongside co-conspirator Robert Shea. PLAYBOY — being a magazine dedicated to all kinds of sexual and moral freedoms — attracted the attention of those who felt their freedoms were being infringed on in the most bizarre and unbelievable ways. This ‘nut mail’ from some of the more paranoid PLAYBOY patrons inspired Wilson and Shea to write a series in which all of the conspiratorial fantasies of their readers were 100% true. The resulting novel The Illuminatus! Trilogy returned to the more sinister power-hungry characterisation of the Illuminati.
The work was already invested in exploring the most deranged and bizarre (though not, of course, impossible) theories about who controlled the world. Wilson and Shea further muddied these illuminated waters of truth by sneaking articles into publications under assumed identities years before, then quoting those sources in their fictional trilogy to develop a strange and unreliable synthesis of truth and fiction. The book was about conspiracy, was produced as the result of conspiracy, and was a satirical exploration of a phenomenon that was far from just a light-hearted joke.
Illuminatus! of course then became another significant popularizer of the modern Illuminati mythos into popular culture. It also popularised the new foundation myth alluded to in the Illuminati letter from the Principia — that the Illuminati originated from the Islamic Assassin cult led by Hassan-I-Sabbah — though they attributed this idea to the John Birch Society.
Illuminatus! as a work, seems to have had a wide influence, although its authors would surely have liked to see more of that influence translate into royalties! It’s been speculated that the work influenced Umberto Eco, whose work Foucault’s Pendulum shares a number of similarities with the Illuminatus! Trilogy. More recently Dan Brown’s Angels and Demons also portrayed the Illuminati within the substance of its plot.
Steve Jackson Games, whose forays into the fringe frequently step into Discordian territory, loosely adapted the Trilogy into a board game (if it had been a ‘tighter’ adaptation they would have had to pay!).
The KLF, music weirdos who burned a million pounds, were also influenced by Illuminatus! Both members were exposed to the Trilogy through Ken Campbell’s epic 10 hour theatre adaptation of Illuminatus!, and this influence can be seen explicitly through the first name they took; The JAMS, a reference to the Illuminatus! Trilogy.
From here, the flow of influence for both the Illuminatus! Trilogy and the Illuminati mythology get pretty hard to track. You can see the source of a trickle, but how do you point to the home of a wave? With the hippie movement as a powerful vector, the Illuminati entered the public consciousness, permeating vast swathes of public life and awareness.
When I was doing my interviews for Chasing Eris, I spoke with Ben Graham who gave one example of how awareness of the Illuminatus! Trilogy, and the associated conspiracy consciousness passed from hippies to members of the electronic scene.
Because of the ravers that had been having free festivals out in fields, [members of the electronic scene] ended up teaming up with guys who’d been having hippy rock festivals in fields forever. Those guys ended up getting into a lot of techno music, but they would have been guys who were reading the Illuminatus! books in the early 70s. It had the whole kind of esoteric hippy knowledge and stuff behind it… You had the club rave kids meeting the hippy travelers, one side being electronic techno music and ecstasy, and the other bringing this kind of like hippy philosophy and ethos and knowledge and it all kind of crossing over. And certainly I think a lot of the kind of Illuminati ideas. Suddenly it became cliché to be referencing the number 23 for one thing.
As for the Illuminati itself, well, today it is Well Known enough that the very term has become a euphemism for any vaguely shadowy institution. When some say ‘the Illuminati’ control the world, they perhaps don’t mean Weishaupt’s group, but instead ‘the Deep State’ ‘the Ruling Class’, ‘the Bourgeoisie’, or maybe ‘the Shadow Government.’ Maybe, in some sense, they are all absolutely right.
The Illuminati perhaps remains so powerful in the public consciousness today because it speaks to the need to fill in the gaps — the dark shadowy gaps — in our knowledge of the world. Every trove of top secret documents that spills out from a Wikileaks page or a pastebin, every release of unclassified documents, every whistle-blower and truth-teller betrays the existence of a murky world of conspiracy that lives beneath the surface of our otherwise normal and logically consistent existence. Voltaire once said that if God didn’t exist, it would be necessary to invent him. Perhaps the same is true of a Godlike conspiracy. Fortunately, Adam Weishaupt did us that favor many years ago, and things have only been getting stranger ever since.
Before embarking upon this, his latest video documentary odyssey, Adam paid me a visit here at my humble abode in the Sierra Nevadas, and we spent a few hours discussing Thornley, Greg Hill, and RAW, interview footage of which may in fact appear in the series.
Since turnabout is fair play, Adam let me interview him at the time, the result of which appeared on my short-lived podcast, Radio GoGo.
And if that wasn’t enough, and of course it never is, I also penned an afterword for the RVP-never-to-be, which is a little dated in some regards, as it was composed in 2015 prior to a number of states in our great union legalizing marijuana, among them California where I currently reside and frequently indulge in Indica gummies.
God bless the Golden State. And away we go…
Reaching Boldly for the Stars
“They live happiest who have forgiven most.”
