Categories
jfk jim garrison kerry thornley lee harvey oswald photo

A Pristine Photo of Kerry and Cara Thornley

Kerry and Cara Thornley outside the Tampa circuit court, January 1968.

My pal Michael Marinacci alerted me awhile back to the above photo of Kerry Thornley and his wife Cara that he happened upon on eBay for the low, low price of only $19.95, which I quickly snatched up because the quality was far superior than the faded clippings of this photo that reside in the Discordian Archives.

This photo, which originally appeared in the January 23, 1968 Tampa Tribune, was taken outside of the Tampa, Florida circuit court after Kerry’s release from an arrest orchestrated by New Orleans District Attorney Jim Garrison. The circumstances for this arrest were a bit sketchy due to the fact that Garrison hadn’t been able to convince the Orleans Parish Grand Jury to issue an arrest warrant and so Big Jim took it upon himself to issue what’s known as a “bill of information,” which was a kind of end-run around the typical subpoena/warrant process as a means to compel Kerry’s testimony in Garrison’s JFK assassination probe.

This photo is somewhat infamous because it was later cropped and used as part of the Garrison Touch-Up Caper I’ve addressed in previous posts, Part 1 here and Part 2 here, all part of Garrison’s madcap plan to portray Kerry as a diabolical conspirator in the JFK assassination plot as well as one of the notorious Oswald doubles!

News clipping from January 22, 1968, Tampa Times documenting Kerry’s arrest in Tampa.
Categories
barbara reid discordianism jim garrison photo

The Barbara Reid Project

Barbara Reid.
Photo courtesy of the ‘Lord Richard Collection.’

Among the most colorful of Discordian characters we’ve covered on this website is Barbara Glancey Reid, the subject of our previous 2 part series, the main focus of which was Reid’s role in the Jim Garrison investigation boondoggle, not to mention her noteworthy involvement as one of the very first members of New Orleans branch of the Discordian Society.

Suffice it to say, we merely scratched the surface of this remarkable lady’s life, whose greatest claim to fame was her role in shaping the New Orleans music scene of the late 1950s and 1960s.

For those of you wishing to learn more about Barbara Reid, let me direct your attention to Richard Ekins’ exhaustive multi-part series on Barbara Reid, which can be found here on the La Croix Records website.

Categories
audio book discordianism greg hill interview kerry thornley radio gogo robert anton wilson video

Adam Curtis’ Can’t Get You Out Of My Head: An Emotional History of the Modern World

Adam Curtis’ new and soon-to-be-released video series, Can’t Get You Out Of My Head: An Emotional History of the Modern World is set to invade and illuminate our collective consciousness on February 11, available on BBC iPlayer, and probably sooner than later will make its way to YouTube as most of his videos inevitably do.

According to the YouTube interview below, Episodes 1 — 4 will examine, among other things, the unusual and sometimes tortured life of our favorite Discordian hero, Kerry Thornley, based in part on my book The Prankster and the Conspiracy as recently noted in this New Yorker article.

Before embarking upon this, his latest video documentary odyssey, Adam paid me a visit here at my humble abode in the Sierra Nevadas, and we spent a few hours discussing Thornley, Greg Hill, and RAW, interview footage of which may in fact appear in the series.

Since turnabout is fair play, Adam let me interview him at the time, the result of which appeared on my short-lived podcast, Radio GoGo.

Categories
book robert anton wilson timothy leary writings

The “Lost” Afterword to the Starseed Signals

Recently, we shared the never-to-be-RVP-foreword to Starseed Signals: A Link Between Worlds.

And if that wasn’t enough, and of course it never is, I also penned an afterword for the RVP-never-to-be, which is a little dated in some regards, as it was composed in 2015 prior to a number of states in our great union legalizing marijuana, among them California where I currently reside and frequently indulge in Indica gummies.

God bless the Golden State. And away we go…

Afterword
Reaching Boldly for the Stars
Adam Gorightly

“They live happiest who have forgiven most.”

