Emperor Norton poster that appeared in February 15, 1971 issue of The Rag.I recently received an email from John Lumea, President of the San Francisco-based nonprofit, The Emperor’s Bridge Campaign, inquiring about an Emperor Norton poster that’s part of their digital archive.
John discovered this poster at an online archive for The Rag, an underground mag published in Austin, Texas during the early 1970s.
Among other things, John was wondering who designed the poster, and if the illustration of Emperor Norton was original to it.
I immediately recognized the poster as the work of none other than Discordian Malaclypse the Younger (aka Greg Hill) and, in fact, an original print of this same poster resides in The Discordian Archives, along with a couple other iterations.
Different iterations of Greg Hill's Emperor Norton poster. Courtesy of The Discordian Archives.
While I couldn’t specifically pin down the date of the Norton poster, I would say sometime around 1970 is my best guess. Hill’s interest in Norton began around 1969 when he formed the Joshua Norton Cabal, and it appears Hill sent out this poster to a variety of underground newspapers, among them The Rag.
As to the artist of the image, it appears Hill lifted it from one of the San Francisco newspapers (the Chronicle or Examiner) as revealed in this newspaper clipping I came across which Greg Hill evidently used as clip art (old school style) for the poster.
Newspaper clipping of Emperor Norton incorporated into Greg Hill's poster design. Courtesy of The Discordian Archives.
Greg Hill's pasteup of the Norton image. Courtesy of The Discordian Archives.The clipping in question appears to have been some sort of ad or campaign dedicated to the good Emperor. In the Archives there is also a pin that says “Emperor Norton lives” which evidently was part of this same campaign. This leads me to believe that the phrase “Emperor Norton Lives” inspired Greg Hill’s “Live Like Norton” motto.
Pin: Emperor Norton lives. Courtesy of The Discordian Archives.
In the Norton files, I also noticed an Examiner newspaper article from October 13, 1982, which indicated at one time or another there was an annual Joshua Norton Awards that had been established by a group called the Friends of Emperor Norton.
October 13, 1982 Examiner article on the Joshua Norton Awards.
I’m guessing this news article must have spurred renewed interest with Greg Hill, as that same year he concocted this new iteration of the Norton poster that incorporated an assortment of images taken from the pages of Principia Discordia.
1982 Norton poster. Courtesy of The Discordian Archives.
A letter to Greg Hill dated March 15, 1970—otherwise known as the First Day of the Season of Discord, Prickle-Prickle Discord 1st, Year of Our Lady 3136 (Also known as the Ides of Eris)—courtesy of Louise Crowley of the The Seattle Cabal.
The images of the Sacred Chao and the Illuminati Eye-in-the-Pyramid On Fire in the letter were later incorporated into the 4th edition of the Principia Discordia.
Origin art found, Hail Eris!
March 15, 1971 letter from Louise Crowley to Greg Hill, containing some source art for the Fourth Edition of the Principia Discordia.
The Lost Treasures of Eris, click the cover image to download a PDF. Courtesy of Alfred Vitale.By popular demand, we post in its entirety the rare Discordian classic, The Lost Treasure of Eris, as we previously revealed.
1980s Zine: A Discordian Directory No. 00024Reason Magazine’s Jesse Walker, author of The United States of Paranoia: A Conspiracy Theory—which delves a bit into Discordian History and the Bavarian Illuminati—just gave me a heads up about A Discordian Directory #24, a zine published circa late 1980s that he recently posted at Scribd.
The title at the top of page 1 looks distinctly like lettering/artwork produced by our old friend Roldo Odlor who, as noted in previous posts, collaborated with both Kerry Thornley and Greg Hill and was involved with producing artwork for other like-minded Discordian zines during the zenith of the Zine Revolution.
A Discordian Directory was produced by an outfit dubbing itself B.I.T.C.H (The Bavarian Illuminati Tennessee Chapter Headquarters) consisting of a six page listing of an eclectic hodge-podge of Discordian-SubGenius-Anarchist and conspiratorial tracts, among them an obscure book called The Lost Treasure of Eris we had discussed first here and then here, in addition to such alternative publishing mainstays as Mike Hoy’s publishing company Loompanics that helped revive interest in Discordianism with the re-publication of Principia Discordia in 1977.
