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Equal Time For Kerry Thornley

I recently happened upon a post at To Seek A Newer World blog entitled “Vindication for Kerry Thornley” where a fellow named Matthew Scheufele navigates some of the same choppy waters explored in my book Caught in the Crossfire: Kerry Thornley, Lee Oswald and the Garrison Investigation; in specific the famous altered photo caper hatched by Harold Weisberg, in addition to Judyth Vary Baker’s claim (in Me and Lee) of two alleged Thornley-Oswald sightings in May of 1963.

In Caught in the Crossfire, I noted the same discrepancy Scheufele points out: that Kerry Thornley was in California during the same time-frame Baker places him in NOLA meeting with Lee Harvey Oswald and banging his wife, Marina, behind Oswald’s back. Baker’s version of events contradict Thornley’s Warren Commission testimony as having arrived in California on May 5th and then returning to New Orleans on September 4th of ‘63. (Baker claims she saw Thornley and Oswald together on May 8th and May 28th of that year.)

In response, Baker supporters will no doubt counter that Thornley fibbed about traveling to California—or about the exact timeframe of where he was and when, etc. Having reviewed hundreds of letters written to and from Thornley during this period—as well as his many JFK assassination related writings—I’ve seen no glaring inconsistencies in any of Kerry’s statements regarding his movements in the summer of ’63. It was based on Kerry’s own timeline (of having traveled through Texas on his way to California and then spending time in Mexico City on his way back to NOLA) that Jim Garrison cobbled together his theory that Kerry staged the famous doctored photo of Oswald (with his trusty Mannlicher Carcano) while passing through Texas and then on his return trip visited Mexico City in around the same time that Oswald (or someone pretending to be Oswald) was making a nuisance of himself at the Cuban and Russian Embassies.

Baker further asserts that Oswald’s “Neighbors testified to the Warren Commission that Thornley was there so often they were unsure as to which one (Lee or Thornley) was really Marina’s husband. Jim Garrison’s investigation confirmed the same point.” (Me and Lee, page 321.)

Baker’s claim that the Warren Commission investigated Thornley’s supposed relationship with Marina Oswald has no factual basis—unless someone can identify the specific Warren Report sections where the testimonies of Oswald’s neighbors presumably appear. Nor did Garrison “confirm” any of these rumors, which from what I’ve been able to piece together first surfaced in a February 22nd, 1968 letter to Garrison from John Schwegmann, Jr., owner of Schwegmann Bros. Super Markets:

An employee of our store, Mrs. Myrtle LaSavia… says that she, her husband, and a number of people who live in that neighborhood saw Thornley at the Oswald residence a number of times—in fact they saw him there so much they did not know which was the husband, Oswald or Thornley…
(From In History’s Shadow: Lee Harvey Oswald, Kerry Thornley & the Garrison Investigation by Joe Biles, pages 60-61.)

In 1977, Garrison resurrected LaSavia’s allegations in a memo to the House Select Committee on Assassinations (HSCA), shown below. In said memo, Garrison states that “an effort will be made to locate these neighbors’ statements…” However, there’s no evidence that Oswald’s neighbors “positively” identified Thornley, aside from the second hand account attributed to Myrtle LaSavia. Garrison never produced any of these neighbor statements (identifying Thornley) for the HSCA—for the simple reason that they probably never existed to begin with.

Page 00001 of a 1977 memo sent from Jim Garrison to Jonathan Blackmer
of the House Select Committee on Assassinations.

Assistant District Attorney Andrew Sciambra paid a visit to a Mr. and Mrs. Tony LaSavia on February 29th, 1968—a week after Garrison received the Schwegmann letter. From this meeting a memo was produced, which is cataloged among Jim Garrison’s Papers (Box 7) in the National Archives. In Farewell to Justice, Joan Mellen—quoting from Sciambra’s Feb. 29th, 1968 memo—states that LaSavia and her husband identified Thornley “…as being the person who used to walk with Marina to the Winn-Dixie food store.”

When Garrison informed the HSCA that ”neighbors of the Oswald’s responded positively to Thornley’s picture”, he seems to be referring exclusively to the claims of Myrtle LaSavia, as well as her husband, Tony, who probably got roped into backing up his wife’s story. However, let’s not confuse a memo for a witness statement; documents of this nature are of subjective value, in my opinion, and in particular the many Garrison Investigation memos related to Kerry Thornley that were rarely, if ever, supported by witness statements. It confuses the matter even more when memos such as these are presented as “evidence.”

Curiously, another woman bearing the last name of LaSavia—Mary Lee LaSavia—was interviewed by Andrew Sciambra during the same time frame as Myrtle LaSavia. It’s unclear if the two LaSavia’s were related—or if Sciambra had simply misidentified Myrtle as Mary Lee, which is my suspicion.

Andrew Sciambra memo to Jim Garrison about David Ferrie, March 1, 1968.

As noted in the memo above (from March 1st, 1963, a day after Sciambra’s meeting with Mr. and Mrs. Tony LaSavia), Mary Lee LaSavia passed on information that Oswald’s former neighbor “MRS. EAMES today said that DAVID FERRIE came to see her in regards to where the OSWALDS were right after OSWALD left Texas…” Later in the memo, Mrs. Eames states “that David Ferrie did come to her house but it was not until after the assassination…”

As hard-core JFK assassination junkies should be well aware, it was right after the assassination that Jack Martin (future Garrison witness) was questioned by the FBI, and at that time leveled a number of charges against David Ferrie, including the allegation that Ferrie’s library card was discovered among Oswald’s posthumous possessions. It appears that Ferrie’s appearance at Mrs. Eames residence was probably to gather information to refute Jack Martin’s claim.