—Robert Anton Wilson

The intellectual synergy Leary and RAW generated during the Starseed Signals period was one of those high watermarks Hunter S. Thompson described in Fear and Loathing In Las Vegas; a wave that tragically crashed to shore with the brutal death of RAW’s 15-year-old daughter, Patricia (Luna in Cosmic Trigger), on October 3rd, 1976, an incident that made headlines in San Francisco-Bay Area newspapers.

This tragedy must have been a true test to RAW’s convictions, seen in light of the views expressed in Starseed Signals about the U.S. penal system, and how he felt that a large portion of the prison population was unjustly incarcerated. The natural reaction to the brutal murder of one’s child naturally elicits, in most of Starseed Signals, a sense of rage and vengeance, however robotic those emotions may be. However, RAW wisely learned along the way that cages exist not only in the physical realm, but in our minds as well, and that the only way to truly free ourselves from these self-imposed prisons, is to let them go. (Easier said than done.) One way of doing this is through the practice of forgiveness, a sentiment RAW shared repeatedly throughout his final years. In retrospect, I now understand why RAW placed such importance on the practice of forgiveness; he realized that the more we can do to unchain those ghosts of the past that haunt us, the freer we can be to live and love.

A proponent of space exploration, life extension and cryogenics, RAW made the bold leap—in the aftermath of his daughter Patricia’s death—to have her brain cryonically preserved. As he informed the San Francisco Examiner: “We thought that if we could make a contribution to science something good could come out of this tragedy… We feel it is a long shot, but it’s our way of expressing our belief in life and our rejection of the casual acceptance of murder and death in our society.” It should be noted that this was the first time in history that an attempt had been made to preserve a human brain.

As much as RAW and Leary tried to push things forward, evolutionary-wise, the more things stay the same. Marijuana—the dreaded killer weed—is still illegal in most states of this great nation, and we are still arguing about the rights of women to decide the fate of their own bodies, while thousands of our young battle ever-changing enemies in undeclared wars without end. Sometimes it seems like two steps forward, three steps back on the evolutionary treadmill. Or to mix metaphors even more, our species is akin to Sisyphus, pushing that rock slowly and painstakingly up the mountain, but never quite making it to the crest, to come rolling back down again like Hunter Thompson’s famous wave that crashed to shore and symbolized the end of a generation’s aspirations. But RAW and Leary were having none of Dr. Thompson’s fatalism, as both remained cheerful and optimistic up until the very end of their lives.

One positive development we can point to is the growing use of medical marijuana to treat cancer and other ailments, such as the post-polio syndrome RAW suffered from most of his adult life, and particularly in his final years when it became increasingly difficult for him to walk on this own, without the aid of others. However, his medical condition in no way slowed down his anti-authoritarian antics. During the 2003 California recall election, RAW tossed his name into the hat, running for Governor on the Guns and Dope Party Ticket, whose platform advocated replacing one third of Congress with ostriches.

Another example was his participation at a pro-medical marijuana rally in Santa Cruz, California on September 17, 2002. At this event, RAW was among a group of medical marijuana patients who, in defiance of a federal court order, picked up their medicinal herb from care providers at a rally that received national media attention.

Many presume that the life of a famous author means never again having to toil again at a nine-to-five job as untold riches pour into your coffers from a never-ending stream of royalty checks cheerfully sent by beneficent publishers. Unfortunately, this was not the case for RAW, at least not the part about untold riches. During those heady years of the mid-seventies, RAW was always a responsible provider for his family, which could be a difficult task at times for a father of four who wants to blaze his own literary path. Starseed Signals was dashed off during those precarious years when poverty persistently nipped at his heels, and RAW had to humble himself for public assistance to make ends meet. But somehow he made it all work while at the same time envisioning a far more noble and interesting future for us all, or at least for those among us willing to venture beyond our own self-imposed human orbits, and reach boldly for the stars.


Categories
book discordian timeline discordianism illuminati illuminatus! jfk jim garrison kerry thornley lee harvey oswald letters photo robert anton wilson

Alex, I’ll Take RAW on the Grassy Knoll for 23

RAW behind the picket fence at the Grassy Knoll, 1998.

The above photo of Robert Anton Wilson, on the fabled Grassy Knoll, popped up on the Twitter a while back courtesy of Mustafa_al_Laylah, taken during a visit to Dallas circa 1998. In said photo, RAW is situated behind the picket fence separating the Grassy Knoll from the adjacent rail-yard bordering Dealey Plaza.

