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Camden Benares’ List of Discordian Holidays

Early Discordian Camden Benares demonstrating How to Have Fun
and Be Happy.

According to John F. Carr, the following list of Discordian Holidays were part of a non-fiction work entitled How to Have Fun and Be Happy that Camden Benares wrote sensing a strong need for such a work.

Unfortunately, his agent was never able to sell it.

Adam Gorightly


Fun Friday

Fun Friday occurs four times each year. In any month that has five Fridays, the fifth Friday is Fun Friday, the symbolic anniversary of the day that Eris decided everyone should have more fun. This holiday is celebrated by doing anything that creates more fun for all.


JANUARY HOLIDAYS

 
1-1, Bogey’s Day

This anniversary of the birthday of Humphrey Bogart is celebrated by watching any of the 75 films in which he appeared.
 
 
1-5, Carioca Lodge Day

This is the anniversary of the founding of the Discordian Carioca Lodge in Rio de Janiero by the Portuguese Camho family and the Chinese Ho family. It is celebrated by eating Portuguese, Chinese, and Brazilian food, listening to Brazilian music, and watching Brazilian movies.
 
 
1-15, St. Afrodite’s Day

This is the day Discordians remember Aphrodite, the Greek goddess who became a Discordian saint when she transformed herself into the black beauty known as St. Afrodite. Celebrations usually include eating soul food and listening to rhythm and blues.
 
 
1-23, St. Bobcat’s Day

This is a celebration of the birthday of the son of Fred C. Dobbs and Sara Modrey, the famous Texan Discordian Robert Catman Dobbs, also known as St. Bobcat and the Dealey Lama. St. Bobcat devoted much of his life to aiding unfortunates who joined the Sub Dude cult. Discordians celebrate by saying hello to people named Bob and petting cats.
 
 
1-25, Liter Label Lark Day

The repackaging of alcoholic beverages according to the metric system was a Discordian project intended to prevent people from considering consumption of a fifth of liquor to be catma. Discordians who consume alcohol celebrate this day by having one drink. Discordians who don’t consume alcohol celebrate this day with a drink of golden apple juice.
 
 


FEBRUARY HOLIDAYS

 
2-2, Renew Old Acquaintances Day

Discordians celebrate this day by sending greeting cards to old acquaintances they haven’t been in touch with lately.
 
 
2-5, Dadanova Day

Dadanova is the famous Discordian art movement. The day is celebrated by creating and sharing art.
 
 
2-14, St. Heat’s Day

In remembrance of the great love that Valentine Heart and Valentina Heart had for each other, Discordians spend time having fun with those they love.
 
 
2-15, Lupercalia Transmogrified

Lupercalia is an ancient Roman holiday concerned with sex and abundance. Discordians are encouraged to develop their own rituals and ceremonies for this holiday.
 
 
2-23, Didyme’s Day

This holiday is in memory of the Dogon-Greek oracle who read tarot cards for Eris. Appropriate ceremonies are those which forecast the future or demystify the present. The following poem by Didyme Thelema’s lover, Asklepiades, is usually read aloud:

Didyme plunders me with her beauty.
When I look at her I am wax over fire.
If she’s black, what of it? So are coals.
When kindled, they glow like blooming roses.

 
 


MARCH HOLIDAYS

 
3-3, Pass Day

This is the day Discordians pass on the things they don’t want. Special celebrations are held in Pasadena, Pascagoula, Pashkovo, Passaic, and Passo Fundo. Some Discordians pass out free cards which read:

 

F R E E   P A S S

THIS PASS ENTITLES THE BEARER TO PASS BY ANY OPTIONAL OPPORTUNITIES AT ANY TIME. GOOD FOREVER OR UNTIL NEXT TUESDAY, WHICHEVER COMES FIRST. COURTESY OF THE DISCORDIAN SOCIETY.

 
 
3-5, Self-Esteem Day

On this day any Discordian may award herself or himself any honor, degree, or title that seems appropriate.
 
 
3-15, Turkey Vulture Day

Discordians celebrate this day by facing toward Hinckley, Ohio, where the turkey vultures roost, and by listening to Simon and Garfunkel’s recording of “El Condor Pasa.”
 

 

 
 
3-17, Rex Saxonda Film Day

Discordians celebrate by brushing the film off their teeth and watching any motion picture film. Rex believed that every film had value regardless of content.
 
 
3-19, St. Swallow’s Day

This is the time for remembrance of St. Swallow who spent years breeding swallows with homing pigeons. The faithful face Capistrano and swallow five times. There is no requirement as to what is to be swallowed. Some skeptics believe that people who celebrate this day will swallow almost anything.
 
 


APRIL HOLIDAYS

 
4-4, Square Day

Discordians celebrate this day by finding fun in the ordinary. Square dancing to Steve Allen’s “Very Square Dance” is encouraged. At least five minutes of television should be watched as part of the celebration.


 
 
4-5, Be Kind To Tourists Day

Discordians celebrate this day with random acts of kindness to tourists. Those who find this difficult to do can go some place out of town and pretend to be tourists.
 
 
4-15, Break Day

This is the day all Discordians recognize their value and give themselves a well deserved break.
 
 
4-29, Duke’s Day

This is Duke Ellington’s birthday, celebrated by listening to, singing along with, or dancing to the music of this American master of music.
 

 
 


MAY HOLIDAYS

 
5-1, Adam Weishaupt’s Day

This day is the anniversary of Adam Weishaupt’s founding of the Bavarian Illuminati, rumored to be a front organization for promoting Discordianism. Discordians celebrate by eating Bavarian cake and watching traffic until five autos from the Bavarian Motor Works (BMW) pass.
 
 
5-5, St Gulik’s Day

St. Harvey Gulik, Guardian of the Gentle and Protector of the Harmlessly Weird Ones, is honored on this day. St. Gulik’s familiar was the rabbit so eating a rabbit made from chocolate candy is an appropriate act. Watching the motion picture Harvey, inspired by St. Gulik, is considered an act of devotion.
 
 
5-15, Tree Day

Discordian celebrate this day by planting a tree, thinking of five apple trees, or thinking of one apple tree five times.
 
 
5-23, Buddha’s Birthday

Although the evidence that Buddha was a Discordian is circumstantial and anecdotal, Discordians celebrate Buddha’s birthday by saying “Happy Birthday, Bud.” Discordians who are especially devout read aloud from Discordian Zen Buddhist texts such as Zen Without Zen Masters, A Handful of Zen, and Riding Buddha’s Bicycle.
 
 
5-25, Creation Day

This is the anniversary of the Erisian creation of all chaos. Discordians celebrate this day by chanting the Discordian Taoist truth:

“Creation and creator are one; there is no creator separate from creation.”
 
 


JUNE HOLIDAYS

 
6-5, Golden Apple Day

This is the day when each Discordian is entitled to award herself or himself the Golden Apple Achievement Award for outstanding achievement in Discordianism.
 
 
6-6, St. Helen’s Day

This is the day that St. Helen of Troy is honored. She apologized to Eris for her unintentional part in the Trojan War and became a Discordian. When last heard from, the reincarnated Helen was working as a waitress at Ships Coffee House where it was said that she had the hips that brought a thousand tips.
 
 
6-15, Liberation Day

On this day Discordians remind themselves that their lives are much better since they considered themselves liberated.
 
 
6-23, Unknown Saints Day

Since all Discordians are considered saints according to the holy writings of Omar and Malaclypse, this day honors all the Discordians whose names are unknown.
 
 
6-25, Know Saints Day

On this day, Discordians honor the other four categories of Discordian saints: living saints, dead saints, fictional saints, and imaginary saints.
 
 


JULY HOLIDAYS

 
7-4, Hodge Podge Lodge Day

This is a celebration of the founding of the first American Discordian lodge by Adam Weishaupt after he fled Bavaria and came to America where he initiated George Washington and later impersonated him. Johnny Appleseed was also initiated by Adam in this lodge. The celebration consists of eating an apple while looking for Discordian symbolism on a one dollar bill.
 
 
7-5, Freedom Day

This is the day Discordians celebrate being free of the religious dogma that clogs the pathways of so many brains.
 
 
7-7, Mirror Compliment Day

On this day, Discordians look into their mirrors and compliment the mirrors on having the good taste of having such a wonderful, fun-loving owner.
 
 
7-14, St. Merde’s Day

This is the day Discordians congratulate themselves on turning the crap of their lives into fertilizer.
 
 

 


7-23, Jack Slack’s Day

Jack Slack is honored this day for his work in guru liberation, liberating gurus from their mistaken beliefs that they are channels for liberation.
 
 


AUGUST HOLIDAYS

 
8-5, St. Otis the Elevated’s Day

On this day Discordians celebrate the elevation of St. Otis by riding in an Otis elevator.
 
 
8-8, St. Pythagoras’s Day

St. Pythagoras was fascinated by the number eight. On this day Discordians do eight things that bring more fun for everyone.
 
 
8-15, Theatre Night

On this night, Discordians gather at 8:15 before any theatre that has an 8:30 curtain time and entertain those patrons standing in line until they are admitted.
 
 
8-23, Nancy Fancymanner’s Birthday

Nancy is remembered by her great contribution to Discordian style. She was the one who said, “Acquiring Discordian style is a matter of individual chaotic subtlety while being fashionable or trendy is merely a willingness to follow herd instinct.”
 
 
8-30, St. Scrivener’s Day

On this day Discordian writers are honored by other Discordians who read aloud from published works.
 
 


SEPTEMBER HOLIDAYS

 
9-9, Eris’s Birthday

Discordians celebrate Eris’s birthday on this date because no one is certain what the correct day is. Greek food and golden apples are usually served.
 
 
9-17, Emperor Norton’s Day

This is the anniversary of the day in 1859 that San Francisco Discordian Joshua Abraham Norton issued a proclamation declaring himself Emperor of the United States. Discordians celebrate by reading aloud the Emperor’s proclamation which is reprinted here.

PROCLAMATION

At the peremptory request of a large majority of the citizens of these United States, I, Joshua Norton, formerly of Algoa Bay, Cape of Good Hope, and now, for the past nine years and ten months of San Francisco, California declare and proclaim myself Emperor of the United States, and in virtue of the authority thereby in me vested do hereby order and direct the representatives of the different States of the Union to assemble in the Musical Hall of this city on the first day of February next, then and there to make such alterations in the existing laws of the Union as may ameliorate the evils under which the country is laboring, and thereby cause confidence to exist, both at home and abroad in our stability and integrity.
Norton I, Emperor of the United States

 
 
9-23, Dog Star Day

On this day, Discordians celebrate the existence of Sirius, the Dog Star, legendary home of the Nommos, space travelers who visited this planet before the Trojan War. This holiday may be celebrated in five ways:

  1. Eating a hot dog
  2. Looking at a dogwood tree
  3. Singing any song with dog in the lyrics
  4. Petting a dog
  5. Telling shaggy dog stories

 
 
9-25, Erotic Terrorism Prevention Day

This day marks the founding of the Erotic Terrorism Protection League by Felix Pendragon. Erotic terrorism is defined as activity related to sex for the purpose of scaring one or more bystanders or observers. On this day Discordians expand their knowledge of sex to protect themselves from erotic terrorism. One method is to read the following poem by Felix Pendragon:

THE ABC’S OF EROTIC
TERRORISM PROTECTION

Autoeroticism is sex for one.
Brothels charge money for all sexual fun.
Condoms for safe sex are a must.
Dirty pictures show people in lust.
Exhibitionism is showing it all.
Fetishism is weirdness having a ball.
Genital identification is hard to fake.
Hedonism is sex for pleasure’s sake.
Inhibition is what you can lose.
Jailbait is someone too young to choose.
Kinky people to strange sex aspire.
Libido is a name for sexual desire.
Masturbation remains the safest sex play.
Narcissists love themselves in every way.
Obscenity is in the mind of the beholder.
Puberty comes as a child grows older.
Quckie is sex done in a hurry.
Randy is horny to the point of worry.
Satyr is a male who can’t say no.
Tart is a female ready to go.
Uprighters have sex while they stand.
Voyeurs think sex watching is grand.
Yodeling is much more oral than not.
Zoophiles find animals make them hot.

 
 
9-30, Kokomo Dragonland’s Day

This day honors Kokomo Dragonlady, the Indian from Indiana, who promotes the safest sex through her mail order organization, Sex Without Partners. Kokomo claims to be a spiritual and perhaps a physical descendent of Johnny Appleseed. She requests that on this day Discordians plant their seeds in her name.
 
 


OCTOBER HOLIDAYS

 
10-5, Inexpensive Gift Day

On this day devout Discordians show self-appreciation by giving themselves an inexpensive gift.
 
 
10-10, Hildegarde’s Night

Bewitching Hildegarde was famous for her on-campus tricks, usually performed at night. Discordians tell stories of the sexual escapades of Hildegarde who was famous on ten campuses and captured the heart of Georgia Tech’s most famous student, George P. Burdette.
 
 
10-23, Hugo Troy Tutlege, Jr.’s Birthday

Gift’s are optional on this day because Hugo is the richest Discordian in the world. He is honored for financing the liquor liter label lark, the Discordian Street Theater Extravaganza, the Discordian Players Group Spectacular, and the Weird Oral History Organization (WOHO). In person, Hugo is elusive and a bit of a loner. There is no record of him ever having been seen by two people at the same time. The most common thing said about Hugo is, “Hugo was here. He just left.” This day may not be Hugo’s actual birthday but is derived from his favorite verse of his favorite song, “Chisholm Trail,” namely:

I started up the trail October twenty third
And I throwed my rope in a big cow turd.
Come a ti yi youpy, youpy yea, youpy yea
Come a ti yi youpy, youpy yea.

 
 
10-31, Discordian Saints Day

Most Discordians use the day to honor their favorite Discordian saints, including themselves.
 
 


NOVEMBER HOLIDAYS

 
11-5, Motion Picture Day

This is the day that Discordians look for both obvious and subtle references to Discordianism in any film they watch.
 
 
11-11, St. Yossarian’s Day

Since eleven plus eleven equals twenty two, Yossarian, the military navigator in the book Catch-22 and the film of the same title is honored on this day. When Yossarian realized that war was crazy and that being in a war was driving him insane he became the Discordian Saint of Military Intelligence. Discordians remind themselves on this day that any civilian outranks all military personnel.
 
 
11-23, Romance Day

Discordians on this day think romantic thoughts and recall the famous romantic marriage of Zelda Harrington and Felix Pendragon.
 
 
11-25, Literary Saints Day

On this day Discordians read aloud incidents of Discordian Saints in fiction and in other works containing fiction disguised as nonfiction.
 
 
11-30, Early Lunch Day

This is the day that Discordians eat lunch at 11:30 a.m.
 
 


DECEMBER HOLIDAYS

 
12-1, Rosetta Stone’s Birthday

This is the day Discordians remember St. Rosetta Stone by looking at stones in a rose garden.
 
 
12-7, Buddy Darma’s Day

On this day Discordians sing “My Buddy” and look for catma in weird publications.
 
 
12-23, Dragon Clan Anniversary Evening

On this evening Discordians recall and celebrate the Dragon Clan’s victory over erotic terrorism forces. Achievements are exaggerated and some lies are told.
 
 
12-25, Jay See Fitzdragon’s Birthday

The ideal celebration for this holiday is listening to bootleg recordings of the first Discordian rock band, Jay See and the Disciples of Eris. The rarity of these recordings causes most Discordians to celebrate in some other manner befitting the occasion.

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Discordian News Roundup

Inspired by last year’s production of Daisy Campbell’s Cosmic Trigger Play and Find the Others Festival, an intrepid group of Discordians across the pond are crowdsourcing a Disco free-for-all called Festival 23 slated for the weekend of July 23rd, 2016 that is described as “An interactive celebration of literature and the arts; of theatre, playshops and music inspired by the Discordian movement; a society of philosophers, theologians, magicians, scientists, artists, clowns and similar maniacs who are intrigued with Eris, Goddess of Confusion, and with her doings.”

One of the organizers of the Festival 23 event recently appeared on the Cult of Nick which you can hear here.

Hear, hear!

Word on the street is that Daisy Campbell and her band of merry misfits will also be involved with Festival 23, all of which will presumably keep the Golden Apple rolling in a positive direction all the way to Santa Cruz, California where Daisy and the troops intend to stage the Cosmic Trigger play in 2017—on July 23rd to be exact—the same date of the annual Robert Anton Wilson Day in Santa Cruz as well as the day when RAW originally pulled the cosmic trigger back in 1973, which is what all this fuss is about.

For more of a tease, read Daisy’s update here.

To coincide with all these Cosmic Trigger related happenings, the RAW estate has just announced the official launch of its publishing arm Hilartius Press and re-release of a whole slew of RAW titles. First out of the chutes will be—you guessed it!—Cosmic Trigger I: The Final Secret of the Illuminati with a brand spanking new intro by John Higgs author of the fabulous Discordian title KLF: Chaos Magic Music Money that if you haven’t read, you really should, and quickly.

Brunswick Shrine: A Sign From Eris.
Courtesy Discordian Archives.
And if all of that wasn’t enough jolly good news to keep all you greyfaces out there from totally immanentizing the eschaton, Tom Jackson over at rawillumination.net just the other day reported that the fabled Brunswick Shrine has apparently been rescued from the wrecking ball!

Hail Eris! All Hail Dick Weber!

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Adam Gorightly Interviewed by Jim Harold — Discordianism, Kerry Thornley, 23

Gorightly interviewed by Jim Harold on Discordianism, Kerry Thornley, 23, The Church of the SubGenius, Robert Anton Wilson, and more!

http://jimharold.com
http://jimharold.net

http://www.adamgorightly.com

Video by Floyd Anderson located here on The YouTube.

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The State of the Art of Research on Discordianism by Christian Greer

Christian Greer
Despite numerous attempts to analyze its history, symbols, practices, and beliefs, scholarship on Discordianism has been largely deficient. The most pressing problem is that scholars have neglected the majority of Discordianism’s primary source materials, and are thus unable to provide the necessary contextual understanding for the readily available texts (and web-resources) they do study. The effect is that academic treatments of Discordianism have essentialized the religion according to a small, self-selected number of commercial publications entirely removed from their historical context.1  

One of Discordianism’s two founders, Kerry Thornley, famously declared that if ‘religion is the opium of the masses, [then] Discordianism is the marijuana of the lunatic fringe,’ and this is made nowhere more clear than in its material culture over the last fifty-six years.2   The majority of Discordianism’s material culture has been comprised of self-published work in the form of religious certificates, ‘zines’, APAs (amateur press associations), live audio recordings of Robert Anton Wilson lectures, and, with the advent of the internet, BBSes (Bulletin Board System), PFDs, and blogs.3   The paper ephemera of Discordianism’s material history has not been catalogued by libraries, nor preserved by universities, but commonly remains in the possession of its initial recipients, or forgotten in the boxes that compose private zine archives. Lacking any familiarity with this ‘underground’ material, scholarly analysis of the mass-marketed Discordian texts, and Discordianism in toto, has been altogether superficial.

The front piece to the Paste-Up Discordia (The Sacred PUD). Courtesy the Discordian Archives.
There are three major issues that have so far marred the study of Discordianism. The first concerns what has emerged as the locus classicus of Discordianism, the Princpia Discordia. As the first major Discordian text, the Principia Discordia went through four different versions before the publication of the Loompanics 4th/5th edition in 1979/1980, which most Discordians and scholars consider definitive.4   Deriving an interpretation of Discordianism from the Loompanics version of the 4th/5th edition, or any other edition of the Principia, effectively ignores the decades of doctrinal development that took place from its founding to the first printing of the 4th edition in 1970 by Rip Off Press. In neglecting the historical developments that led to the mass-marketed 4th/5th editions of the Principia, as well as the enormous amount of other self-produced Discordian materials dating from the late 1950s onwards, scholars have anachronistically defined Discordianism according to aspects of its present existence.5  

The second issue concerns the lack of scholarly convention concerning which version of the Principia is regarded as authoritative. As a result of the 4th edition Principia’s ‘copyleft,’ or anti-copyright status, there are no less than five different published versions of the 4th/5th edition, in addition to innumerable online versions. While there is not a great deal of difference between versions, scholarly neglect of this point, as well as the lack of convention concerning which version of the 4th/5th edition of the Principia should be treated as authoritative, has instilled an unnecessary amount of irregularity into the study of Discordianism.6  

The third issue is partly based on the first, but regards a more general misinterpretation of the meaning of the Principia within the Discordian milieu. Scholars regard the 4th/5th edition of the text as the central Discordian holy work, and it is not hard to understand why; it seems to offer all of the requisite data for a normative appraisal of a religious movement. It contains an origin story for the religion, a list of commandments, a liturgical calendar, a list of saints, and an account of Discordianism’s principle deity, Eris. In sum, the 4th/5th edition of the Principia seems to be a perfect index of everything a ‘real’ religion needs. This, of course, is precisely the problem. Leaving aside the fact that many of the aforementioned ‘religious’ aspects of Discordianism were added in successive editions of the Principia, the primary issue here is that Discordianism is explicitly not based on liturgical observance or orthopraxis, but rather on the utilization of beliefs as heuristic tools. Scholarly preoccupation with the religious minutia contained in the Principia evidences that scholars have missed an essential aspect of the Discordian ludibrium.

Since the various publications of the 4th and 4th/5th editions of the Principia read like conventional holy texts, or at least as a parody of one, scholars have mistakenly taken it as the text that has governed Discordianism since its inception. While some contemporary Discordians may revere it as such, familiarity with previous editions of the text, let alone the history of Discordianism, make it clear that this was not always the case. Discordianism did not reach underground audiences until nearly two decades after it was founded, and even then it was not an edition of the Principia that publicized the religion, but a trilogy of novels. Despite having numerous quotes from the Principia, the fictitious nature of Robert Anton Wilson and Robert Shea’s Illuminatus! trilogy (1975) of novels led many to believe that the Principia did not actually exist á la Lovecraft’s Necronomicon. Needless to say, Discordianism’s underground popularization was not based on teachings outlined in the first, second, third, or fourth editions of the Principia, but Wilson and Shea’s interpretation of them in Illuminatus! The first widely popular edition of the Principia was published nearly five years after Illuminatus! as a result of Loompanics publisher Mike Hoy reading the trilogy, and querying Hill himself as to the existence of such a text.7   The shift to institutionalization in contemporary Discordianism has led to the formalization of Discordian beliefs, and, central to this has been the reframing of the Principia as foundational to the religion. The scholarly preoccupation with the contents of the Principia illustrates the way in which scholars’ research agendas owe more to the contemporary trend towards institutionalization within the religion than rigorous historical research on it.

Read in terms of its evolution and alongside other Discordian material, it is evident that the various editions of the Principia were never merely parodies of sacred texts, nor were they strictly genuine attempts to fashion one. Instead, they were iterations of an idiosyncratic form of genre appropriation based on the conviction that all beliefs are heuristic tools for creating models of reality. Said more precisely, the various editions of the Principia were not just satire, but prime examples of the assiduous playing with religious forms that epitomizes Discordian belief. Essentially, this type of humorous play functions as the liturgical language of Discordianism. Reflecting William Burroughs’s famous adage, ‘nothing is true and everything is permitted,’ Discordianism is a meta-belief system in which abstract concepts like ‘holy scripture’ are utilized as expedient means to destabilize fixed assumptions about reality. Though more salient in later editions, the Principia appropriated the genre of sacred scripture in the same way that Camden Benares’ Discordian treatise, Zen Without Zen Masters (1977), utilizes tropes associated with Zen koan books, and the same is true for the appropriation of conspiracy theory in Wilson and Shea’s Illuminatus! trilogy. Discordian texts have taken the form of science fiction epics, historical dramas, anarchist philosophy, psychologized-occult manuals, and Zen teachings, and regardless of their form, the dynamics of these genre appropriations are the same. Discordian authors appropriate genre conventions only to exploit their ability to communicate the central metaphysical truth of their religion, namely, that the experience of reality entirely depends on the belief system, or model through which it is comprehended.8  

Christian Greer is a PhD researcher in the field of Western esotericism at the University of Amsterdam. His primary focus is the history and material culture of Discordianism, the Church of the SubGenius and the Moorish Orthodox Church, particularly in the 1980-1990s. His dissertation, Angelheaded Hipsters: From Beatnik Antinomianism to Psychedelic Millenarianism is an intellectual history of the “counterculture” beginning with the revolutionary movements of the 1960s and ending in the 1990s with cyberpunk and fin de siècle cyberculture.

https://uva.academia.edu/ChristianGreer

 


1   For a more detailed analysis of this problem in the work of one scholar, see Greer, Christian. ‘Review of Carole M. Cusack’s Invented Religions: Imagination, Fiction and Faith,’ Correspondences 2.1 (2014), pp. 109–114.

2   Thornley, Kerry. ‘Introduction’ in Principia Discordia 4th/5th edition, Lilburn, GA; Illuminet Press, 1991, p.i.

3   See Greer, ‘Occult Origins’, pp. 166-187.

4   The Loompanics edition (1979) is known as the ‘4th/5th edition’ because it reprinted the original 4th edition published by Rip Off Press in 1970, as well as the 5th edition, which was nothing more than a Western Union telegram filled with the letter ‘M’. The Loompanics version is most likely considered authoritative on account of it being the first to include the 5th edition telegram, as well as material that was not included in previous editions, e.g. ‘the Gypsie Skrypto interview,’ and an introduction by Robert Anton Wilson. For a more comprehensive overview of the publishing history of the Principia Discordia see Gorightly, Adam. ‘Adam Gorightly on the Publishing History of the Principia Discordia’ https://www.youtube.com/watch?v=bUqVrH4luXc accessed 04/05/13; see also f.8.

5   Cusack’s Invented Religion (2010) exemplifies this error insofar as her familiarity with the Principia Discordia is limited to two mass marketed 4th/5th editions of the text, which bear little resemblance to the first edition produced decades earlier. This is made obvious by the fact that she seems unaware that the first edition had a different title as well as entirely different contents. See Cusack, Carole. Invented Religions: Imagination, Fiction and Faith, Farnham: Ashgate, 2010, p.28-29 as compared to the first edition reproduced in Gorightly, Adam. Historia Discordia: The Origins of the Discordian Society. New York: RVP Press, 2014, pp.25-80. Cusack is by no means the only scholar to make this mistake, indeed, the difference between editions of the Principia has not been noticed within any notable study of Discordianism; see also Urban, Hugh. Magia Sexualis: Sex, Magic, Liberation in Modern Western Esotericism. Berkeley: University of California Press, 2006, p. 233-235; Versluis, Arthur. American Gurus: From Transcendentalism to New Age Religion. New York: Oxford University Press, 2014, p.123-138.

6   The three most important academic texts on Discordianism have all used different versions of the 4th/5th edition of the Principia: Cusack cites the Steve Jackson Games version in Invented Religion (2010), Urban references the Loompanics version in Magia Sexualis (2006), and Versluis based his work in American Gurus (2014) on the Illuminet edition.

7   The earliest version of the popular Loompanics edition of the Principia was published in 1979, and it featured an introduction by Hoy. This version was superseded by the popular 1980 edition, which contained Wilson’s introduction. See Gorightly, ‘Adam Gorightly on the Publishing History of the Principia Discordia’.

8   Wilson refers to the means by which an individual can ‘meta-program’ their own reality as the ‘final secret of the Illuminati’. See Wilson, Robert A. Cosmic Trigger: Final Secret of the Illuminati Vol.1, Tempe, AZ.: New Falcon Publications, 1997, pp.29, 68-71.

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Was Kerry Thornley CIA?

“If they prove
that you are CIA,
demand back pay.”



—Letter from Discordian Society
co-founder Greg Hill to Kerry Thornley
dated February 19th, 1968

 

It’s long been rumored that Kerry Thornley was a CIA agent, a salvo first fired by Jim Garrison in his February 21st, 1968 press release which stated that Thornley was among a “…number of young men who have been identified as CIA employees, Thornley had a post office box in the federal building across from Banister’s office. Such post office boxes are customarily used by federal employees with clandestine assignments as ‘message drops’ as well as an acceptable excuse for regular visits into a federal building. Another of the young men having such a post office box was Lee Harvey Oswald. What this means is simply that Kerry Thornley and Lee Oswald were both part of the covert federal operation operating in New Orleans….”

Jim Garrison’s February 21, 1968 press release
'identifying' Kerry Thornley as a CIA employee.

Download PDF

During the course of research for The Prankster and the Conspiracy: The Story of Kerry Thornley and How He Met Oswald and Inspired the Counterculture (Amazon), I was unable to pin down any tangible evidence supporting these Thornley-CIA allegations and eventually just wrote them off as more of Garrison’s unsupported theories. Thus it came as a bit of a surprise to me when—in 2006—I happened upon Joan Mellen’s Farewell To Justice (Amazon) which stated in its preface:

“Kerry Thornley, the Marine Corps buddy of Lee Harvey Oswald, who told the Warren Commission that Oswald was a Marxist, turned out himself to have been a CIA employee trained, according to a CIA document, in Washington D.C., in chemical and biological warfare…”

At the time, this claim that Thornley was a documented CIA spook came as quite the stunner, and shortly afterwards I shared Mellen’s provocative pronouncement with Thornley’s long time friend, Louise Lacey, whose initial response was a sudden burst of laughter, followed by: “Dear, if Kerry was CIA, I think I would have known.”

“Dear, if Kerry was CIA,
I think I would have known.”

—Louise Lacey

Louise, it should be noted, edited Thornley’s book Oswald for New Classics House back in 1965 and then later worked for Ramparts magazine as research director during Ramparts in-depth investigation of the JFK assassination, the first national magazine that was openly critical of the Warren Report. To this end, Louise worked alongside such notables as David Welsh, Mae Brussell, David Lifton and William Turner, and so when speaking of Thornley and/or the JFK assassination, Louise not only comes to the subject as someone who was a close friend of Thornley’s, but also someone involved very early on in JFK assassination research.

In Spring 2011, while conducting research for Caught in the Crossfire: Kerry Thornley, Lee Oswald and the Garrison Investigation (Amazon), I contacted Joan Mellen on how to go about obtaining a copy of this “CIA document” related to Kerry Thornley. Mellen replied that she’d send me a copy after she had time to recover from a recent medical ailment. Afterwards, I contacted Mellen periodically—on probably a half dozen occasions—but never heard back from her. Mellen, it should be noted, is still standing by her claim that Thornley was a CIA agent as evidenced in this recent interview.

More recently—on the advice of researcher Stu Wexler—I conducted a search of John Armstrong’s JFK assassination files at Baylor University online, where, lo and behold, I came across a copy of the document in question, which I post here for review.

Page 1 of Kerry Thornley's DOD file.

Download All 3 Pages in PDF

In Farewell to Justice, Mellen identified the above as a CIA document and, alternately, as a DOD document. Page one clearly identifies it as a DOD document “translation” which was created as a request to the DOD from the House Select Committee on Assassinations (HSCA) in 1978. The upper right hand corner of the document is stamped:

DOD FILE REVIEW
PATRICIA ORR     

Patricia Orr was a researcher for the HSCA and it appears that the document is her translation of Thornley’s service record. The document confirms that Thornley received training in biological and chemical warfare, but how Mellen arrived at the conclusion that this training was conducted by the CIA is unclear. In fact, there’s no mention of the CIA anywhere in the document—unless one is reading deeply between the lines. Well, there are the three last letters of Orr’s first name to consider perhaps.

It should be noted that Thornley received this biological and chemical warfare training at Atsugi Base in Japan which served as a CIA outpost during this period. In this regard, it’s conceivable that Thornley—and other Marines stationed at Atsugi—could have received training from CIA personnel also stationed at the base, but Mellen’s assertion that Thornley was a CIA employee is unsupported by the DOD document. What the thinker thinks, the prover proves…

On page 276 of Farewell To Justice, Mellen writes:

“From the Department of Defense files comes a document placing Thornley as a CIA employee who attended Chemical and Biological Warfare School. Receiving ‘technical instruction’ in Washington, D.C., Thornley moved from ‘confidential’ to ‘secret’ clearance. His course in ‘Atomic, Biological and Chemical Warfare’ ran from June to August 1960, and had begun at Atsugi…”

The term Mellen uses—“technical instruction”—actually appears in Thornley’s service records as “Tech instruct” which was an abbreviation for “Technique of Instruction,” a Marine Corps competition Thornley entered during this period.

According to the author’s page of Oswald, Thornley “…served in the Far East, in the First Marine Aircraft Wing, and distinguished himself again as a public speaker on political/philosophical issues by winning first place in the Wing Technique of Instruction Competition. He was therefore sent to Washington to appear in the finals…”

Photocopy of author's bio page taken from Kerry Thornley's Oswald.

The August 1959 edition of Leatherneck magazine also mentions that the Technique of Instruction competition was scheduled to be held in September 1959 in Washington, DC., which is listed in an entry from page 3 of Thornley’s DOD file:

14 Sep 59
Tech instr
to TAD Wash, DC

While Joan Mellen found Thornley’s visit to Washington, D.C. somehow suspect, his service record—and other supporting documents which I post here—suggest that he was simply attending a Marine Corps public speaking competition, which was certainly nothing unusual for Thornley. According to the author’s bio page in Oswald: “While attending high school in Whittier, California, [Thornley] had won a number of public speaking competitions, including the Voice of Democracy Contest.”

A writeup from Kerry Thornley's 1957 high school yearbook
on his participation in the Voice of Democracy Contest.

According to Joan Mellen, after Thornley received his “technical instruction” in Washington, D.C., in September of ‘59, he was “…moved from ‘confidential’ to ‘secret’ clearance….” This suggested (to Mellen, at least) that Thornley had graduated from Marines Corps Corporal to Secret Agent with the CIA.

It should be noted that “secret” clearance in and of itself is not special or unique and just because Thornley received “secret” clearance doesn’t mean he was a “CIA employee.” As my friend and former Air Force Office of Special Investigation (AFOSI) Special Agent, Walter Bosley, recently informed me:

“SECRET is the first level of anything close to serious, but it’s not the big prize level. It’s the first level of stuff that can get someone in big serious trouble if they mishandle it or, God forbid, sell it. There are a lot more personnel with SECRET than with TOP SECRET and beyond, of course, but it’s not insignificant.”

According to Thornley’s DOD file, he was assigned as “Avn Elec oper”, shorthand for Aviation Electronics Operator.

These duties were performed at Atsugi Base from which the U2 flights originated during this period, at the height of the Cold War. I would venture to guess that other enlisted men in Thornley’s unit who performed similar duties also held “secret” clearance.

Kerry Thornley in the Marines.

On page 67 of Farewell to Justice, Mellen endorses Garrison’s theory that the Old Post Office Building in New Orleans (also known as The Customs House) —located “across from Banister’s office”—was some sort of CIA spook central gathering place for, as Garrison described them, a “…number of young men who have been identified as CIA employees….” Garrison erroneously identified these CIA employees as Kerry Thornley, Lee Oswald, Thomas Beckham and Jack Martin, among others.

Document produced by Jim Garrison which lists
the young men 'employed by the CIA post office....'

Download PDF

As it turns out, the Old Post Office Building was not exactly “across from Banister’s office” as Garrison described, but in reality a half mile away—or as Mellen more accurately notes in Farewell to Justice—in “close proximity.”

While Oswald was most likely involved in intelligence work during his Marine Corps service and afterwards, the claim that he was a CIA employee has never been conclusively demonstrated. To further suggest that Jack Martin or Thomas Beckham were CIA employees seems based primarily on the many sensational claims made by Beckham and Martin themselves in which I place little, if any, stock. This is not to say that I completely rule out any or all of these theories suggesting that Beckham or Martin might have been CIA agents or connected in some way to the Agency. However, these allegations are just that: theories to which Garrison never produced any substantial supporting evidence.

Lastly—to toss more water on this smoldering fire—I recently stumbled upon the following declassified CIA document (at the National Archives online database) dated January 1968.

Declassified CIA document which lists Thornley’s CIA connections as 'None.'

Given the 1968 date, one can assume that this document was prepared in response to Garrison’s allegation that Kerry Thornley was a CIA agent. In this regard, the document lists Thornley’s CIA connections as “None.”

But, of course, THEY would deny it!

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The Last Days of Malaclypse the Younger: This Day In Discordian History: July 20th, 2000

“And so it is that we, as men, do not exist until we do; and then it is that we play with our world of existent things, and order and disorder them, and so it shall be that non-existence shall take us back from existence and that nameless spirituality shall return to Void, like a tired child home from a very wild circus.” —Principia Discordia, pg 00058

Last known whereabouts of Malaclypse the Younger.
Greg Hill—otherwise known to the world as Malaclypse the Younger—died on July 20th, 2000, spending his final days in Pleasant Hill, California at or near the pin you see on this google map.

The address I used for the web search (of the last known whereabouts of Greg Hill) was actually the residence of a fellow named Allen “Bud” Simco, who was a long time friend of both Greg Hill and Kerry Thornley. In fact, Simco served in the same outfit as Lee Harvey Oswald and Thornley at El Toro Marine Base and actually wrote a chapter for Thornley’s book Oswald titled, aptly enough, “Oswald and Thornley.”

Greg Hill’s A History of Everything

Download PDF.

Simco lived right across the street from Greg Hill at the time of Hill’s passing, and during those final days—Simco told me—he was able to look directly across the street and see Greg through his home office window working at his computer on his final project, A History of Everything (Download PDF).

I was first informed of Greg Hills’s passing in an email from Bob Newport, which included a photo of Greg taken just a few days before he died with text below the photo announcing Newport’s successorship of the Norton Cabal Archives. In this regard, Newport was referring to the Discordian Archives later passed on to me, your humble Discordian chronicler, in 2009.


Daily Planet News Flash: Greg Hill and the Norton Cabal Archives.

Below is an excerpted email from Allen Simco regarding Greg Hill’s passing, which gives a good snapshot of Greg in his final days.

Excerpted email from Allen Simco re: Greg Hill’s passing.

Greg Hill’s dear friends and fellow Discordians—Bob Newport and Louise Lacey—each wrote obits for Greg, shared with you here.

Bob Newport’s obit for Greg Hill.
Louise Lacey’s obit for Greg Hill which she sent to the San Francisco Chronicle. At the bottom of the page Louise wrote: 'This was my obit. The papers didn’t carry it. His mother was glad. She didn’t want any acknowledgement because, she said, Greg didn’t.'
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book charles manson discordianism greg hill illuminatus! interview kerry thornley lee harvey oswald official business robert anton wilson robert newport video

VIDEO: Discordianism — The Chaos Religion of Kerry Thornley

Here’s a snippet of an interview of Adam Gorightly discussing Kerry Thornley with Michael Parker on his show Antidote available on the LipTV.


 

For those with the time (about 40 minutes)
and the interest, here’s the Full Interview entitled
“UFOs, Cults & Charles Manson Connections + Conspiracy with Adam Gorightly”:

Let us know what you think!

Categories
art book daisy eris campbell discordianism illuminati monkey business robert anton wilson robert shea video writings

The Cosmic Trigger Experience — Two Days That Shook The Wirrall

Adam Gorightly at The Find The Others Conferestival, Liverpool, England, Nov. 23, 2014. Photo by Adam Clark.
Last November, during the Discordian Holy Days of November 22nd and 23rd, I had the distinct and mind blowing privilege to attend the Cosmic Trigger Play and Find The Others Conferestival in Liverpool, England, the cradle of yellow submarine civilization.

I’d planned to do a write up of the Cosmic Trigger event, but each time I attempted to put pen to paper, I felt I could never do justice to the experience, as it had a profound effect on me—equally hilarious and heartbreaking—and each time I attempted to write about it, my words fell short.

Fortunately, Ian “Cat” Vincent did all the heavy lifting for me in his review of the event from the December 2014 issue of Fortean Times and gave us the go ahead to reprint it. Goddess willing, Daisy Eris Campbell and Her Band of Merry Pranksters will soon bring their glory to us from across the pond. Hail Eris and keep the rainbow knickers flying!
Adam Gorightly


The Cosmic Trigger Experience —
Two Days That Shook The Wirrall

by Ian Vincent

“This is too important to take seriously.”
Robert Anton Wilson (1932-2007 CE)

This is not, and could never have been, an objective review. Robert Anton Wilson matters too much to me.

Wilson – writer, philosopher, occasional past Fortean Times contributor and woefully unsung cultural influence on everything from conspiracy theory to comic books – matters to Daisy Campbell, too. She literally would not be the woman she is today without him.

Daisy Eris Campbell was conceived backstage at the Liverpool School of Language, Music, Dream and Pun, during her father Ken Campbell’s ground-breaking stage adaptation there in 1976 of Wilson and Robert Shea’s novel Illuminatus! (“It was a long play” noted her mother, actress Prunella Gee.) Unsurprisingly, theatre was in Daisy’s blood and drew her on to work with her father on his 24-hour-long adaptation of Neil Oram’s The Warp and other productions.

A while after Ken’s death in 2008, several people approached Daisy about the possibility of her directing a revival of Illuminatus! for the stage. This idea didn’t appeal – but the string of synchronicity which had begun at the moment of her conception seemed to be tugging her towards doing something connected to both Wilson and Ken’s work. Daisy’s idea was to create a stage version of Wilson’s autobiography, Cosmic Trigger: Final Secret of the Illuminati which, since it included scenes from when Wilson came over to London to meet Ken and make a cameo appearance in the notorious Black Mass scene in Illuminatus!, would allow her to pay homage to both Wilson and her dad alike. The fact that Daisy had just reached the same age as her father was when he mounted Illuminatus! was icing on the golden apple.

After getting both the blessing and the rights to the book from Wilson’s surviving daughter, Daisy (along with co-conspirator John Higgs, author of the recent splendidly Discordian biography of The KLF, whose Bill Drummond worked on the Illuminatus! sets) took to the road to both promote the entirely crowd-funded show and test out early scenes with a hopefully sympathetic audience. It’s here that I enter the story.

In October of 2013 (on the 23rd, of course), Daisy and Higgs appeared at London’s Horse Hospital venue with a pair of talks about both Wilson and the production, and to offer a couple of preview scenes to view – and I made a point of being there. Wilson had been a significant influence on me since my early teens, and I was delighted to see a revival of interest in his work, especially in times where rising dualistic us-and-them narratives trouble the globe… maybe a little of Wilson’s multi-model approach and Gnostic Agnosticism coming back into the cultural conversation could help, in some small way.

The preview scenes – a meeting between Wilson, William S. Burroughs, Alan Watts and his wife at Playboy Magazine in 1968, and an interview with Ken Campbell during the Illuminatus! production&mdashwere smart, funny and hinted that the final production would be something special. Adding further interest was the news that writer, magician and Wilson fan Alan Moore would be contributing his recorded voice and visage to the play in the role of the artificial intelligence FUCKUP.

Cut to February 23, 2014.

Daisy and Higgs brought their act to the Kazimer Theatre in Liverpool. With the crowdfunding well on course and the play close to having a finished script, the next question was: where to mount the play? Daisy’s first instinct was Liverpool – both for the connection to Ken’s original and the synchronistic echoes with both the production and the life-changing vision of C.G. Jung, who had once dreamed that Liverpool, a city he had never before visited, was the Pool Of Life. The Kazimer gathering was partly to share the progress, show some exclusive footage on Alan Moore talking about Wilson’s influence on both his attitude to conspiracy theory and magic, and to air another preview scene – a recreation of Wilson’s first LSD trip. All of these were spectacularly impressive – especially the LSD sequence, which successfully employed clever scene-changing, music and some heart-rending acting from Oliver Senton, the actor cast as Wilson. By the end, it was clear that Liverpool was going to be the right place.

Following the performance, a group of us went to Mathew Street, just down from where the old Cavern Club had stood, to conduct a small street ritual to the bust of Jung there, which had been commissioned by Peter O’Halligan, founder of the Liverpool School of Language, Music, Dream and Pun, many years before. Being not unfamiliar with the idea of street magic, I suggested we combine the ritual with a calling upon the synchronistic powers of Alan Moore’s Liverpool-born creation, John Constantine… and so we did.

(For more about this event and ritual, see my Daily Grail post: http://tinyurl.com/cosmicliverpool)

By the time the play was ready for its first performance on November 22nd at the Camp And Furnace venue in Liverpool’s docklands, the weekend of its premiere had expanded considerably – Daisy and her cohorts not being the type to do things by halves, it was now going to be a two day celebration of the thought and works of both Wilson and Ken Campbell.

The play itself began by setting out a new standard instruction for theatre… “Start with a striptease, and then build to a climax”. The striptease is a recreation of the story of Ishtar, surrendering all her clothes and symbols before entering, naked and pure, into Hell. From there, Senton’s Wilson takes up the tale of how he entered that most illuminating of Hells, The Chapel Perilous – from which one can only emerge as a stone paranoid, or an agnostic.

There are many astonishing things about the play of Cosmic Trigger itself: the sheer range of emotion and theatrical styles (from hilarity to tragedy, from crisp two-person dialogue scenes to full-blown song-and-dance numbers); the dedication and enthusiasm of the cast (all were excellent, but stand-outs were Senton, Kate Alderton as his wife Arlen, Josh Darcy as Ken Campbell and 15 year old Dixie McDevitt, Daisy’s daughter, as Luna Wilson); the back-projected sets by Scott McPherson combined with recreation of Bill Drummond’s original Illuminatus! sets; Steve Fly’s music, songs and live drumming… but one thing I especially appreciated was the skill with which Daisy adapted Wilson’s book with great fidelity, while not allowing it to fall into hagiography – both Bob and Ken are shown as fragile, deeply human men, faults and all – and their work all the better for it.

It is also likely to remain the only stage production in which a woman, playing her own mother, recreates the moment of her own conception.

The rest of the festival was overflowing with joys. The evening show following the performance included outstanding work from a range of performers, including Ken’s former lover & protege Nina Conti, whose skilled and twisted ventriloquism routine had the audience crying with laughter, and music from T. C. Lethbridge and a DJ set from Youth of Killing Joke.

The Sunday – the 23rd, Harpo Marx’s birthday – was no less significant, with a range of talks, workshops and performances. It began with a powerfully moving ritual to the Ancestors, given by Rupert and Claire Callender of the Green Funeral Company (http://www.thegreenfuneralcompany.co.uk/). Speakers included Robert Temple (whose book ‘The Sirius Mystery’ had been such an influence on Wilson and who coined the term Cosmic Trigger), Discordian archivist Adam Gorightly and Robin Ince (who spoke movingly and hilariously of his love of Wilson’s angle on skepticism). The art show contained contributions from the likes of Jimmy Cauty, the other half of the KLF (who also designed the posters) and Melinda Gebbie. There were also bands, DJ sets and a film show (which included one of Wilson’s favourites, Orson Welles’ ‘F For Fake’ and the first showing of the video of Alan Moore’s ‘Moon and Serpent Grand Egyptian Theatre of Marvels’ performance/ritual of 1994).

And then there was one last twist for me… when Daisy asked if I happened to be an ordained priest (I am – thanks, Universal Life Church!) because she had decided that it was the perfect day to marry her long time partner, Greg Donaldson – “all my friends are here!”. It was half-improvised, a bit ramshackle in places… but, somehow, a glorious wedding. Much like the whole event.

‘Cosmic Trigger’ the play went on to a sold-out 5 performance run in London the following week. Plans are being made for an international tour. Keep an eye on cosmictriggerplay.com for details.

Fnord.

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audio book brother-in-law discordianism floyd anderson illuminet press interview jfk jim garrison kerry thornley lee harvey oswald video writings

AUDIO: 1992 Interview of Kerry Thornley by Kenn Thomas: THE IDLE WARRIORS


From one of Adam Gorightly‘s cassette tapes courtesy of Steamshovel Press

Kerry Thornley interviewed by Kenn Thomas about the IllumiNet Press publication of Thornley’s The Idle Warriors. Youtubed by Floyd Anderson.

READ A CHAPTER EXCERPT of the The Idle Warriors.

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book charles manson discordianism interview jfk jim garrison kerry thornley lee harvey oswald video

The Blind JFK Researcher Meets Adam Gorightly

Courtesy of The Ochelli Effect.