—Robert Anton Wilson
The intellectual synergy Leary and RAW generated during the Starseed Signals period was one of those high watermarks Hunter S. Thompson described in Fear and Loathing In Las Vegas; a wave that tragically crashed to shore with the brutal death of RAW’s 15-year-old daughter, Patricia (Luna in Cosmic Trigger), on October 3rd, 1976, an incident that made headlines in San Francisco-Bay Area newspapers.
This tragedy must have been a true test to RAW’s convictions, seen in light of the views expressed in Starseed Signals about the U.S. penal system, and how he felt that a large portion of the prison population was unjustly incarcerated. The natural reaction to the brutal murder of one’s child naturally elicits, in most of Starseed Signals, a sense of rage and vengeance, however robotic those emotions may be. However, RAW wisely learned along the way that cages exist not only in the physical realm, but in our minds as well, and that the only way to truly free ourselves from these self-imposed prisons, is to let them go. (Easier said than done.) One way of doing this is through the practice of forgiveness, a sentiment RAW shared repeatedly throughout his final years. In retrospect, I now understand why RAW placed such importance on the practice of forgiveness; he realized that the more we can do to unchain those ghosts of the past that haunt us, the freer we can be to live and love.
A proponent of space exploration, life extension and cryogenics, RAW made the bold leap—in the aftermath of his daughter Patricia’s death—to have her brain cryonically preserved. As he informed the San Francisco Examiner: “We thought that if we could make a contribution to science something good could come out of this tragedy… We feel it is a long shot, but it’s our way of expressing our belief in life and our rejection of the casual acceptance of murder and death in our society.” It should be noted that this was the first time in history that an attempt had been made to preserve a human brain.
As much as RAW and Leary tried to push things forward, evolutionary-wise, the more things stay the same. Marijuana—the dreaded killer weed—is still illegal in most states of this great nation, and we are still arguing about the rights of women to decide the fate of their own bodies, while thousands of our young battle ever-changing enemies in undeclared wars without end. Sometimes it seems like two steps forward, three steps back on the evolutionary treadmill. Or to mix metaphors even more, our species is akin to Sisyphus, pushing that rock slowly and painstakingly up the mountain, but never quite making it to the crest, to come rolling back down again like Hunter Thompson’s famous wave that crashed to shore and symbolized the end of a generation’s aspirations. But RAW and Leary were having none of Dr. Thompson’s fatalism, as both remained cheerful and optimistic up until the very end of their lives.
One positive development we can point to is the growing use of medical marijuana to treat cancer and other ailments, such as the post-polio syndrome RAW suffered from most of his adult life, and particularly in his final years when it became increasingly difficult for him to walk on this own, without the aid of others. However, his medical condition in no way slowed down his anti-authoritarian antics. During the 2003 California recall election, RAW tossed his name into the hat, running for Governor on the Guns and Dope Party Ticket, whose platform advocated replacing one third of Congress with ostriches.
Another example was his participation at a pro-medical marijuana rally in Santa Cruz, California on September 17, 2002. At this event, RAW was among a group of medical marijuana patients who, in defiance of a federal court order, picked up their medicinal herb from care providers at a rally that received national media attention.
Many presume that the life of a famous author means never again having to toil again at a nine-to-five job as untold riches pour into your coffers from a never-ending stream of royalty checks cheerfully sent by beneficent publishers. Unfortunately, this was not the case for RAW, at least not the part about untold riches. During those heady years of the mid-seventies, RAW was always a responsible provider for his family, which could be a difficult task at times for a father of four who wants to blaze his own literary path. Starseed Signals was dashed off during those precarious years when poverty persistently nipped at his heels, and RAW had to humble himself for public assistance to make ends meet. But somehow he made it all work while at the same time envisioning a far more noble and interesting future for us all, or at least for those among us willing to venture beyond our own self-imposed human orbits, and reach boldly for the stars.
The above photo of Robert Anton Wilson, on the fabled Grassy Knoll, popped up on the Twitter a while back courtesy of Mustafa_al_Laylah, taken during a visit to Dallas circa 1998. In said photo, RAW is situated behind the picket fence separating the Grassy Knoll from the adjacent rail-yard bordering Dealey Plaza.
According to one assassination conspiracy theory (examined in the BBC series The Men Who Killed Kennedy), it was from this vantage point that the so-called Badge Man presumably fired the baleful bullet(s) that catapulted President Kennedy’s cranium into the great beyond, a theory based in part on photographic enhancement of the picket fence area at the time the fatal projectile(s) met their mark. Of course, the enhancement and enlargement of an old grainy photo (in this case the Mary Moorman photo) is like peering into a Rorschach Blot, and the longer you do so, the more figures your imagination brings to life, and thus fills in the blanks depending on what you expect to see, or desire to see, a la ‘Who Is The Master That Makes The Grassy Knoll Green?’.