According to one assassination conspiracy theory (examined in the BBC series The Men Who Killed Kennedy), it was from this vantage point that the so-called Badge Man presumably fired the baleful bullet(s) that catapulted President Kennedy’s cranium into the great beyond, a theory based in part on photographic enhancement of the picket fence area at the time the fatal projectile(s) met their mark. Of course, the enhancement and enlargement of an old grainy photo (in this case the Mary Moorman photo) is like peering into a Rorschach Blot, and the longer you do so, the more figures your imagination brings to life, and thus fills in the blanks depending on what you expect to see, or desire to see, a la ‘Who Is The Master That Makes The Grassy Knoll Green?’.

The manner in which RAW got sucked into this reality tunnel oh so long ago was due to Kerry Thornley’s unfortunate association with Lee Harvey Oswald, which in a roundabout way brought Thornley to the attention of New Orleans District Attorney, Jim Garrison, which you can read about here for more background.

During this tumultuous period, Garrison was viewed as a new darling of the “Radical Left,” presenting himself as a maverick prosecutor taking on corrupt authority in the form of the CIA and the military industrial complex, whom Garrison suggested (at one time or another) were part of the sinister plot that engineered Kennedy’s awful offing.

Due to this view of Garrison as some new hero of the Left, Thornley now found himself in a somewhat peculiar position, as he had long been involved with the burgeoning counterculture, having written for any number of underground magazines and newsletters, but now it appeared he was the odd man out. As RAW recalled in my book The Prankster and the Conspiracy:

“In ’67 or ’68, most of the underground press was publishing a lot of stuff pro-Jim Garrison, and this included Kerry’s role in the assassination. And I had lots of contacts in the underground press, so I starting sending out articles defending Kerry, which nobody would print, because the underground press was behind Garrison and the official corporate media was totally anti-Garrison—I was trying to send the message to the wrong place…”

Art Kunkin of the L.A. Free Press.

Among those (in Thornley’s opinion) that had jumped aboard the Garrison bandwagon, was L.A. Free Press publisher/editor Art Kunkin, who, among other pro-Garrison articles, ran the following:

In response, Thornley sent the following letter to Art Kunkin, presenting his side of the story and requesting equal time:

In their efforts to provide counter-programming, Thornley, RAW, and their fellow Discordians launched what became known as Operation Mindfuck, a concerted effort to bombard Garrison and his enthusiasts with a steady diet of zany disinformation under the banner of the Bavarian Illuminati. To further illuminate (or confuse) Art Kunkin, RAW sent the letter below, under the auspices of the Order of the Peacock Angel, signed by his Discordian alter ego, Mordecai Malignatus.

In order to further expand their network of potential Illuminati collaborators, RAW sent the following missive to a select group of underground movers and shakers.

How the Discordian Society became synonymous with the Bavarian Illuminati can be attributed, to a certain extent, to a John Birch Society member named Allan Chapman, who also doubled as a JFK assassination researcher and “Grassy Knoll Irregular,” as they were dubbed; a legion of amateur sleuths who shared their investigative “fruits” with Jim Garrison, which then Garrison regurgitated to greater glory. RAW name-dropped Chapman in his infamous letter & answer in the April 1969 PLAYBOY Advisor.

As Thornley recalled:

“Wilson and I founded the Anarchist Bavarian Illuminati to give Jim Garrison a hard time, one of whose supporters believed that the Illuminati owned all the major TV networks, the Conspiring Bavarian Seers (CBS), the Ancient Bavarian Conspiracy (ABC) and the Nefarious Bavarian Conspirators (NBC).” (The Dreadlock Recollections, Kerry Thornley)

Chapman subscribed to the theory that the Illuminati (who he claimed controlled the Big Three TV networks) masterminded the assassination, and that one of the alleged assassins hid inside a storm drain in the picket fence area of the Grassy Knoll and then popped out of a manhole cover like some diabolical jack-in-the-box and peppered poor JFK with a barrage of bullets before returning to his underground lair there.