Page 2 includes an ad for Kerry Thornley’s Spare Change as well as some outfit peddling Robert Anton Wilson tapes along with scattered images of the Golden Apple, Mr. Spock, and Bob Dobbs with only one eye on his forehead.
Other offerings include Arthur Hlavaty’s The Dillinger Relic, Bob Black’s notorious anarchist manifesto The Abolition of Work, Donna Kossy’s Kooks, and Elayne Wechsler’s Inside Joke, a zine which featured the work of many renowned Discordians such as Thornley, Hill and Roldo. Also listed is Mike Gunderloy’s Factsheet Five which was the go-to publication during this period to find out what was happening on the bleeding edge of the Zine Movement.
The Illuminati biker club card was also a nice touch, from an actual honest-to-Goddess cabal situated in these United States.
1980 yellow covered Loompanics edition of Principia Discordia.
Courtesy of the Discordian Archives.Prepare thyselves, O Discordians…
The Truth Shall Set You Confused… in 2,500 words or less!
2015 (or 3181 on the Discordian calendar) marks the 50th anniversary (maybe!) of the first edition of Principia Discordia, or How the West was Lost, published in New Orleans, Louisiana in 1965, consisting of a mere five copies that—according to Discordian co-founder Greg Hill—“were mostly lost.”
The details surrounding this rare 1st edition are enshrouded in as much myth and mystery as the JFK assassination itself, which—it so happens—will be forever linked to Discordianism due to its association with Discordian Society co-founder Kerry Thornley who served with Lee Harvey Oswald in the Marines.
Curiously enough, Thornley was writing a book based on Oswald three years before the Kennedy assassination and afterwards testified before the Warren Commission and was later accused (ridiculously so) by New Orleans District Attorney Jim Garrison as being part of a JFK assassination conspiracy.
“A search through the Discordian Archives revealed that the earliest of the Discordian holy books—How the West Was Lost, by Malaclypse the Younger (Greg Hill) — was originally printed on the Xerox machine of D.A. Jim Garrison, in summer 1963. (Greg’s girlfriend was Garrison’s secretary.)”
Thus was birthed the legend of how this mostly missing 1st edition was copied on a Xerox machine belonging to the very same man, Jim Garrison, who would later link Kerry Thornley to a shadowy cabal that allegedly orchestrated Kennedy’s awful offing.
Although RAW was partly correct regarding Jim Garrison’s association with the 1st edition Principia Discordia (PD), it appears that he might not have had his facts quite right. In the Loompanics edition of PD, Greg Hill added an afterword in which he corrected RAW’s claim about the Garrison copying machine caper:
“…Bob [RAW] says that when Oswald was buying the assassination rifle, my girlfriend was printing the first edition of Principia on Jim Garrison’s Xerox. It wasn’t my girlfriend, it was Kerry’s; it wasn’t the First Ed Principia, it was some earlier Discordian thoughts; it wasn’t Garrison’s Xerox, it was his mimeograph; and it wasn’t just before Kennedy was shot but a couple of years before that… The First Ed Principia, by the way, was reproduced at Xerox Corp when xerography was a new technology. Which was my second New Orleans trip in 1965. I worked for a guy on Bourbon Street who was a Xerox salesman by day.”
Afterwards, Hill received further clarification from Kerry Thornley, which he added as a footnote to his Loompanics afterword:
“I checked this further with Mr. Thornley. He says that the woman in question was not his girlfriend, she was just a friend, and it wasn’t a couple of years before Kennedy was shot but had to be a couple of years after (but before Garrison investigated Thornley).”
To confuse matters more (Hail Eris!), Thornley’s introduction to the IllumiNet Press edition of PD states:
“…the First Edition of Principia rolled off District Attorney Jim Garrison’s mimeograph machine (without his knowledge) in New Orleans in 1964. That was the work of Gregory Hill and of Lane Caplinger, a Discordian typist in the DA’s office.”
