Discordian Ordination Certificate for Jefferson Fuck Poland into the POEE, signed by Malaclypse the Younger, April 1970. Courtesy of Michael Marinacci.
Just received news from Michael Marinacci that he’s currently working on a book about “the history of the Psychedelic Venus Church and its associated people, groups, and activities.”
Mike recently received copies of materials on the Psychedelic Venus Church from the special collection at the University of Santa Barbara, and among the materials was “the ordination certificate for Jefferson Poland in the POEE, signed by Malaclypse the Younger!”
Check out our previous post about Psychedelic Venus Church here:
Discordian writer and illustrator Bwana Honolulu contacted Adam Gorightly about an incredible find he made regarding Early Discordian and author Camden Benares:
Just yesterday I was watching a YouTube video about some old tech, the Vectrex video game console from the 80s ( https://www.youtube.com/watch?v=UlRyE4ru1S8 ), and stumbled upon a curious detail. In that YouTube video, there were some bits from old TV reports about the engineering team that developed the console, and all of a sudden at 1:57, my screen was filled with the image of the cover of Zen Without Zen Masters.
Camden Benares filmed while working at Vectrex, early 1980s.
Huh. And the voiceover said “[…] you see authors on Zen Buddhism writing toy instruction manuals. […]”, while the view zoomed out, showing said author, though unfortunately from behind without showing his face. White guy, balding brown hair, glasses. Could it be that this is Camdes Benares, I asked myself? I kept watching, hoping to hear a name or see a face, and when I got to the end, I started over.
Camden Benares filmed while working at Vectrex, early 1980s.
And yes, there he was, at around 1:10 – the face, the glasses, the beard, it all matched the “happy birthday” photo I’ve seen on historiadiscordia.com! I’m pretty much 100% sure this is Camden Benares in the video.
Camden Benares filmed while working at Vectrex, early 1980s.
This discovery really made my day, and… now you can see it for yourself, and maybe you wanna share it with the rest of the world. I couldn’t find anything about it on the Interwebs, so I guess it’s not (widely) known yet.
Here are links to the full original segments with timestamps:
Bobby Campbell presents his first issue of the official comic book adaptation of Robert Anton Wilson & Robert Shea’s Illuminatus! Trilogy, Tales of the Illuminatus!
First, you may want to check out the Kickstarter for the project and consider contributing to this Erisian delight.
If you would like a taste of Campbell’s comic, you can sample the first 12 pages of issue #1, and if you approve, help spread the fnords to the Others with some federal funds or flaxscript to the project.
A new podcast, THE SECOND OSWALD sheds light on a little known aspect of President John F. Kennedy’s assassination in Dallas, Texas on November 22, 1963.
Could the accused assassin, Lee Harvey Oswald, have been set up to be the “patsy?”
This four-part podcast series focuses on Discordian co-founder, author, self-proclaimed possible assassin Kerry Thornley who served with Lee Harvey Oswald in the US Marines and wrote a novel about him a year before Oswald was claimed to have killed JFK.
The limited podcast series and play is written by former National Public Radio (NPR) commentator and Peabody award winner Andrei Codrescu and features interviews with our very own Lone Gunman, Adam Gorightly.
I’m happy, and also somewhat saddened, to announce the release of 3 new books for which I played a role, either large or small, in the same manner that the authors of these three titles—Kerry Thornley, James Shelby Downard and Antero Alli—themselves had their own roles, both large or small, in the annals of Discordia.
Of course, you all should know well the name Kerry Thornley, without whom this site would have never been imagined. Thornley, as well, was an influence, either large or small—depending on who you talk to—on another religion (or irreligion or spoof religion, as the case may), that being the Church of SubGenius, and it’s the church’s publishing arm—namely The SubGenius Foundation—which brings us the latest installment in the Thornley literary canon in a book called Jailbird: The Dreadlock Recollections that has been compiled by Trevor Blake aka Rev. Onan Canobite and contains what Trevor/Onan describes as “the first publication of the complete text, under the author’s preferred title, with related unpublished essays, annotations and index…” The book also includes an intro by Rev. Ivan Stang, who recounts—among other things—how Kerry photographed himself fucking a chair. 5 (Discordian) stars.
And lastly, the sadness I spoke to earlier concerns Antero Alli’s latest, and what he advises us, is his last book: Last Words: Towards an Insurrection of the Poetic Imagination, which as the title states will provide a bookend to the many, many great works of film and literature Antero has produced over the last several decades.
Sad, yes, and at the same time this book is an inspiring, no-nonsense look at how we can make magic in our own individual lives, with the realization that we are all finite beings in an infinite universe of possibilities.
Here is the back cover blurb I provided for Last Words:
“There’s no escaping it; each of us in our time will confront loss in its many forms: loss of love, health, innocence, loss of life; such losses form a tapestry, each thread woven from the next ‘high’ or ‘low’ or ‘in between,’ all part of this mystery we’re passing through. And among the many losses we suffer, life can also be a joyous dance, a game we play, a palette from which to paint—if we choose to frame it that way. Antero Alli’s Last Words represent another loss, one where wisdom can be gained: that by acknowledging our losses head on, in some way we can become larger, deeper, fuller; there’s a silent grace that comes with such knowledge. And as we walk through the next door to whatever may await, with it comes the understanding that there’s little time left to look back at what is or was or what might have been It was all part of the journey that got us here, and what’s immediately in front of us is where we should be right now.” – Adam Gorightly
Our very own Adam Gorightly discusses Kerry Thornley’s friendship with and influence on Robert Anton Wilson with Hilaritas Press Podcasts host and producer Mike Gathers.