The Dealey Plaza sewer hole. Lifted from the Garrison investigation files.

It should then come as no surprise that The Grassy Knoll played a part in the Illuminatus! Trilogy, embodied in the character of the Dealey Lama, a robed and bearded holy mad man who lived in the sewers below Dealey Plaza. In retrospect, the Dealey Lama sounds a lot like Kerry Thornley by the mid-1970s, when Kerry lived the life of a homeless holy man of sorts, sporting long hair and a biblical beard, and at one time or another actually lived in a storm drain for a spell.

Categories
book discordianism greg hill hilaritas press illuminatus! interview monkey business photo robert anton wilson robert shea timothy leary

RAW vs. the Acidheads for… ONE MILLION DOLLARS!

Recently I stumbled upon this artifact in the Discordian Archives, a clipping from the May 1976 edition of National Weed entitled: “Author Sues Acidheads For Saying Leary Wrote His Book!”

May 1976 National Weed article about Robert Anton Wilson suing the Neo-American Church for claiming Timothy Leary wrote The Illuminatus! Trilogy.

In essence, this article appears to have been a PR prank Robert Anton Wilson pulled as a pretext to promote Illuminatus! while at the same time taking a pot-shot (pun intended) at members of the Neo-American Church, who—on occasion—RAW was known to tussle with.

This article also mentions a Timothy Leary interview RAW was working on that had yet to be published at the time due to what he referred to as “perfectionist” editors at PLAYBOY. This “Lost Leary Interview” —which has yet to see the literary light of day—was among content included in the RVP-never-to-be-version of Starseed Signals, although I’ve been informed that our friends at Hilaritas Press may include it in their forthcoming iteration of the book.

Art Kleps with a trespassing captive named Wendy underfoot who tried to storm the Millbrook compound. Photo lifted from http://www.okneoac.org.

As for the “acidheads” mentioned in the article, RAW was referring to members of the Neo-American Church, founded by former Leary acolyte Arthur Kleps. It should be noted that if RAW was sincerely interested in suing the Neo-American Church, then said lawsuit would have included his friend, and Discordian Society founder, Greg Hill, who was an affiliate member of that august acidhead outfit as documented in this membership card below. Oh, what a tangled web we acidheads weave!

Greg Hill’s Neo-American Church membership card, courtesy of the Discordian Archives.

Kleps was fond of penning polemics to counterculture publications, one of which appeared in the November 14, 1975 edition of The Berkeley Barb with Kleps going on about how the “energy crisis” was a hoax that “fits in with the apocalyptic ideas so popular among the moron supernaturalists and occultists of the Robert Anton Wilson type…”

November 14, 1975 letter from Art Klebs to The Berkeley Barb.

In response, RAW fired back with the following letter published in the November 21, 1975 edition of The Berkeley Barb:

November 17, 1975 letter from Robert Anton Wilson to The Berkeley Barb, page 00001.
November 17, 1975 letter from Robert Anton Wilson to The Berkeley Barb, page 00002.
Categories
art discordianism eris of the month monkey business photo

June Eris of the Month 2020 – Eris by The Eriskopalian Kirk

June Eris of the Month 2020 - Eris by The Eriskopalian Kirk

An awesome Eris as seen on The Eriskopalian Kirk’s Twitter.


Send us your Eris of the Month Club submissions (more info here) by using the form at the bottom of The MGT. page.

Categories
book richard nixon robert anton wilson timothy leary ufos writings

The “Lost” Foreword to Starseed Signals

Starseeder Robert Anton Wilson
According to a recent post on RAWillumination, Hilaritas Press at long last, is poised to publish RAW’s Starseed Signals: Link Between Worlds, a book project I worked on for what seemed like dog years (Sirius-ly) when I was involved with the initial publisher who signed onto the project, RVP Press. However, at some point in this cosmic caper, RVP had a falling out with the RAW Trust, and the book deal fell through—as book deals sometimes do—in the wacky world of publishing.

Among the contributions I made to the RVP-never-to-be-version was the following foreword I share with you now (which alas fell by the wayside in the fallout from the aforementioned RVP/RAW Trust kerfuffle) providing my perspective of what you can look forward to when Starseed Signals hits the streets, maybe as soon as July according to my sources on the Dog Star.