During the course of researching The Prankster and the Conspiracy: The Story of Kerry Thornley and How He Met Oswald and Inspired the Counterculture (2003 Amazon), I exchanged email correspondence with Lane Caplinger’s sister, actress Grace Zabriskie. For some reason, it’d never dawned on me to ask Grace about the legend of the 1st edition—probably because Grace, by her own choosing, was never really part of the Discordian scene.
In December 2012, I contacted Grace via email with some follow-up questions for my then book in the works Caught in the Crossfire: Kerry Thornley, Lee Oswald and the Garrison Investigation (Amazon) and at that time asked: Was the Garrison copying machine caper “truth, legend, or a combination of both?” Grace passed on my query to her sister Lane who replied, quite simply: “Legend. I recall occasional Discordianism reading and giggling only.”
Lane’s response now leaves us in a quandary and seems to put the kibosh on this whole wonderful mythos that the PD was created right under Jim Garrison’s nose by a diabolical Discordian conspiracy.
But wait, let’s not be in a hurry to dismiss the Garrison mimeograph legend. If we examine each of the seemingly conflicting stories regarding the origins of the 1st edition PD, I think in the final analysis there’s some measure of truth to each story, or as the old Discordian saying goes:
All statements are true in some sense, false in some sense, meaningless in some sense, true and false in some sense, true and meaningless in some sense, false and meaningless in some sense, and true and false and meaningless in some sense.
In the IllumiNet Press introduction to PD, Kerry Thornley identifies 1964 as the year of the publication of the 1st edition and that Greg Hill and Lane Caplinger were the culprits.
Thornley moved to Arlington, Virginia in late 1963 through 1964. Meanwhile, Greg Hill returned to New Orleans in 1964 and was there until mid-1965, which was the relevant period when the 1st edition was published.
My working theory is that Lane Caplinger did indeed run off some mimeograph copies of letters and writings by Hill and Thornley that later found their way into the first edition PD. However, it’s my impression that Lane had but a vague idea at best of what she was involved with—other than just copying some material for a couple of friends who were tinkering around with a joke religion called Discordianism.
As Greg Hill noted, only five copies of the 1st edition Principia Discordia were produced, most of which were lost. Later iterations of PD departed greatly from that long ago 1st edition, evolving into a collaborative art project that included the involvement of such notables as Robert Anton Wilson (Mordecai the Foul), Robert Shea (Josh the Dill), Camden Benares (The Count of Fives), Robert Newport (Rev. Hypocrates Magoun), Bob McElroy (Dr. Mungojerry Grindlebone)—and, of course, Thornley and Hill.
I first became involved in researching this craziness in the late-90s when I was overtaken with an obsession of writing a biography of Kerry Thornley, who had captured my imagination not so much due to my interest in Discordianism (that would come later) but because of all the other high weirdness surrounding his life.
In 2001, I initiated a Freedom of Information Act request for any Kerry Thornley related documents in the CIA and FBI files. Shortly after I was informed by the Feds that these Thornley FOIA materials had been previously released and were available through the National Archives. In short order, I obtained the materials, most of which had been assembled during the House Select Committee on Assassinations (HSCA) in 1977 and released to the public in 1992 through the Assassination Archives Research Center (AARC.)
In this Kerry Thornley-National Archives package were documents related to Jim Garrison’s investigation, including 36 Discordian related pages which didn’t mean a whole lot to me at the time as I was more interested in getting to the bottom of Thornley’s alleged Kennedy assassination associations than I was all of this Discordian doo-dah. If I’d been paying closer attention, I would have noticed that these Discordian related materials appeared to be the first edition of Principia Discordia, Or How the West Was Lost—or at least a collection of writings from the early days of The Discordian Society. These same materials were later identified in 2006 as the 1st edition PD by a fellow named Karl Musser, who came across the material during a visit to the National Archives.
National Archives version of Principia Discordia, Or How The West Was Lost. Download PDF
At the time, Musser shared these documents with Discordian historian Dr. Jon Swabey who afterwards transcribed this apparent 1st ed. PD and posted it on the Internet via Creative Commons.
