Rev. Billy James Hargis, who during the 60s and early-70s operated a ministry called the Christian Crusade.
Rev. Broshears—as I previously noted—studied under Hargis, and was a member of his ministry until getting the boot after being arrested for groping a male youth in 1965, which resulted in Broshears serving six months in the Belleville, Illinois state pokey.
Despite Broshears’ falling out with Hargis, apparently the two remained in touch, at least on a professional level, as documented in this letter dated June 24, 1970, wherein Hargis grants Broshears the use of a rather long-winded quote about the scourge of “ultra-liberalism.”
Tom Jackson points out that Hargis himself suffered a similar scandalous fate (as Broshears) in 1974 when it was discovered that he’d seduced two of his former students, one male, and one female. (Shades of “ultra-liberalism”!) These revelations forced Hargis to step down from his ministry under a cloud of sinful shame, subsequently turning over the Christian Crusade reins to his right hand man, Dr. David Noebel.
In 1965, Christian Crusade Publishing came out with a curious little commie bashing tome (by the aforementioned Dr. Noebel) entitled Communism, Hypnotism and the Beatles: An analysis of the Communist use of music, the Communist master music plan.
In the Discordian Archives—filed under “Operation Mindfuck” —you’ll find a letter sent to Dr. Noebel from Rev. Charles Arthur Floyd II (aka Robert Anton Wilson) hipping Noebel to the fact that long before The Beatles were corrupting the youth of America, Ludwig von Beethoven had been up to the same sort of perfidy, basically using his compositions as part of an Illuminati plot that later brought us such iniquities as communism, ultra-liberalism and birth control pills.
It should be noted that this communism-conspired-to-influence-rock-music genre is a bit of an obsession with your humble Discordian author. Another Noebel classic in my collection is The Beatles: A Study in Drugs, Sex and Revolution that includes a somewhat hilarious cover because it seemed like the artist was going out of his way to make it NOT look like the Fab Four. I mean, Paul looks a little like Paul, but George looks more like Charlie Manson, and Ringo, well—I don’t know who he looks like—certainly not Ringo. And aside from the granny glasses, you’d never know it was John. But one thing’s for certain: they all look like a bunch of drug-addled hippies, and that’s all that counts!
My initial exposure to this communism-influencing-rock-music-mind-rot was in a rock music anthology I owned many years ago, of which I unfortunately no longer have a copy—nor can I even remember the title of the darned thing—but it featured some of this Beatles communist conspiracy stuff. As I recall, this anthology *might* have included an excerpt from Dr. Noebel’s opus Rhythm, Riots and Revolution, which presented the theory that rock music put American youth into voodoo trance states and turned them into rockabilly zombies, and that black roots music was an influence on rock n’ roll which further ushered in multiculturalism, free sex and interracial coupling. (And all the other bad hootchie-kootchie that I guess the Illuminati is keen on, and of which Aleister Crowley would most assuredly approve!) To this end—according to Dr. Noebel—rock musicians were unwitting dupes spreading the message of peace, love and drugs, which is exactly what the commies wanted so they could bring the United States and capitalism to its knees.
Also in this mystery anthology was an essay about how Jim Morrison was the manifestation of Dionysus, and (as I recall) another essay about how Theodor Adorno had clandestinely composed a lot of The Beatles music as part of some grand plan to indoctrinate the masses. The reason I bring this anthology up is because I’d love to track down a copy. So if any of our readers have a clue as to the title of said book, please contact me at email@example.com, and if you have the correct answer, I’ll send you your very own Discordian patch. (Pictured below.) Better yet, if you have a copy of the book, feel free to gift it to me, and I’ll be your pal forever. (That “pal” offer also includes a patch!)
For some additional Dr. David Noebel goodness check out “Marxist Minstrels – The Beatles” by Henry Makow, and also this video of Doc Noebel babbling about Bob Dylan and Joan Baez:
The most notable Barker-Moseley letter prank was pulled on famed UFO contactee George Adamski with what became known as the Straith Letter Hoax, a party that got started in December 1957 when Barker got his paws on a batch of absconded State Department stationery, and during a weekend of heavy boozing, he and Moseley concocted the Straith Letter out of whole cloth.
The letter in question—signed by the fictitious R.E. Straith, a member of the State Department’s “Cultural Exchange Committee”—informed Adamski that his 1952 encounter with Orthon the Venusian in Desert Center, California, had been confirmed by government officials, and Straith encouraged Adamski to drop by the Cultural Exchange Committee’s D.C. offices whenever he was in town.
Adamski all but wet his pants over this phony State Department endorsement, trotting out the Straith Letter at every opportunity to support his ET contact claims. This prompted an investigation by the real State Department and FBI, who ordered Adamski to stop pimping this cockamamie letter as it was an obvious hoax and there was no such department as the “Cultural Exchange Committee.” Of course this didn’t dissuade Adamski, who claimed that the government was trying to suppress the Straith Letter from the public. But he would not be deterred!
At some point the feds grew to suspect that Barker was the brains behind the Straith Letter, and they questioned both he and Moseley on a number of occasions, although each denied involvement in the caper. Barker—worried that he was going to end up doing hard time in Leavenworth—destroyed the typewriter on which the Straith Letter was composed and buried its remains in wet cement at a construction site in his hometown of Clarksburg, West Virginia. The feds—unable to uncover any tangible evidence linking Barker to the letter—eventually dropped the case, probably viewing it as a rather harmless stunt. Following Barker’s death, Jim Moseley came clean about his involvement with the Straith Letter hoax in a 1985 issue of Saucer Smear.
Another memorable Barker/Moseley prank occurred in 1966 when the two concocted the “Lost Creek, West Virginia, UFO film” which basically consisted of attaching a miniature flying saucer to a fishing pole line and dangling it around. Moseley later used this fake film during college lecture gigs to astound and amaze his audiences, presenting it as authentic UFO footage.
Hail Eris! All Hail the Saucers!
This article was sort of ripped off from a forthcoming book by me and my pal Greg Bishop called ‘A’ is for Adamski: The Golden Age of the UFO Contactees, which should be available before too damn long. Here’s a video promo for the book…
Also check out Greg’s interviews with Jim Moseley here.
And for you to catch up, read previous episodes in the Discordianism Meets Ufology series.