In the same memo, Mrs. Eames states that “she cannot remember seeing anybody with the OSWALDS or go to the OSWALDS home. She said that they were loners and didn’t associate with anybody.” This comment seems to refute Myrtle LaSavia’s assertion that a number of Oswald’s neighbors had seen Marina in the company of Kerry Thornley—or, at least, it appears she was the only neighbor making this claim.

It’s interesting to note that Andrew Sciambra neglected to ask Mrs. Eames about Kerry Thornley, as the timing of this interview was just a week after the emergence of the Schwegmann letter. Or perhaps Sciambra did ask Eames about Kerry Thornley, but neglected to include her answer in his memo.

On March 4th, 1968—three days after Sciambra met with Mrs. Eames, and a week after his meeting with the LaSavia’s—Garrison staff member Tom Bethell compiled a list of residents in Oswald’s neighborhood, in addition to visitors seen at the Oswald residence, none of whom included Kerry Thornley.

Memo from Tom Bethall to Jim Garrison, March 4, 1968, page 00001.
Memo from Tom Bethall to Jim Garrison, March 4, 1968, page 00002.
Memo from Tom Bethall to Jim Garrison, March 4, 1968, page 00003.

On instructions from Sciambra, investigator Gary Sanders interviewed Miss Rose Cavalier of 918 Upperline, the same street where the LaSavia’s lived. During this interview, Cavalier indicated that, on several occasions, she’d seen Lee and Marina Oswald pass by her residence walking in the direction of the Winn-Dixie Supermarket. However—when presented with a photo of Kerry Thornley—Miss Cavalier apparently had difficulty distinguishing between the two: Oswald and Thornley. Gary Sanders also noted that Miss Cavalier “may have eyesight problems although she told me that she did not wear glasses.”

Memo from Gary Sanders to Louis Ivan about Miss Rose Cavalier, March 4, 1968, page 00001.
Memo from Gary Sanders to Louis Ivan about Miss Rose Cavalier, March 4, 1968, page 00002.

Although Thornley was similar in height and build to Oswald (depending on the source), their facial features were not at all similar—unless of course Sanders was showing Miss Cavalier the infamous touched up photo of Thornley. In this regard, any photo identifications of Kerry Thornley (courtesy of Garrison’s investigation) inevitably leads us down that slippery slope we discussed in our previous posts Fred Newcomb, Harold Weisberg and Photographic Tomfoolery in the Garrison Investigation Part 00001 here and Part 00002 here.

The infamous touched-up photo of Kerry Thornley
taken from the Garrison Investigation suspect files.

Whatever the case, I’ve come across nothing substantive (at least not yet!) to suggest that this Kerry Thornley-Lee and Marina Oswald-love-triangle was ever “confirmed” by Garrison’s investigators, and that these allegations all seem to have originated from the same sole source: Myrtle LaSavia.

However, Kerry and Marina were spotted together on February 8th, 1968 as they passed one another in the courtroom hallway coming and going from their respective grand jury testimonies. Apparently, this “chance encounter” was staged by Garrison to place the two together in the prospect that Marina would react to Kerry’s appearance and suddenly spill the beans about their supposed romantic tryst. According to Tom Bethell’s account, Marina registered no recognition of Kerry, and when questioned by Andrew Sciambra if she knew him (Thornley), Marina responded to the contrary.

February 9, 1968 Times-Picayune article that incorrectly identifies Kerry Wendell Thornley’s middle name as 'Lee,' a rather curious mistake in light of Garrison’s theory
that Kerry was one of notorious Oswald doubles.

In his blogpost, Matthew Scheufele concludes that Baker is a faker, a theme trending of late at JFK assassination research forums where Judyth’s apparently been taking it on the chin (from a rather vocal anti-Baker faction) who insist that Me and Lee is a largely fictional account backed only by a pay stub from when she worked at the Reilly Coffee Company concurrent with the employment of her purported paramour, Lee Oswald.

Whether Baker actually knew (and loved and lost) Oswald is fodder for endless debate in these aforementioned JFK assassination forums dating back over the last decade. If you’re a part of this scene then you probably know exactly what I’m talking about—and if not, you’re probably wondering what all the fuss is about. But say what you will about her, Baker is indeed a polarizing figure within the ranks of current day assassination researchers who appears to attract as many staunch supporters as she does detractors. Jesse Ventura is one such ardent Judyth Baker believer, for whatever that’s worth.

Scheufele closes out his post: “Garrison concluded that Thornley was in California visiting his relatives” at the time of the Judyth Baker sightings—although it’s hard to know what Garrison really believed, or if his many charges against Thornley were simply flavors of the week spoon-fed by the likes of Harold Weisberg and the other Dealey Plaza Irregulars. Although Garrison labeled Thornley a perjurer, he seemed content to endorse Thornley’s summer of ‘63 travel log because it dovetailed with his claims that Kerry was working behind the scenes during this period to incriminate Oswald.