At the time, I was unaware that the Musser/Swabey tag team had brought to the Discordian world this apparent 1st edition PD. A couple years later, Dr. Robert Newport passed on to me Greg Hill’s Discordian Archives, consisting of all 5 editions of PD. However, the discovery of these different PD editions wasn’t immediately apparent and it took me some time to sift through the Discordian Archives and identity exactly what was what. The most amazing discovery of all was an actual honest-to-Goddess copy of the first edition of Principia Discordia, Or How The West Was Lost, numbered one of five, written in Greg Hill’s own hand.
Last page of the Discordian Archives version of the 1st ed. Principia Discordia, numbered 1 of 5.
My discovery of the Holy Grail of Discordianism led to a period of intensive research into the history of PD. After a review of the Musser/Swabey/National Archives version of PD, I initially arrived at the conclusion (which I now consider erroneous!) that the National Archives version was a later and incomplete reproduction of the 1st edition PD. However, more recently I’ve come to suspect that the National Archives version is actually an early draft of PD.
For sake of clarity, I’ll henceforth refer to these two different versions of Principia Discordia, Or How The West Was Lost as: 1) the National Archives (NA) version, and, 2) the Discordian Archives (DA) version.
Although there are similarities between these two versions—the NA and DA—there are also a number of differences, one of which is the type font. Secondly, the NA version numbers only 36 pages while the DA version comes in at a whopping 60 pages including a number of illustrations that do not appear in the NA version.
My reasoning behind this theory—that the NA version is an early draft of PD—is based, in part, on the handwritten address on the front cover:
Kerry Thornley
5326 85th Street
Apartment T-3
Lanham, Maryland
At first glance, I was a bit befuddled by this address because Thornley’s Warren Commission testimony stated that he’d moved to Arlington, VA in late 1963 and lived there until late 1964. But after giving it some thought, I remembered correspondence in the Archives where Thornley noted that he’d stayed for a period of time—in late-1963/early–1964—with his friend Robert McDonald in Maryland before his Arlington move. This provides further evidence that the NA version actually predated the DA version, and that some of the content in the NA version (as my theory goes) were pages Lane Caplinger ran off on Jim Garrison’s mimeograph machine.
Cover page of National Archives version of the 1st ed. Principia Discordia.Cover page of Discordian Archives version of the 1st ed. Principia Discordia.
Additionally, my colleague Grouchogandhi pointed out that on the title page of the NA version the author is listed as “Malaclypse the Younger, H.C.” The curiosity, in this instance, is the title of “H.C.” In subsequent editions of the PD—including the 1st edition in the Discordian Archives (DA)—Malaclypse is referred to as “K.C.” (Keeper of the Chao) and in later editions as “K.S.C.” (Keeper of the Sacred Chao).
Title page of the National Archives (NA) version of the 1st ed. Principia Discordia.Title page of the Discordian Archives (DA) version of the 1st ed. Principia Discordia.
The third page of the NA version consists of a Legion of Dynamic Discord (LDD) certificate awarded to early Discordian Barbara Reid. Conversely, this certificate does not appear on the third page of the DA version. However, there is a blank LDD certificate on page 55 of the DA version, which suggests that the NA version was sent from Kerry Thornley (aka the Bull Goose of Limbo) to Barbara Reid in 1964 and included a signed LDD certificate as confirmation of Reid’s ordination into the Discordian Society.
Legion of Dynamic Discord certificate awarded to Barbara Reid which appears on page 3 of the National Archives (NA) version of the 1st ed. Principia Discordia. Blank copy of Legion of Dynamic Discord certificate that appears on page 55 of the Discordian Archives (DA) version of the 1st ed. Principia Discordia.
So how, pray tell, did this early Principia Discordia draft wind up in the House Select Committee on Assassinations (HCSA) files? My guess is that Barbara Reid provided the document to the HSCA in the late-70s when she testified before the committee regarding her claims that she saw Kerry Thornley in the company of Lee Oswald in New Orleans in September of 1963. However, another person who might have submitted this document to the HSCA was assassination researcher Harold Weisberg, who worked closely with Barbara Reid during the Garrison Investigation period and entertained the notion, at one time or another, that the Discordian Society was some type of CIA front organization involved in the Kennedy Assassination dance party.
Hail Eris, indeed!
Adam Gorightly presents a brief introduction to the 1st edition of the Principia Discordia, courtesy of Brenton Clutterbuck of Chasing Eris.
Adam Gorightly presents the 1st through 5th editions of the Principia Discordia.
Christian GreerDespite numerous attempts to analyze its history, symbols, practices, and beliefs, scholarship on Discordianism has been largely deficient. The most pressing problem is that scholars have neglected the majority of Discordianism’s primary source materials, and are thus unable to provide the necessary contextual understanding for the readily available texts (and web-resources) they do study. The effect is that academic treatments of Discordianism have essentialized the religion according to a small, self-selected number of commercial publications entirely removed from their historical context.1
One of Discordianism’s two founders, Kerry Thornley, famously declared that if ‘religion is the opium of the masses, [then] Discordianism is the marijuana of the lunatic fringe,’ and this is made nowhere more clear than in its material culture over the last fifty-six years.2 The majority of Discordianism’s material culture has been comprised of self-published work in the form of religious certificates, ‘zines’, APAs (amateur press associations), live audio recordings of Robert Anton Wilson lectures, and, with the advent of the internet, BBSes (Bulletin Board System), PFDs, and blogs.3 The paper ephemera of Discordianism’s material history has not been catalogued by libraries, nor preserved by universities, but commonly remains in the possession of its initial recipients, or forgotten in the boxes that compose private zine archives. Lacking any familiarity with this ‘underground’ material, scholarly analysis of the mass-marketed Discordian texts, and Discordianism in toto, has been altogether superficial.
The front piece to the Paste-Up Discordia (The Sacred PUD). Courtesy the Discordian Archives.There are three major issues that have so far marred the study of Discordianism. The first concerns what has emerged as the locus classicus of Discordianism, the Princpia Discordia. As the first major Discordian text, the Principia Discordia went through four different versions before the publication of the Loompanics 4th/5th edition in 1979/1980, which most Discordians and scholars consider definitive.4 Deriving an interpretation of Discordianism from the Loompanics version of the 4th/5th edition, or any other edition of the Principia, effectively ignores the decades of doctrinal development that took place from its founding to the first printing of the 4th edition in 1970 by Rip Off Press. In neglecting the historical developments that led to the mass-marketed 4th/5th editions of the Principia, as well as the enormous amount of other self-produced Discordian materials dating from the late 1950s onwards, scholars have anachronistically defined Discordianism according to aspects of its present existence.5
The second issue concerns the lack of scholarly convention concerning which version of the Principia is regarded as authoritative. As a result of the 4th edition Principia’s ‘copyleft,’ or anti-copyright status, there are no less than five different published versions of the 4th/5th edition, in addition to innumerable online versions. While there is not a great deal of difference between versions, scholarly neglect of this point, as well as the lack of convention concerning which version of the 4th/5th edition of the Principia should be treated as authoritative, has instilled an unnecessary amount of irregularity into the study of Discordianism.6
The third issue is partly based on the first, but regards a more general misinterpretation of the meaning of the Principia within the Discordian milieu. Scholars regard the 4th/5th edition of the text as the central Discordian holy work, and it is not hard to understand why; it seems to offer all of the requisite data for a normative appraisal of a religious movement. It contains an origin story for the religion, a list of commandments, a liturgical calendar, a list of saints, and an account of Discordianism’s principle deity, Eris. In sum, the 4th/5th edition of the Principia seems to be a perfect index of everything a ‘real’ religion needs. This, of course, is precisely the problem. Leaving aside the fact that many of the aforementioned ‘religious’ aspects of Discordianism were added in successive editions of the Principia, the primary issue here is that Discordianism is explicitly not based on liturgical observance or orthopraxis, but rather on the utilization of beliefs as heuristic tools. Scholarly preoccupation with the religious minutia contained in the Principia evidences that scholars have missed an essential aspect of the Discordian ludibrium.