During this tumultuous period, Garrison was viewed as a new darling of the “Radical Left,” presenting himself as a maverick prosecutor taking on corrupt authority in the form of the CIA and the military industrial complex, whom Garrison suggested (at one time or another) were part of the sinister plot that engineered Kennedy’s awful offing.
Due to this view of Garrison as some new hero of the Left, Thornley now found himself in a somewhat peculiar position, as he had long been involved with the burgeoning counterculture, having written for any number of underground magazines and newsletters, but now it appeared he was the odd man out. As RAW recalled in my book The Prankster and the Conspiracy:
“In ’67 or ’68, most of the underground press was publishing a lot of stuff pro-Jim Garrison, and this included Kerry’s role in the assassination. And I had lots of contacts in the underground press, so I starting sending out articles defending Kerry, which nobody would print, because the underground press was behind Garrison and the official corporate media was totally anti-Garrison—I was trying to send the message to the wrong place…”
Among those (in Thornley’s opinion) that had jumped aboard the Garrison bandwagon, was L.A. Free Press publisher/editor Art Kunkin, who, among other pro-Garrison articles, ran the following:
In response, Thornley sent the following letter to Art Kunkin, presenting his side of the story and requesting equal time:
In their efforts to provide counter-programming, Thornley, RAW, and their fellow Discordians launched what became known as Operation Mindfuck, a concerted effort to bombard Garrison and his enthusiasts with a steady diet of zany disinformation under the banner of the Bavarian Illuminati. To further illuminate (or confuse) Art Kunkin, RAW sent the letter below, under the auspices of the Order of the Peacock Angel, signed by his Discordian alter ego, Mordecai Malignatus.
In order to further expand their network of potential Illuminati collaborators, RAW sent the following missive to a select group of underground movers and shakers.
How the Discordian Society became synonymous with the Bavarian Illuminati can be attributed, to a certain extent, to a John Birch Society member named Allan Chapman, who also doubled as a JFK assassination researcher and “Grassy Knoll Irregular,” as they were dubbed; a legion of amateur sleuths who shared their investigative “fruits” with Jim Garrison, which then Garrison regurgitated to greater glory. RAW name-dropped Chapman in his infamous letter & answer in the April 1969 PLAYBOY Advisor.
As Thornley recalled:
“Wilson and I founded the Anarchist Bavarian Illuminati to give Jim Garrison a hard time, one of whose supporters believed that the Illuminati owned all the major TV networks, the Conspiring Bavarian Seers (CBS), the Ancient Bavarian Conspiracy (ABC) and the Nefarious Bavarian Conspirators (NBC).” (The Dreadlock Recollections, Kerry Thornley)
Chapman subscribed to the theory that the Illuminati (who he claimed controlled the Big Three TV networks) masterminded the assassination, and that one of the alleged assassins hid inside a storm drain in the picket fence area of the Grassy Knoll and then popped out of a manhole cover like some diabolical jack-in-the-box and peppered poor JFK with a barrage of bullets before returning to his underground lair there.
It should then come as no surprise that The Grassy Knoll played a part in the Illuminatus! Trilogy, embodied in the character of the Dealey Lama, a robed and bearded holy mad man who lived in the sewers below Dealey Plaza. In retrospect, the Dealey Lama sounds a lot like Kerry Thornley by the mid-1970s, when Kerry lived the life of a homeless holy man of sorts, sporting long hair and a biblical beard, and at one time or another actually lived in a storm drain for a spell.
Recently I stumbled upon this artifact in the Discordian Archives, a clipping from the May 1976 edition of National Weed entitled: “Author Sues Acidheads For Saying Leary Wrote His Book!”
In essence, this article appears to have been a PR prank Robert Anton Wilson pulled as a pretext to promote Illuminatus! while at the same time taking a pot-shot (pun intended) at members of the Neo-American Church, who—on occasion—RAW was known to tussle with.
This article also mentions a Timothy Leary interview RAW was working on that had yet to be published at the time due to what he referred to as “perfectionist” editors at PLAYBOY. This “Lost Leary Interview” —which has yet to see the literary light of day—was among content included in the RVP-never-to-be-version of Starseed Signals, although I’ve been informed that our friends at Hilaritas Press may include it in their forthcoming iteration of the book.
As for the “acidheads” mentioned in the article, RAW was referring to members of the Neo-American Church, founded by former Leary acolyte Arthur Kleps. It should be noted that if RAW was sincerely interested in suing the Neo-American Church, then said lawsuit would have included his friend, and Discordian Society founder, Greg Hill, who was an affiliate member of that august acidhead outfit as documented in this membership card below. Oh, what a tangled web we acidheads weave!
Kleps was fond of penning polemics to counterculture publications, one of which appeared in the November 14, 1975 edition of The Berkeley Barb with Kleps going on about how the “energy crisis” was a hoax that “fits in with the apocalyptic ideas so popular among the moron supernaturalists and occultists of the Robert Anton Wilson type…”
In response, RAW fired back with the following letter published in the November 21, 1975 edition of The Berkeley Barb: