Category: writings
By the time Illuminatus! was published in 1975, Kerry began suffering severe bouts of delusional paranoia along with his growing belief that the shadowy character he’d met in New Orleans in the early-60s (referred to as “Brother-In-Law”) was actually legendary CIA spook E. Howard Hunt, and that Hunt had manipulated Kerry to later set him up as an unwitting dupe in JFK’s assassination. During this period, Kerry began to suspect that he’d also been a victim of MK-ULTRA mind control, that Robert Anton Wilson (RAW) was involved in a plot to deprogram him, and that Illuminatus! was at the root of a lot of the high weirdness then going down in his life. As RAW told me in The Prankster and the Conspiracy:
“(Kerry) had the impression that I came to Atlanta more than once and that I had given him LSD and had removed the programming the Navy had put into him when he was in the Marines—and that I was one of his CIA handlers.”
When RAW informed Kerry that he didn’t remember any of this taking place, Kerry said that was because they had brainwashed him (RAW), too. Because of these suspicions, the two eventually ceased communication because as RAW later explained:
”It’s hard to communicate with somebody when he thinks you’re a diabolical mind-control agent and you’re convinced that he’s a little bit paranoid.”
On page 69, the character of Atlanta Hope is introduced, leader of God’s Lightning, a group who are opposed (at least on the surface) to all things fun and immoral. Atlanta Hope has always reminded me as a sort of Anita Bryant type: a seeming Miss All America goody two-shoes who, in reality, is willing to sleep her way to the top of the Illuminati pyramid while using the trappings of Christian fundamentalism to further her own duplicitous ambitions.
Kerry came to believe that the Atlanta Hope character was actually modeled after a woman he knew in Atlanta, Georgia named Mary Jo Padgett who belonged to a group of Quakers that provided ministry and group counseling sessions. At the time, Kerry sought counsel through this group and, in time, came to believe that they had been infiltrated by the intelligence community. Mary Jo Padgett, Kerry surmised, was:
“…an extremely high-level intelligence community dirty work organizer for elements of the Southern Rim (military-industrial complex) of the ruling class, including very probably the Dupont family. I believe these elements have been conducting a virtual reign of terror in this area for some years, not to mention corruption of the various levels of government, and that they must have been involved rather deeply in the assassinations of John F. Kennedy and Martin Luther King, Jr…. I’m rather strongly convinced that the Illuminatus! character, Atlanta Hope, is based substantially on Mary Jo Padgett…”
Back in 1966, Kerry was editing the libertarian newsletter, The Innovator, which had published an article entitled “Postman Against the State” dealing with various non-governmental postal systems throughout history that had functioned more effectively than government operated systems. As the “Playboy Forum” was then receiving a slew of complaints from readers about snooping on the part of the U.S. Postal Service, Kerry persuaded The Innovator’s publisher to send a copy of the “Postman Against the State” issue to Playboy. RAW—then an associate editor at Playboy—received this issue of The Innovator and, in turn, responded to Kerry, which initiated a longstanding correspondence between the two.
Kerry and RAW discussed, among other things, the American Letter Mail Company operated in New England in the mid 1800s by the individualist anarchist, Lysander Spooner. The American Letter Mail Company, at the time, offered cheaper postage rates than the U.S. Postal Service, gave more deliveries per day, and earned a profit to boot. Spooner was finally put out of business when Congress made it illegal to deliver a first class letter for profit. Both Kerry and RAW agreed that the U.S. Postal Service was once again ripe for change, and the concept Spooner had spawned one hundred years earlier was the direction the current mail system should go.
Thornley later described his correspondence with RAW as “one of the longest, most intense, most stimulating, rewarding, enriching, enlightening—and certainly the most unusual—of my entire life.”
As RAW noted in Cosmic Trigger:
“We began writing long letters to each other… astonished at how totally our political philosophies agreed—we were both opposed to every form of violence or coercion against individuals, whether practiced by governments or by people who claimed to be revolutionaries. We were equally disenchanted with the organized Right and the organized Left while still remaining Utopians, without a visible Utopia to believe in.”
During this period, Kerry was promoting the idea of “floating ocean utopias” where Anarcho-Libertarians—such as he fancied himself—could live high and free on the sea. This is a concept that RAW and Shea entertain in Illuminatus! embodied by the character of Hagbard Celine and his golden submarine, the Lief Erickson, which first emerges on page 71.
Celine—like many other Illuminatus! characters—seems a composite of much of the idealism after which Kerry aspired during those heady days of the 60s: the dream of living on the high seas—like swashbuckling Captain Celine—free of governments and any limitations on the individual, devoted to pursuing true freedom and sensual pleasures while engaged in a battle to free men’s minds.
A rousing Discordian song needed, I feel. Composed entirely of Illuminatus + Discordian quotes. Please send your faves. #cosmictriggerplay
— Daisy Eris (@DaisyEris) March 25, 2014
This reminded me of what was perhaps the first official Discordian Society song ever composed, “The Battle Hymn of the Eristocracy” (sung to the melody of “The Battle Hymn of the Republic”), captured in the following memorandum dictated by Lord Omar (Kerry Thornley) in April of 1964.
Praise the Goddess and pass the ammo!
https://www.youtube.com/watch?v=vtCl5sL4FOQ
Portions of “Illuminati Lady” originally appeared in the underground mag St. John’s Bread Wednesday Messenger around 1970—although no one has really seen it since then—and as Kerry mentions in the video clip, he lost track of the manuscript somewhere along the line.
But fear not, fellow Discordians, Greg Hill filed away a copy in The Archives, which at some point we’ll no doubt release in book form for your possible reading pleasure!
KERRY THORNLEY VIDEOS
VIDEO: Kerry Thornley Discusses Zenarchy and Illuminati Lady
VIDEO: Kerry Thornley on the Birth of Discordianism
One of my favorite finds in the Discordian Archives is this letter from Robert Shea to Greg Hill sent the summer before the release of Illuminatus!.
The letter includes some great Erisian Mysteries insights. Such as Shea’s back-story on how cover artist Carlos Victor (Carlos Ochagavia) learned about Illuminatus! to create the individual book covers. I find this amusing as it must have been quite an endeavor by editor Fred Feldman and the interpreter to communicate to Victor such a strange and bizarre concept, which Victor nails solidly.
Another great nugget is Shea’s admiration for the latest in 1975 photocopier tech, provided by his employer, Playboy magazine, used to photocopy the Illuminatus! book cover proofs attached to the letter.
Photocopiers as hip-tech were something Shea and the Early Discordians used-well in the production of personal zines, like Shea’s No Governor mentioned in the letter, and various Erisian tracts, including the Principia Discordia.
Greg Hill had, by the time of this letter, long-ago hacked how photocopiers could be used with paste-ups to produce artwork that left no cut-marks or seams when reproduced and liberally employed this production technique for Third and Fourth Editions of the Principia Discordia. Eventually this approach was ubiquitous in the mid-to-late-80s zine scene explosion, no doubt also helped along by Kinkos’ great photocopier equipment and liberal policies of photocopy production (while looking the other way on copyright infringement).
One can imagine “Faster/Clearer/More Gradients!” as a mantra that Shea and Hill would have embraced in their pursuit of top-notch photocopier tech of the time.
More to come of such correspondences betwixt these Erisian Masters. Stay fnord!
I’m going to get up on my soapbox to try and address one of the most serious and pressing issues of our modern age.
The Wikipedia page on Discordian Works is a joke.
I don’t have the time and inclination right at this second to edit what has time and time again been a bloodbath of edit wars, but I do want to start a discussion on what knowledge of Discordian works represents an essential overview. I’ve tried to build a list based on what A) connects directly to the original Discordians, and B) has had an immediate, measurable impact on the Discordian community, or C) contributes to an enhanced academic understanding of Discordianism.
The page references a number of works. It adds information that has no place in the article, it mentions works (Liber Malorum? Infinite Conception?) that I have literally never heard any of the Discordians I’ve met—and I’ve traveled all over the world meeting Discordians—mention even once. Then there are names that never appear; Adam Go-Where-Now?
My suggestion is thus:
First Principia Discordia. I’m sure you’ve heard of it. This section should be expanded to outline the development of the work from First Edition, to what we see now; cover the Loompanics, IllumiNet, Steve Jackson Games, Synapticlipse and other such editions.
Then we should progress immediately to The Illuminatus! Trilogy by Robert Shea and Robert Anton Wilson in considerably more detail than is offered. RAWIllumination.net is posting a shit-tonne of info on this book as it goes thorough the reading club. It should go in. Other works of RAW that deal with Discordianism such as Cosmic Trigger which have contributed significantly to many aspects of modern Discordia (relationship to Aleister Crowley, etc) should be mentioned too.
Zen Without Zen Masters by Camden Benares. Also The Crying Clown Saga by Benares and John F Carr. Benares was a contributor to the Principia Discordia.
Kerry Thornley’s work Zenarchy needs to be in and discussed as well.
Then, we should have the Apocrypha Discordia. This is notable for being really the first new non-zine Discordian work since the original bunch came around (afaik), and I suspect is a good chronological marking point for “New Discordian Works.”
Then we need to see Adam Gorightly’s The Prankster and the Conspiracy, the best existing guide to the early days of Discordia. (His other projects maybe could be listed as coming soon, but each of the four promises to offer a lot to the academic understanding of Discordianism and should be included when released.)
Principia Entropius is a terrible mess that makes one’s head hurt, but as it’s a rare and valuable (historically if not creatively) snapshot of Discordianism in the 90s, it deserves mention.
The Wholly First Edition isn’t really the first edition at all, but it was the first snapshot that many new gen Discordians had of the contents of what was in the Kennedy Archives. The history of that is in the book, though it’s not always easy to find. It’s notable enough to be mentioned.
Condensed Chaos by Phil Hine makes explicit references to Discordia, and may well be part of the cause of the crossover of Chaos Magic and Discordia.
Black Iron Prison was a work that has been highly influential (to the point where it’s influenced Discordian communities as far as Brazil) and thus deserves mention.
We should have a section at the bottom with academic works that explore Discordianism. Drawing Down the Moon by Margot Adler and Authentic Fakes by David Chidester come to mind. Also Carol Cussak’s Invented Religions: Imagination Fiction and Faith.
Additionally KLF: Music, Magic and the Band That Burned a Million Pounds is a valuable examination of the KLF and their Discordian links and lives in this section most comfortably.
Other works, while often good, while sometimes notable, don’t need full articles but do deserve mention and context as notable and important—mostly my measure for this has been either “I’ve seen a lot of Discordians own them,” or “I’ve heard a lot of Discordians discuss them,” or often both. Hardly an academic test, but there you go. I tried to do a scratch list and gave up on it as I was bound to snub someone (and we all know how that turns out!)
Does anyone else have some thoughts on the matter?
A couple are from around 1976, and another from 2002 or so when I was in contact with Bob regarding permissions for material to be included in my book The Prankster and the Conspiracy: The Story of Kerry Thornley and How He Met Oswald and Inspired the Counterculture.