Since the various publications of the 4th and 4th/5th editions of the Principia read like conventional holy texts, or at least as a parody of one, scholars have mistakenly taken it as the text that has governed Discordianism since its inception. While some contemporary Discordians may revere it as such, familiarity with previous editions of the text, let alone the history of Discordianism, make it clear that this was not always the case. Discordianism did not reach underground audiences until nearly two decades after it was founded, and even then it was not an edition of the Principia that publicized the religion, but a trilogy of novels. Despite having numerous quotes from the Principia, the fictitious nature of Robert Anton Wilson and Robert Shea’s Illuminatus! trilogy (1975) of novels led many to believe that the Principia did not actually exist á la Lovecraft’s Necronomicon. Needless to say, Discordianism’s underground popularization was not based on teachings outlined in the first, second, third, or fourth editions of the Principia, but Wilson and Shea’s interpretation of them in Illuminatus! The first widely popular edition of the Principia was published nearly five years after Illuminatus! as a result of Loompanics publisher Mike Hoy reading the trilogy, and querying Hill himself as to the existence of such a text.7 The shift to institutionalization in contemporary Discordianism has led to the formalization of Discordian beliefs, and, central to this has been the reframing of the Principia as foundational to the religion. The scholarly preoccupation with the contents of the Principia illustrates the way in which scholars’ research agendas owe more to the contemporary trend towards institutionalization within the religion than rigorous historical research on it.
Read in terms of its evolution and alongside other Discordian material, it is evident that the various editions of the Principia were never merely parodies of sacred texts, nor were they strictly genuine attempts to fashion one. Instead, they were iterations of an idiosyncratic form of genre appropriation based on the conviction that all beliefs are heuristic tools for creating models of reality. Said more precisely, the various editions of the Principia were not just satire, but prime examples of the assiduous playing with religious forms that epitomizes Discordian belief. Essentially, this type of humorous play functions as the liturgical language of Discordianism. Reflecting William Burroughs’s famous adage, ‘nothing is true and everything is permitted,’ Discordianism is a meta-belief system in which abstract concepts like ‘holy scripture’ are utilized as expedient means to destabilize fixed assumptions about reality. Though more salient in later editions, the Principia appropriated the genre of sacred scripture in the same way that Camden Benares’ Discordian treatise, Zen Without Zen Masters (1977), utilizes tropes associated with Zen koan books, and the same is true for the appropriation of conspiracy theory in Wilson and Shea’s Illuminatus! trilogy. Discordian texts have taken the form of science fiction epics, historical dramas, anarchist philosophy, psychologized-occult manuals, and Zen teachings, and regardless of their form, the dynamics of these genre appropriations are the same. Discordian authors appropriate genre conventions only to exploit their ability to communicate the central metaphysical truth of their religion, namely, that the experience of reality entirely depends on the belief system, or model through which it is comprehended.8
Christian Greer is a PhD researcher in the field of Western esotericism at the University of Amsterdam. His primary focus is the history and material culture of Discordianism, the Church of the SubGenius and the Moorish Orthodox Church, particularly in the 1980-1990s. His dissertation, Angelheaded Hipsters: From Beatnik Antinomianism to Psychedelic Millenarianism is an intellectual history of the “counterculture” beginning with the revolutionary movements of the 1960s and ending in the 1990s with cyberpunk and fin de siècle cyberculture.
1 For a more detailed analysis of this problem in the work of one scholar, see Greer, Christian. ‘Review of Carole M. Cusack’s Invented Religions: Imagination, Fiction and Faith,’ Correspondences 2.1 (2014), pp. 109–114.
4 The Loompanics edition (1979) is known as the ‘4th/5th edition’ because it reprinted the original 4th edition published by Rip Off Press in 1970, as well as the 5th edition, which was nothing more than a Western Union telegram filled with the letter ‘M’. The Loompanics version is most likely considered authoritative on account of it being the first to include the 5th edition telegram, as well as material that was not included in previous editions, e.g. ‘the Gypsie Skrypto interview,’ and an introduction by Robert Anton Wilson. For a more comprehensive overview of the publishing history of the Principia Discordia see Gorightly, Adam. ‘Adam Gorightly on the Publishing History of the Principia Discordia’ https://www.youtube.com/watch?v=bUqVrH4luXc accessed 04/05/13; see also f.8.