February 21, 1968 Garrison press release, page 00001.
Full PDF here.
But if one is seeking vindication for Kerry Thornley, why stop at Judyth Baker? Baker’s alleged Thornley sightings seem rather tame in comparison to the charges leveled by Jim Garrison in his February 21st, 1968 press release [Adobe PDF here.] that characterized Thornley as a diabolical CIA agent based on the startling revelation that Kerry had a post office box in a federal building where most post offices tend to be located… in federal buildings.

In this somewhat rambling press release (replete with footnotes), Garrison identified Kerry as part of a clandestine cabal engaged in “image creating” that falsely portrayed Oswald as a lone nut commie symp with a happy trigger finger. It could be similarly argued that Garrison played the exact same game by portraying Thornley as a rabid right wing super-spook, the ultimate intent of which was to implicate an innocent man in a convoluted JFK assassination conspiracy.

Granted, Kerry Thornley naturally raises some curious eyebrows—and deservedly so—due to his propinquitous associations to Oswald and Garrison’s rogue gallery of spooks. To this end, I claim no ultimate certitude as to Thornley’s innocence or guilt as a witting or unwitting participant in the JFK assassination.

My motivation for writing Caught in the Crossfire was not so much a case of seeking vindication for Kerry Thornley as to provide equal time to present Thornley’s side of the story; to dig deeper beneath the surface story (The Gospel according to Garrison) and not immediately assume that Thornley was a CIA agent (or one of the notorious Oswald doubles or was staging fake photos or writing incriminating books or bedding down Marina) just because someone entertained “theories” that have been subsequently parroted as “facts.”

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Upcoming Discordian Related Gigs For Gorightly

Discordianism will once again rear its Eristic head at Pantheacon and the sumptuous Doubletree San Jose, which is really located in Santa Clara, California, but don’t let that confuse you—because as we all know (Hail Eris!)—the map is not the territory… nor is the goat, the cheese.

The first salvo—or Golden Apple—to be tossed (or rolled) into this New Age Pagan Wicca festival of fortune tellers and crystal channelers will be provided courtesy of my friend St. Mae and her chaotic crew at Discordian.com who will present at the exalted hour of 11pm (otherwise known in Aneristic-militaristic-clock-time as 2300) on the ever lucky day of Friday, February 13th—an “Authentic Recon Lady Gaga Devotional/Clothing Swap,” which hopefully indicates that people will be taking their clothes off, a longstanding Discordian tradition dating back to at least the late-60s.

A latter day Discordian, indeed.

When I asked St. Mae for more details about this Lady Gaga inspired clothing swap, she replied:

“I am very pleased with the meat costume one of us will be wearing. We found a bacon dress costume, and I am making a headpiece out of a steak dog toy.”

As for yours truly, I’ll be doing a Historia Discordia song-and-dance the following evening, Saturday, Feb. 14 (1+4=5)—once again at the exalted hour of 2300 (2+3+0+0=5)—according to the Law of Fives.

So if you Pantheacon attendees have had enough charka cleansing and bathing your feet in tea by this late hour come check us out!

Preceding my presentation will be Erik Davis with Babalon Rising: Jack Parsons’ Witchcraft Prophecy which sounds like a hoot.

Here’s the complete Pantheacon program guide.

On a related note, Discordianism will go all academic-like on April 23rd (according to the Law of Fives and the 23 Enigma) when I’ll be speaking at CalArts for a series Doug Harvey has masterminded called “Outsider Theory” where he’s presenting for his students the works of such mad geniuses as Richard Shaver, James Shelby Downard, not to mention certain fringe religions.

I may even show up with a rare Holy Discordian text or two.

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Brit Covers of Illuminatus!

Over at the facebook, Geoff Blogg recently posted the images below of the British editions of Illuminatus! (Amazon) paperbacks published by Sphere Books in 1976-77.

Although we haven’t been able to completely confirm it, the covers appear to be the work of artist Chris Foss who illustrated a slew of Sci-Fi titles during this period by such authors as Philip K. Dick, Michael Moorcock, Ursula K. Le Guin and prog rock album covers by the likes of Hawkwind.

Cover, Illuminatus! The Eye in the Pyramid
Cover, Illuminatus! The Golden Apple
Cover, Illuminatus! Leviathan
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Tales of the Brunswick Shrine (Part 00004)

Cedar Lanes Bowl
My own personal Brunswick Shrine closed in 2012, the very same year the world was supposed to end—and it might as well have for all I care!—because Cedar Lanes is where I’d spent much of my wayward youth bowling and playing Pong and pinball and enjoying the most wondrous cheeseburgers that your belly-brain can imagine! It was like a central meeting place where myself and my hirsute colleagues would congregate on a Friday night before venturing out to a kegger or some other stoner dude outing straight out of Linklater’s Dazed and Confused.

When I caught wind of Cedar Lanes impending closure, I arranged a get together with some Discordian colleagues to enjoy a toast or two and partake of the holy hamburger (sorry, not hot dogs without buns) and bid farewell to this landmark of my youth where last I heard they were going to build an aneristic Wal-Mart in its place.

Golden Apples in the Sun.
After high school, I drifted off to other parts of the Golden State then returned to Fresno in the late-80s and made a habit for awhile of visiting Cedar Lanes for an occasional hang over-breakfast (eggs over easy, hash browns and bacon, keep the coffee coming!). This was during the period Dr. Hunter S. Thompson was writing a weekly column for the San Francisco Examiner, and so I fondly recall on several occasions slurping my coffee with great gusto as I read the good Dr. Gonzo’s latest while awaiting my bacon and eggs in the old school padded leather booths of yore.

Wall of Discordian Saints.
During our final Cedar Lanes pilgrimage we never actually got around to bowling but spent the preponderance of our time in the dim lit bar among a gaggle of regulars enjoying their Bud Lights, one of whom I later noticed in the photo below appeared to be a shapeshifting reptilian, just starting to shapeshift. Notice the eyes…

Reptilian Discordian.
 
Of course, Fresno has always been home to strange occurrences such as these, including my own psychedelic UFO encounter way back when. After reviewing the remaining photos from our pilgrimage, I noticed what appeared to be a saucer-shaped UFO hovering to the right of the Cedar Lanes sign!

I WANT TO BELIEVE.
Cedar Lanes Credit Card.

Back in the day, Cedar Lanes used to issue their own credit cards, something I’d hung on to over the years, as it occupies a special place in my wallet right alongside my Discordian Pope Card. Of course, they hadn’t accepted these credit cards for over a decade or so, but just the same I thought I’d lay it on the bartender to see if I could stiff him for a few drinks. This gambit didn’t work, but just the same the bartender didn’t hold it against us, and actually treated us to a toast on the house, which was some sort of lemon lime concoction that was damn good, I might add.

Cedar Lanes Neon Sign.
The last vestige of Cedar Lanes now resides in a neon sign bone yard in northwest Fresno, a testament to a bygone age.

Find out more about fabulous Fresno here, the city of the future!

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January 2015 Eris of the Month – Erismorphing Project by Cpt. Bucky Saia (Part 00001)

January 2015 Eris of the Month, 'Betty' by Cpt. Bucky.
For this Eris of the Month Club selection we present to you now Part 00001 of Cpt. Bucky Saia’s Erismorphing Project.

As Cpt. Bucky expresses it:

“…this is Bapheris (I call her Betty :D). I think this is a beautiful incarnation of Eris for every Discordian Chaosmagician. Ok the Chao is a little bit rough. The picture bassed on a theory from me that every Period have his own Eris (5 different Eris´s). Call this ‘Levels of development incarnation Theorem’ or in german ‘Entwicklungsstufen Inkarnations Theorem’. with best wishes from the land west of the East (calles Germany) Cpt. Bucky Saia Moonman Winter Dream.”



Send us your Eris of the Month Club submissions (more info here)
by using the form at the bottom of The MGT. page.

Hail Eris! All Hail Discordia!

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Fred Newcomb, Harold Weisberg, and Photographic Tomfoolery in the Garrison Investigation (Part 00002)

Caught in the Crossfire:
Kerry Thornley,
Lee Oswald and
the Garrison Investigation

Order The Chaos Now!
In the first part of this series, I recounted how Harold Weisberg (working on behalf of Jim Garrison’s investigation) hired a California artist named Fred T. Newcomb to touch-up photos of Kerry Thornley to make him more resemble Lee Harvey Oswald. The apparent intent behind this photographic skullduggery was to bolster Garrison’s contention that Thornley was one of the notorious Oswald doubles.

Fred Newcomb’s May 8, 1968 letter to Harold Weisberg addressing his concerns
about the Kerry Thornley touch-up job. From the Harold Weisberg Archives.

Prior to my research for Caught in the Crossfire: Kerry Thornley, Lee Oswald and the Garrison Investigation (Amazon), I was unfamiliar with Fred Newcomb, but as I recently discovered he was a long-time Warren Report critic and active player in the early days of the JFK assassination research scene. In fact, Newcomb was one of the early investigators to analyze the backyard photos of “Oswald” (holding his trusty Mannlicher Carcano rifle) and produced the first report detailing how those photos had apparently been doctored. (Later, Jim Garrison would even go so far as to suggest that it was Kerry Thornley who staged these photos!) Due to his association with the Garrison Investigation, Newcomb was among the handful of JFK assassination researchers who obtained a copy of the film Farewell America (Amazon).

Although it was never commercially released in the U.S., Farewell America had been passed on to Garrison investigator Jim Rose (aka E. Carl McNabb), who then supplied boot-legged copies to the likes of Fred Newcomb, as mentioned in this letter.

December 5, 1968 Los Angeles Free Press article on Farewell America.

Farewell America included Zapruder film footage that’d been purportedly liberated from Time-Life who owned the rights to the film at the time, as well as possession of the physical copy. Over the years, rumors have circulated that French Intelligence was somehow involved in the heist of the film then later returned it to the Time-Life vaults after making duplicates. French Intelligence, in turn, shared this footage with the producers of Farewell America who incorporated it into their film. On account of this bootlegged version of Farewell America, the Zapruder film had now began (circa 1968) to circulate within the JFK assassination research community.

French Intelligence notwithstanding, a more likely source of the Zapruder footage (featured in Farewell America) was Jim Garrison, who subpoenaed the film from Time-Life in 1967 and received a copy that was several generations removed from the original. Unsatisfied with the low quality of this multi-generational version, Garrison subpoenaed Time-Life again in early 1968 in an attempt to obtain an original copy of the film but was denied this request.

March 15, 1968 newspaper article, Zapruder Film Subpenaed.

At some point, Mark Lane borrowed Garrison’s copy of the Zapruder film and had several copies reproduced at a lab in New Orleans, which he then distributed to his network of cronies across the JFK assassination landscape.

One recipient of Lane’s largesse was Penn Jones, Jr, editor of a small town Texas newspaper called the Midlothian Mirror, whose major claim to fame was a death chart he compiled listing every dead person he could think of who could’ve possibly been associated with the Kennedy assassination. In 1970, Jones arranged the first television broadcast of the Zapruder film on a late night television show that aired in Chicago called Underground News with Chuck Collins.

Meanwhile, a firm called EFX Unlimited was awarded a contract by Time-Life in 1969 to work on a Zapruder film related project, which is where part time JFK assassination sleuth and photo-optics technician Robert Groden enters the story. Groden—as the story goes—was working as a subcontractor for EFX Unlimited during this period and was “granted access” to an unauthorized version of the Zapruder film provided to him by EFX’s owner, Moses Weitzman.

Over the next few years, Groden enhanced this unauthorized (and much higher quality) version of the Z-film, basically slowing down the significant frames and making the footage less shaky and easier to view. In 1973—on the tenth anniversary of the JFK assassination—Groden presented his Zapruder footage at a symposium hosted by Georgetown University, an event attended by comedian activist Dick Gregory who met with Groden afterwards and encouraged him to take the film to a larger audience. This ultimately resulted in the first national airing of the Zapruder film in 1975 on Geraldo Rivera’s Good Night America.

Fred Newcomb, circa 1995.
In 1974, Fred Newcomb—in collaboration with fellow researcher Perry Adams—self-published one hundred copies of their JFK assassination tome, Murder From Within, which they distributed to members of the Senate, Congress, FBI and other law enforcement agencies. Murder From Within presented the theory that JFK’s assassination was an inside job orchestrated by LBJ and executed by Secret Service agents. Newcomb and Perry based their conclusions on an eight year investigation that included over fifty witness interviews as well as their analysis of the Zapruder film.

During the course of their analysis, Newcomb and Perry discovered in a couple of the Zapruder frames—just before and after the fatal headshot—that JFK’s limo driver turns around and appears to be holding a pistol at the exact instant that the President’s head went supernova. Newcomb and Perry were later called to share their findings before the House Select Committee on Assassinations (HSCA).

At first blush, Murder From Within might seem just one in a slew of many “crackpot” JFK assassination books that emerged over the years, mainly due to its controversial assertion that the triggerman of the operation was the aforementioned limo driver, and secret service agent, William Greer. But when one delves into the material presented in the book, it soon becomes evident that the authors went deep into their research and produced a well documented account, which included the theory that JFK’s wounds had been altered during his autopsy, a theme later explored in greater depth in David Lifton’s Best Evidence (Amazon).

In the early-80s, Newcomb and Perry started shopping around Murder From Within and over the next several years apparently struck deals, at one time or another, with three different publishers all of whom eventually decided against publishing the book because, according to Newcomb, “they were scared.”

In the late 1980s, the Greer-shot-Kennedy theory gained renewed traction when Perry Adams joined forces with researchers David Evans with Lars Hansson and the trio—using Zapruder film footage—produced what Hansson later described as a “rough, preliminary videotape” entitled The Truth Betrayed: Dallas Revisited. In Lars Hansson’s Lear and Loathing in Las Vegas, the videotape was “to serve only as a preliminary research tool to spur potential investors to underwrite a thorough professional investigation into the theory that the driver of the presidential limousine, William Greer, actually turned around and fired the fatal shot at JFK with a handgun… It was never intended at any time to be considered a final statement on the issue, much less to be shown publicly and/or distributed as such.”

During the Dallas Revisited period, Lars Hansson was part of the UFOlogical-conspiratorial scene then erupting out of Las Vegas, Nevada that included such “patriots” as James “Bo” Gritz, John Lear and William “Bill” Cooper, all of whom were often featured on The Billy Goodman Happening radio show in their mission to bust to the New World Order’s chops and expose not only the JFK Assassination Conspiracy, but also reveal the reality of reverse-engineered alien technology being developed at Areas 51, not to mention the shocking existence of a certain secret underground alien base in Dulce, New Mexico where all sorts of sinister doings have supposedly transpired over the last several decades.

John Lear was the son of the Lear Jet inventor, Bill Lear, and so Lars Hansson—figuring Lear had deep family pockets—shared a copy of Dallas Revisited with him in the prospect that he could get Lear to invest in his research. Little did Hansson know, but by this time Lear had fallen out of favor with his father, thus losing access to those deep family pockets.

Meanwhile, Lear was beginning to make a splash in UFOlogy and was responsible for setting up the first televised interview with Area 51 whistle blower Robert Lazar, who allegedly worked on reverse-engineered craft at the facility. Lear was also on the forefront of promoting the Dulce Base story and presenting this material at public lectures for the UFO faithful. After getting his paws on Dallas Revisited, Lear began showing the film at his lectures, little to the knowledge of Lars Hansson, who had never intended the film for public consumption. Lear then shared a copy of Dallas Revisited with Bill Cooper, who not only trotted it out and presented it like his own baby, but also started selling videotape copies.

When Lars Hansson caught wind of these developments, a shit-storm soon started brewing between he and Bill Cooper. According to Hansson:

“Cooper’s supporters told me a couple of months after my visit to his home that Cooper had a copy of the tape and was showing it publicly. At that time, in late October 1989, I confronted him over the phone about his dishonesty regarding his use and sale of the videotape, and have since done so publicly in print, on television, and on the radio. When he chickened out of appearing on the TV program INSIDE REPORT, which was taped in April and aired in May 1990, after learning that I would also be appearing to counter him, the producers deliberately left out half of my statement. I had made it clear on their videotape that at the time I threw the rough video together I believed that there was sufficient supporting evidence to warrant a complete investigation; however, after seeing a much clearer version of the Zapruder film, discussing the issue with a number of other respected researchers, and combing through the evidence at hand more closely, I had decided by November 1988 the theory was no longer tenable…”

Below is a YoutTube vid from the above-mentioned episode of Inside Report, featuring not only Lars Hansson, but also Fred Newcomb, Perry Adams, Robert Groden and Harold Weisberg.

And here is the startling evidence of what is either Roy Kellerman’s hair glare or, as Bill Cooper termed it in the video, William Greer firing an “electrically operated, gas powered assassination pistol built by the CIA” containing a shell fish toxin dart!

As for Murder From Within (Amazon), it was finally published in 2011 by Fred Newcomb’s son, Tyler. In the book’s introduction, Tyler Newcomb makes these comments about the Zapruder film:

“The ‘optical illusion’ on the film of the Driver turning, aiming, firing and turning back to drive at the moment Kennedy’s head explodes is mind shattering. What are the odds such a thing could actually happen at that exact instant on the most important amateur film ever made? The ‘gun’ however upon close frame inspection appears to be part of Roy Kellerman’s hair. But is it? No one can prove it either way because the film was in possession of the Secret Service and if Dad’s theory is correct they were busy altering the film itself creating a new original obliterating their complicity in the killing.”

More on the sordid history of the Zapruder film here.

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January 18th: This Day In Discordian History

We celebrate this day with a “Happy Birthday, Bob!” collage courtesy of Simon Gysin.

Hail Eris! All Hail Bob!

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John Higgs Interviewed by Nick Margerrison: The KLF, Discordianism, Chaos Magic

The KLF: Chaos, Magic and the Band who Burned a Million Pounds by John Higgs
From The Cult Of Nick podcast:

In 1994 Bill Drummond and Jimmy Cauty took a million pounds to a deserted boathouse on the island of Jura and burnt it. The writer JMR Higgs looked at this event from a magickal perspective and came up with some interesting results. The story involves the world’s first joke religion, the JFK assasination, Robert Anton Wilson, Alan Moore and a bunch of ideas collectively known as “Chaos Magick”.

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Tales of the Brunswick Shrine (Part 00003)

“No Muse-poet grows conscious of the Muse except by experience of a woman in whom the Goddess is to some degree resident; just as no Apollonian poet can perform his proper function unless he lives under a monarchy or a quasi-monarchy. A Muse-poet falls in love, absolutely, and his true love is for him the embodiment of the Muse…

But the real, perpetually obsessed Muse-poet distinguishes between the Goddess as manifest in the supreme power, glory, wisdom, and love of woman, and the individual woman whom the Goddess may make her instrument…

The Goddess abides; and perhaps he will again have knowledge of her through his experience of another woman…”
—Robert Graves, The White Goddess

 
Robert Graves—in the above passage—was obviously referring to Eris, although he tried to sugar coat the whole thing to make it appear as if our Lady of Perpetual Chaos is all sweetness and light, which is totally missing the point. Or as Eris herself once said in a certain SoCal bowling alley:

I have come to tell you that you are free. Many ages ago, my consciousness left man, that he might develop himself. I return to find this development approaching completion, but hindered by fear and by misunderstanding. You have built for yourselves psychic suits of armor, and clad in them, your vision is restricted, your movements are clumsy and painful, your skin is bruised, and your spirit is broiled in the sun. I am chaos. I am the substance from which your artists and scientists build rhythms. I am the spirit with which your children and clowns laugh in happy anarchy. I am chaos. I am alive, and I tell you that you are free.

In The Big Lebowski, the Coen Brothers use the holy bowling alley metaphor to further expound upon the Erisian mythos, featuring Jeff Bridges in his classic role of The Dude, the embodiment of Southern California-cool-Eristic-forces-in-action. The last line he delivers in the film is: “The Dude abides,” which certainly seems a wink and nod to a certain Goddess who also abides—or as a way of saying that the Goddess abides in The Dude.

An erstwhile political activist—fond of White Russians, smoking dope and bowling (but not The Eagles)—The Dude goes with the Erisian flow, unconcerned about paying his rent and, in fact, it appears he has no visible means of support and relies entirely upon the will of Eris to guide his chaotic movements and settle his bills. Here the Dude expounds upon The Eagles:

At the eighteen minute mark in the film we see The Dude’s bowling lane identified as the holy Discordian number 23.

The Erisian forces are then set in motion when a guy named Smokey from the opposing bowling team steps over the line during a league match, which sends Walter (John Goodman) on a tirade; Walter brandishes his gun, aims it at Smokey and screams: “Has the whole world gone crazy?” Some may see Walter as an out of control gun wielding wacko, but in reality he’s channeling the chaotic Erisian forces in an attempt to bring some semblance of real order and sanity to a world gone mad with lane violations.

With all his ups and downs, The Dude always seems to land on his feet (more often than not in slippers… or bowling shoes) which attests to the fact that if you put your trust in Eris (In Goddess We Trust!) then some spectacular shit is bound to happen along the way—or at least you won’t be bored!

Conversely—on the other side of the yin-yang coin (or the Hodge-Podge, have you)—there’s that big meanie Jeffrey Lebowski; a man—due to his fucked-up control freak nature—who is crippled, both literally and karmically; a constricted and conniving sour-pus possessed by The Curse of Greyface.

Thus you have the two competing Lebowski’s, a veritable yin-yang/hodge-podge of counter push pull contrasting styles. First, Jeffrey Lebowski (The Big Lebowski played by David Huddleston) who has employed his wealth and power in an attempt to control others; whereas The Dude, well, you know how he rolls. Or as Sam Elliot (as “The Stranger”) says: “Dude, I like your style” …or something to that effect.

The grey-faced aneristic order the Big Lebowski conjures into existence is a group of nihilist Nazis ne’er-do-wells who attempt to rob The Dude of his Erisian powers. In the final showdown, the nihilists attempt to harness Eris and control chaos, but end up getting their asses handed to them when Walter invokes Goddess and launches a bowling ball (the symbolic Golden Apple) knocking the crap out of one of the nihilists along with chomping off the ear of another. Although a glorious Erisian victory, a casualty is unfortunately suffered during the melee when their buddy Donny (Steve Buscemi) dies of a heart attack. Here is Walter’s moving eulogy for Donny.

Goddess reveals herself in many others ways throughout the course of the film, one of which comes in the form of the Big Lebowski’s free spirited and fun loving wife, Bunny, who embodies the trickster spirit of that Great Discordian Saint, Bugs Bunny.

 

And of course the Goddess manifests in the Big Lebowski’s daughter—Maude (Julianne Moore)—who has rebelled against hers father’s control and chooses The Dude to impregnate her with a magickal child of Chaos; an intentional act to get that old Hodge-Podge-counter-push-pull moving in a positive direction, Eristic vs. Aneristic.

At the 20 minute mark, another deity in the Discordian pantheon appears, none other than his holiness Richard Milhous Nixon shown in full stride as he prepares to roll a Kallisti-inscribed bowling ball into the dark, savage heart of the American dream. Just one more among many apparent Discordian winks and nods imbedded in The Big Lebowski.

I must also mention another Nixon-related synchronicity that occurred not long ago when Andrew West Griffin of the Red Dirt Report tweeted a pic of Historia Discordia: The Origins of the Discordian Society with the very same Tricky Dick image in the background. And if that wasn’t enough, on Andrew’s table rested a copy of Jung’s Red Book—another stone-cold synchronicity which I probably shouldn’t need to explain.

When I asked if he’d intentionally placed the Nixon bowling photo in his Historia Discordia pic—or Jung’s Red Book, for that matter—Andrew replied it’d happened by pure dumb luck, which once again confirms the spirit of Eris busy at work directing human affairs and simultaneously blowing our brains.

If all of this wasn’t enough, I just recently discovered a religion dedicated exclusively to The Dude called The Church of the Latter-Day Dude.

In this regard, it should also be noted there are now more Dudeist Priests in Ireland than Catholic ones. Hail Eris!

Included in the Dudeism iconography is a yin-yang like symbol, which seems also a twist on The Sacred Chao but instead of the Golden Apple yin-yanging the Pentagon you have the bowling ball symbol with finger holes balanced against one another in the cosmic drama of life.

 

 
 
 And just like Mal-2 back in the day, The Church of the Latter-Day Dudes likewise issues their own certificates of ordination if you so desire to become a Dudeist Priest.

And now, here’s the greatest musical interlude in… well… musical interlude history:

Eris abides.

Categories
book jfk jim garrison kerry thornley lee harvey oswald letters photo

Fred Newcomb, Harold Weisberg, and Photographic Tomfoolery in the Garrison Investigation (Part 00001)

Caught in the Crossfire:
Kerry Thornley,
Lee Oswald and
the Garrison Investigation

Order The Chaos Now!
In the chapter from my book Caught in the Crossfire: Kerry Thornley, Lee Oswald and the Garrison Investigation (Amazon) called “Photographic Tomfoolery,” I recount some rather sketchy activities undertaken by Harold Weisberg (on behalf of Jim Garrison’s investigation) which involved the recruitment of California artist and JFK assassination investigator Fred T. Newcomb to retouch a photo of Kerry Thornley, the intent of which was to use these altered photos to build a case against Thornley suggesting he was one of the notorious Oswald doubles.

Recently, ace investigator of the odd and arcane, Tim Cridland, shared with me the following letter he uncovered in The Harold Weisberg Archive at http://jfk.hood.edu that an embittered Fred Newcomb sent to Weisberg in the aftermath of this debacle, the second paragraph of which is the most telling:

“Ever since you asked me (on New Orleans stationary) in an unsigned letter, to retouch a photo of Kerry Thornley, I have had a bad taste in my mouth. Not only did you send me on this foolish assignment, but when the flack started, you ducked for cover…”

Letter from Fred Newcomb to Harold Weisberg, dated January 15, 1969.

Fred Newcomb’s January 15th, 1969 letter also includes snipes at “investigators” Steve Jaffe and Jim Rose, who were both on the Garrison dole, and who both spent a considerable amount of time attempting to dig up dirt on Kerry Thornley. (More about the enigmatic “Jim Rose” in future installments!)

As for the abovementioned touch-up caper, this was first exposed by Kerry Thornley’s lawyer, Arnold Levine, in an article that appeared in the November 27, 1968 edition of the Tampa Times:

Photo touch-up charged
By TOM RAUM

Times Staff Writer

Did New Orleans Dist. Atty. Jim Garrison commission a set of deliberately “touched-up” photographs of Tampan Kerry Thornley to show an allowed likeness to accused presidential assassin Lee Harvey Oswald?

The possibility was confirmed to The Times today by Thornley’s attorney, Arnold Levine. An aide to Garrison has disclaimed any such order.

The Times learned of the existence of a letter which was reportedly mailed to a freelance artist in California bearing the letterhead of Garrison’s office. The letter contained a purported request to “touch-up” photographs “to make Thornley look as much as possible like Oswald.”

THORNLEY, onetime buddy of Oswald, is being prosecuted by Garrison about his connection with the alleged assassin in New Orleans during the months prior to the John F. Kennedy assassination in 1963.

Attorney Levine said he has reason to believe Garrison wanted to use the touched-up photographs to support a theory that Thornley posed as Oswald on several occasions when Oswald was away from New Orleans—apparently on clandestine missions.

The Times has also come into the possession of copies of photos which Levine said were re-touched by the California artist, as well as another letter apparently from one of Garrison’s assistants denying that the district attorney had any intention of using a “‘touched-up’ photograph of Kerry Thornley in his trial.”

The 29-year old Tampa free lance writer, who served in the same Marine Corps outfit with Lee Harvey Oswald, is presently awaiting trial on the perjury charge. Specifically, he is charged with lying before a New Orleans grand jury last winter.

LEVINE TERMED the request to touch-up Thornley’s photograph “just another example of the sham” of Garrison’s investigation, and the charges which have been lodged against the Tampan.

The letter asking for the “re-touch” job bears the date of March 12, and the name of Harold Weisberg, a New Orleans writer whom Levine said has a “well-known” connection with Garrison.

Written on what appears to be official stationery, the letter, addressed to Fred Newcomb of Sherman Oaks, Calif., says:

“Enclosed are four sets of pictures of Kerry Thornley printed backwards but otherwise entirely untouched. My purpose was to emphasize the resemblance to Oswald and his receding hairline, which when his hair is combed the opposite of his normal fashion is quite emphatic.

“WHAT I WOULD like you to do with one of each pair is pretend you were a make-up man doing the minimum necessary to make Thornley look as much as possible like Oswald as for example by pruning off or brushing back the forelock, trimming the eye¬brows, shadowing the chin, etc.

“I would like you to keep one pair for your use out there, send one pair to me and the other two to Jim Garrison …”

The letter indicates that it was typed by a secretary with the initials “bb.”

A second letter, dated May 21, and also bearing the “bb” initials purports to be from executive assistant Dist. Atty. James Alcock to artist Newcomb, and reads:

“I HAVE just received the documents you sent concerning Harold Weisberg’s request for you to do some photograph touching-up on pictures of Kerry Thornley. So that the record may be set straight, Mr. Weisberg, who is not a member of our staff, made the request without our authority or consent.

“Further, this office has absolutely no intention of using any ‘touch-up’ of Kerry Thornley in his trial…”

Neither Garrison nor Alcock could he reached by The Times today for comment, but a receptionist in the district attorney’s office confirmed that there is a typist in the office typing pool with the initials “bb.” She declined to give her name.

THE RECEPTIONIST said that while Weisberg “isn’t a member of the staff he was well known in the office.”

Weisberg, author of “Whitewash,” is presently in Frederick, Md., the DA’s office said.

Garrison alleges that Oswald, David Ferrie, Clay Shaw and Jack Ruby, working on the fringe of the CIA hatched the assassination plot while they were in New Orleans in 1963.

Thornley, who has published a book on his acquaintance with Oswald, denies he met with Oswald in New Orleans.

No trial date has been set for Thornley’s case.

November 27, 1968 Tampa Times article on Kerry Thornley touched-up photos, page one.
November 27, 1968 Tampa Times article on Kerry Thornley touched-up photos, page two.

According to Kerry Thornley, this wasn’t the last of such photographic chicanery:

“Visitors to (Garrison’s) office from the Los Angeles Free Press were shown half a photograph with me in it.

“In the other half of this picture is Marina Oswald,” they would be told, and it was obvious that I had my arm around someone. Soon enough a Free Press staffer identified this photo as the same one which had appeared in a January 1968 Tampa newspaper. It showed me standing outside the courtroom just after my extradition hearing with my arm around my wife, Cara. The negative was flopped in Garrison’s print, but even Garrison’s most fanatical partisans had to admit it was the same picture….”
—Kerry Thornley, Star Witness Story (Unpublished essay, 1975)


Kerry Thornley and his wife Cara from the Tampa Tribune, January 23, 1968.

Fred Newcomb—working from a flopped negative of the above photo of Thornley and his wife—modified it per instructions from Harold Weisberg.

The evolution of Newcomb’s touch-up job.

In the November 28th edition of the Tampa Times, Harold Weisberg responded to the touch-up allegations.

November 28, 1968 Tampa Times article on 'Weisburg.'

To be continued…