So hop aboard this mighty spaceship, ye psychonauts, and away we go…

Foreword
A Mission to the Stars
Adam Gorightly

Welcome to the future past. This book is a literal time/space capsule, recounting a golden era of possibilities, of searching and experimentation. Starseed Signals chronicles a significant period in the life of Robert Anton Wilson (RAW) as a writer and thinker, charting his explorations into consciousness expansion, knowledge acceleration, life extension, space travel and many other themes that set the stage for his subsequent literary endeavors. In addition, Starseed Signals laid the foundation for RAW’s landmark work Cosmic Trigger: The Final Secret of the Illuminati, so don’t be surprised if some of the passages in this book seem familiar, to be later lifted and inserted into the Cosmic Trigger narrative.

Starseed Signals was dashed off over a two-week period in early 1975, a burst of energy supplied by the sudden turmoil and controversy surrounding his friendship and collaborations with the infamous Dr. Timothy Leary, who RAW perceived as one of the most brilliant, yet misunderstood minds of not only his generation, but of any.

During this period—as Leary sat caged in prison on trumped up drug charges—he and RAW conceptualized a book project entitled A Periodic Table of Energy, a scientific system of neuro-psychology based on eight evolutionary circuits, or steps, through which humanity progresses, with the latter circuit propelling WoMan to the stars, the ultimate evolution, our union with the infinite and quest for immortality.

To many, now and then, such flights of fancy seem naught but the brain-damaged blatherings of aging hippies who blew their minds one too many times. Or, perhaps, Dr. Leary was too far ahead of his time for his own good. As documented in Starseed Signals—from those long-ago years of 1961-62—Leary conducted an inmate rehabilitation project using LSD therapy which achieved positive results in reducing recidivism in the Massachusetts Department of Corrections.

Now in this far out year of 2015, LSD research has experienced a renaissance and is once again on the radar of scientists and clinical psychologists as a tool to treat alcoholism and other maladies, including severe cases of autism. That it has taken 50+ years for such “groundbreaking” research to come full circle and again be taken seriously by the scientific community speaks to Dr. Leary’s vision of the future, one in which tools such as LSD can be used to meta-program the human nervous system and ultimately evolve the species.

Just the same, Leary contributed to his own undoing by opening “the doors of perception” too abruptly for some, as the Establishment wasn’t ready for the type of freedom he was peddling: “Turn on, tune in and drop out.” And, frankly, a lot of young heads weren’t ready for it either, although the sensationalized “bummer trip” stories of the period seemed highly exaggerated; all those supposed blown minds who stared at the sun until their eyeballs melted from the sockets; or like Art Linkletter’s daughter jumping out of a tenth story window expecting she could fly. Such hysteria precipitated a Leary backlash as he was portrayed in the media as an acid gobbling mad scientist poised to corrupt an entire nation and generation, and so had to be brought down and made an example of.

Seen through a more rational lens—and in retrospect of nearly half a century gone by—Leary can now be viewed as a transcendent agent of change engaged in the process of accelerating our evolutionary cycle, who ran afoul of the Establishment, yet ultimately triumphed by living life on his own terms.

During the early seventies—as Leary had become ingrained as a household name that would live in infamy—RAW began trying alternative religions on for size, including wicca and magick, and in particular a Crowleyean ritual known as the “Conversation with the Holy Guardian Angel,” which he invoked on the momentous date of July 23rd, 1973. In the ritual’s aftermath, RAW encountered what he perceived as an ascended master who instructed him on the significance of the star system Sirius. RAW later discovered that July 23rd is the very day when Sirius rises behind the sun, the fabled Dog days.

During the same period RAW was experiencing “telepathic communications from Sirius”—a number of other writers and psychedelic researchers were entertaining otherworldly encounters, such as science fiction author Philip K. Dick (PKD) who experienced similar communications with certain entities from Sirius as recounted in his semi-autobiographical novel VALIS. Concurrently, British novelist Doris Lessing had began a series of Sci-Fi novels, a departure from her previous books. In the third novel of this series, The Sirian Experiments, Lessing relates a tale with stunning similarities to those of RAW and PKD. It was only later that Wilson, Dick and Lessing discovered they were having these experiences simultaneously, albeit unbeknownst to each other. Meanwhile—during the aforementioned Dog Days of July-August 1973—RAW’s good friend Dr. Leary, then serving time at Folsom, formed a four-person telepathy team, the intent of which was “… to achieve telepathic communication with Higher Intelligence elsewhere in the galaxy.” At the same time Leary received his “Starseed Transmissions,” another psychedelic pioneer, Dr. John Lilly, was having his own series of interstellar communications with a network of entities known as ECCO, “Earth Coincidence Control Office.” It should be further noted that 1973 was a peak year of UFO sightings, so something indeed was in the air.

As these apparent extraterrestrial communications were invading our earth-space, suddenly all contact with Leary broke off as he was held incommunicado amid rumors he’d become a fink for the Feds, ratting out his old counterculture cronies to cut a deal to get himself out of the joint. The hysteria and paranoia of this period is well documented in Starseed Signals, providing the background—the set and setting—for the climate of the times.

At the time of the writing of Starseed Signals, the sixties looked a thousand light years away in the rear-view mirror as the lost idealism of that decade bled over into the early seventies. A hung-over generation awoke one morning to discover President Nixon’s “War on Drugs” in full force, its crosshairs trained on the country’s youth, poor and minorities; draconian drug laws designed, it seemed, to create a prison state of mind, with Dr. Timothy Leary—who Nixon proclaimed “the most dangerous man in America”—serving as the poster boy for all things immoral and indecent.

Early on in Starseed Signals, RAW warns about this Second Coming of the Holy Inquisition, Nixon’s “War on Drugs,” and how it led to Leary’s political persecution. RAW’s pronouncements—which, to the more sober minded in 1975 probably came across as a bit on the paranoid side and seemingly steeped in rhetoric—are now but a cautionary tale come true, as seen in the aftermath of 9/11 with the advent of the Patriot Act, and the countless other resurrections of the “War on Drugs” that are rolled out every decade or so to remind us of the consequences of having too much fun, or being allowed to operate our own brains in the manner we see fit.

Eventually the dust would settle in early 1976 when California Governor Jerry “Moonbeam” Brown released Leary from his prison sentence. This, naturally, turned another page in the many lives of Dr. Leary—and RAW, as well. Afterwards, Starseed Signals was jettisoned into deep space as the impetus to publish the book lost steam and relevance amid these happenings. Nonetheless, the historical significance of Starseed Signals as an autobiographical period piece is well worth the price of admission, starting with RAW’s peyote peregrinations of the early sixties all the way to envisioned space explorations in cahoots with Leary, in addition to several other tributaries and trajectories explored along the way.

Join us now on our mission to the stars. Turn on, tune in, turn the page…


Categories
book camden benares discordian timeline discordianism greg hill illuminati john f. carr kerry thornley letters louise lacey mary wheeler photo robert anton wilson robert shea tim wheeler writings

Not Invited to Discordian Parties?

The Judgement of Paris Ca. 1638. Oil on canvas. Peter Paul Rubens, Museo Del Prado.
The Early Discordians enjoyed a damn good party, dating back of course to that earliest of them all, on Mount Olympus, where the whole ball (or the Original Snub produced The Golden Apple) first got rolling when Eris was not invited to a little marriage party hosted by Zeus.

Scattered throughout the Discordian Archives are flyers and invites to such chaotically-inspired soirées. In a recent post, we featured correspondence from Greg Hill about one such meet-up that occurred in Chicago during the early-70s that included Hill, Robert Anton Wilson (RAW), Robert Shea and Tim and Mary Wheeler.

Tim Wheeler at his farm in Shelbyville. Courtesy of Mary Wheeler.

In this vein, I thought I’d share further examples of Discordian parties starting with a shindig thrown by Tim Wheeler (aka Harold Lord Randomfactor) at his farm in Shelbyville, Indiana, billed as the “Grand National Founding Convention of Young Americans For Real Freedom.” The intent of this gathering was to draft “The Shelbyville Statement,” which would be the guiding document of the Young Americans for Real Freedom (YARF). Of course, all of this was merely an elaborate joke-parody riffing on a real organization called the Young Americans for Freedom that was prominent in conservative political circles during this period.

Grand National Founding Convention of Young Americans For Real Freedom.
Courtesy of the Discordian Archives.
Proposed planks for the 'Shelbyville Statement.'
Courtesy of the Discordian Archives
Flyer for the Second Annual YARF Convention.
Courtesy of the Discordian Archives.

For further info on YARF, click here.

Louise Lacey, late 1960s. Courtesy of Louise Lacey.

Moving on to other Discordian parties, here’s a note from Greg Hill (aka Mal 2) to Louise Lacey (aka Lady L., F.A.B. – Fucking Anarchist Bitch) composed on genuine Illuminati stationary created by the aforementioned Harold Randomfactor.

A note from Greg Hill to Louise Lacey composed on genuine Illuminati stationary!

Next in chronological (dis)order is a party described in RAW’s Cosmic Trigger: The Final Secret of the Illuminati that occurred on Crowleymas – October 12, 1974 . According to RAW, this gathering was

“…celebrated at our apartment house with weird and eldritch festivities. Arlen and I, representing the Discordian Society, together with Stephen upstairs (Reformed Druids of North America), Claire and Carol in another apartment (witches, connected with the New Reformed Order of the Golden Dawn), and the Great Wild Beast Furtherment Society (which is really Stephen and me and another neighbor named Charles), opened all our rooms to a Crowleymas Party and invited nearly 100 local wizards and mystics…”

Grady McMurtry and RAW some time in the 1970s.

In attendance were such illuminaries as ufological visionary Jacques Vallee, along with a flock of other furry freaks from a hodge-podge of mystical and religious (dis)orders, including Grady McMurtry, then head of the Ordo Templi Orientis in the USA.

Crowleymass invite sent out by Greg Hill (aka Malaclypse the Younger).
Courtesy of the Discordian Archives.
RAW’s write-up about Crowleymass.
Camden in the role of his Discordian persona, The Count of Fives.
Courtesy of the Discordian Archives.

Apparently, such Discordian frivolities carried on well into the early 1980s as demonstrated in a letter below to Greg Hill from Camden Benares (aka The Count of Fives aka Felix Pendragon) announcing a duel sponsored event orchestrated in cahoots with renowned pornographer, and sometime Discordian, Ron Matthies under the banner of “Fort Chaotic.” In said letter, Camden mentions a Discordian novel he was working on at the time called Another Howling Eighties Conspiracy that unfortunately never saw the light of day, although we know he finished at least five chapters, Hail Eris.

Letter from Camden Benares to Greg Hill dated March 3, 1981.
Courtesy of the Discordian Archives.
Reverse side of March 3, 1981 letter from Benares to Hill
announcing the Fort Chaotic Discordian party.
Courtesy of the Discordian Archives.

As revealed in my Thornley bio The Prankster and the Conspiracy, Camden and his wife June often attended parties dressed as a priest and nun. After one such party, Camden and June—still bedecked in their holy garbed—visited a Denny’s in West Los Angeles where they spent considerable time making out in their booth. As would be expected, people began freaking out upon witnessing this ungodly spectacle, as in between sacrilegious smooches Camden gave blessings and benedictions to the stunned Denny’s patrons.

June and Camden Benares. Photo courtesy of John F. Carr.
Categories
art book discordianism eris of the month kerry thornley official business zines

April Eris of the Month 2020 – Kerry Thornley’s Spare Change Eris

April Eris of the Month 2020 - Kerry Thornley's Spare Change Eris

This month’s Eris was ripped (literally) from the pages of a Kerry Thornley zine published sometime in the 80s, I believe, called Spare Change.

To add to the chaotic beauty of the composition, in the lower left hand corner, is a Sacred Chao of sorts illustrated by our old friend Roldo, the magnificent Discordian artist who created the wonderful cover art for Historia Discordia: The Origins of the Discordian Society.

Historia Discordia: The Origins of the Discordian Society.

Get Your Copy Now!


Send us your Eris of the Month Club submissions (more info here) by using the form at the bottom of The MGT. page.