5 Cusack’s Invented Religion (2010) exemplifies this error insofar as her familiarity with the Principia Discordia is limited to two mass marketed 4th/5th editions of the text, which bear little resemblance to the first edition produced decades earlier. This is made obvious by the fact that she seems unaware that the first edition had a different title as well as entirely different contents. See Cusack, Carole. Invented Religions: Imagination, Fiction and Faith, Farnham: Ashgate, 2010, p.28-29 as compared to the first edition reproduced in Gorightly, Adam. Historia Discordia: The Origins of the Discordian Society. New York: RVP Press, 2014, pp.25-80. Cusack is by no means the only scholar to make this mistake, indeed, the difference between editions of the Principia has not been noticed within any notable study of Discordianism; see also Urban, Hugh. Magia Sexualis: Sex, Magic, Liberation in Modern Western Esotericism. Berkeley: University of California Press, 2006, p. 233-235; Versluis, Arthur. American Gurus: From Transcendentalism to New Age Religion. New York: Oxford University Press, 2014, p.123-138.
6 The three most important academic texts on Discordianism have all used different versions of the 4th/5th edition of the Principia: Cusack cites the Steve Jackson Games version in Invented Religion (2010), Urban references the Loompanics version in Magia Sexualis (2006), and Versluis based his work in American Gurus (2014) on the Illuminet edition.
7 The earliest version of the popular Loompanics edition of the Principia was published in 1979, and it featured an introduction by Hoy. This version was superseded by the popular 1980 edition, which contained Wilson’s introduction. See Gorightly, ‘Adam Gorightly on the Publishing History of the Principia Discordia’.
8 Wilson refers to the means by which an individual can ‘meta-program’ their own reality as the ‘final secret of the Illuminati’. See Wilson, Robert A. Cosmic Trigger: Final Secret of the Illuminati Vol.1, Tempe, AZ.: New Falcon Publications, 1997, pp.29, 68-71.
Brunswick Shrine: Friendly Hills Bowl. Courtesy of the Discordian Archives.THE PROFITCIES WERE SOLD!
THE SIGNS WERE SEEN!
GREYFACE HAS COME!
Sad news, my fellow Discordians. The Brunswick Shrine has gone dark!
The announcement came through the following news reports detailing the end of an era, the closure of the birthplace of Discordianism, the Friendly Hills Bowling Alley:
A letter to Dr. Iggy (aka Greg Hill) dated September 1970 from Mrs. Elio (whoever she may be) from Scheneetady, New York thanking Greg “for the chicken shit” and enclosing a “stamp and $1 for Principia. If no Principias left, keep the buck for orgy butter.”
ORGY BUTTER PRINCIPIAS: Mrs. Elio's letter to Rev. Iggy (Greg Hill), dated September 1970. Courtesy of the Discordian Archives.
Cover, Illuminatus! LeviathanOn page 657 of Illuminatus!, a quote from Lord Omar Khayyam Ravenhurst (aka Kerry Thornley) starts out The Tenth Trip chapter with:
“Ye have locked yerselves up in cages of fear; and, behold, do ye now complain that ye lack freedom.”
“Kerry Thornley wrote those words in the mid 1960s and within 10 years he had become a clinical paranoid himself, in the judgment of almost all of his friends, including Dr Robert Newport, a psychiatrist who had known Kerry since high school. The moral of this seems to me: take great care which nut cases you dare to mock, for you may become one of them.”
In Illuminatus!, RAW and Shea indicate that this quote originates from “The Epistle to the Paranoids,” which was taken from Thornley’s The Honest Book of Truth… which is not the truth! In Historia Discordia: The Origins of the Discordian Society, The Honest Book of Truth is reproduced in its entirety, as is “The Epistle to the Paranoids,” which were two separate and distinct works.
The first chapter of “Epistle to the Paranoids” originally appeared in Principia Discordia, and the remaining two chapters were discovered in the Discordian Archives, which are reproduced here for your reading pleasure!
Chapter 1 of 'Epistle to the Paranoids' from page 00069 of the 4th edition of Principia Discordia.Chapter 2 of 'Epistle to the Paranoids,' page 00001. Courtesy of the Discordian Archives.Chapter 2 of 'Epistle to the Paranoids,' page 00002. Courtesy of the Discordian Archives.Chapter 3 of 'Epistle to the Paranoids.' Courtesy of the Discordian Archives.
For further insights into Illuminatus!, you can find the group reading page at RAWIllumination.net.