I just recently learned that my dear friend and fellow Discordian Louise Lacey passed away.
Here’s her obit from the San Francisco Chronicle, which described Louise as a
“…writer, feminist and advocate for restoration of California native plants… Her writing career encompassed her best known book, Lunaception, which explored traditional ways of natural family planning, Woman’s Choice, a newsletter by and for women on topics of interest to women in all stages of life, and Growing Native, which educated readers and researchers on native plants from the rich diverse climatological regions of California. Several trips to Southern Mexico and Guatemala led to an enduring interest in the Mayan people. A tech writer by day, Louise often spent weekends hiking the hills w
ith friends from the West Coast Dowsers, searching for her Power Places…”
Besides all of the above, Louise accomplished even more…
I first met Louise in the early 2000s when I was researching my Kerry Thornley biography, and we became fast friends. At first, Louise was a bit guarded about Kerry, and as we were winding up our first meeting, she said something to the effect: “I hope you treat him right.” Ultimately, I think I told Kerry’s story honestly, which of course meant documenting some of his more trying times when he was teetering on the edge of madness, including a story Louise shared with me about a time when Kerry was visiting her in the mid-to-late 70s, and Louise could hear him during the middle of the night screaming out for the voices in his head to leave him alone. It was during this stay that Kerry almost set Louise’s house on fire when he left something burning on the stove.
I spent about three hours with Louise that first day, pouring through her voluminous files in search of articles and Discordian related correspondence, not to mention some photos she’d been telling me about of Kerry in her front yard in Berkeley from the mid-80s holding a harmonica. Although we discovered several cool Kerry photos from those bygone days, the ones with the harmonica seemed nowhere to be found, as if Eris herself had plucked them from our spacetime continuum and deposited them Goddess knows where.
At one point in our visit, Louise recounted the time she’d done some research work on the history of drums for Mickey Hart of the Grateful Dead for his book Drumming at the Edge of Magic. During the course of conducting her research at the UC Berkeley Anthropology Library, Louise told me how she’d employed a method of dowsing to assist her in locating pertinent passages related to the history of the first drum. This method of literary dowsing was applied to save herself endless hours of thumbing through multiple shelves dedicated to drum history. Anyway, Louise demonstrated what she had done at the Anthropology Library way back when, by running her hands over her own bookshelf, then stopping at a place on the bookshelf where her intuition instructed her to.
We never did find the Kerry-with-the-harmonica-photo that afternoon, but Louise promised she would continue to seek it out. As Goddess would have it, Louise emailed me soon after with the following astounding revelation: “You know where I found the two photos of Kerry? At that place on the bookshelf where my hand ended up when I was telling the story about how I found the piece of information for Hart by dowsing!”
The elusive Kerry Thornley with harmonica photos.The elusive Kerry Thornley with harmonica photos.
About 4 years ago I helped Louise move from her place in Berkeley to an assisted living facility. Her memory was starting to deteriorate at this point, but she still had enough on the ball to realize it was time to make this move, basically signing an agreement to hand over whatever savings and social security she had to lock in a deal at this senior facility that would provide a nice place to live and three square meals a day; somewhere she’d be able to live in comfort for the remainder of her days without constantly worrying about how she’d pay the bills from month to month.
As I was helping Louise make this life-changing move, many of the books she’d held dear for so many years were now slipping through her grasp; she didn’t care about a lot of them at this point, because the memories of what they’d meant, or the emotions she’d previously attached to them, were quickly fading from view. I ended up with a few of those books she was no longer interested in, or had no room for at her new space. One of these was Historia Discordia, which Louise had delighted in when I first presented her with a copy several years ago, but by this point I don’t think she remembered what it was about, or that I’d given her the copy; same thing with the Mickey Hart drumming book that she’d contributed to, which bore this inscription:
Inscription from Mickey Hart to Louise Lacey from “Drumming at the Edge of Magic.
Louise’s Chronicle obit obviously hit on some of the high notes of her life, but I’ll add a few that weren’t mentioned. In 1963, Louise moved to Chicago where she worked as editor/staff writer at Novel Books, which published celebrity scandal type books in addition to titles with an Ayn Randian-Objectivist spin. Objectivism, at least in part, eventually morphed into what we know as Libertarianism, and during this period Louise was an adherent of sorts of Objectivism, or one might say she was a budding Libertarian; but like Kerry Thornley, Louise’s political identity soon after evolved into more that of an Anarchist, although any particular pigeonhole would never truly encompass such expansive characters as a Lacey or Thornley. Through her work with Novel Books, Louise first met Kerry in 1964 and ended up editing his first published work, Oswald.
After her stint in the windy city, Louise returned to California, working on the staff of Ramparts Magazine from 1966-1967. It was at Ramparts that Louise befriended Eldridge Cleaver, who worked as a freelancer there. As reported in Robert Anton Wilson’s Cosmic Trigger I, Louise’s Discordian moniker was “Lady L., F.A.B.” The “Lady L.” part was something Kerry had given Louise that was lifted from the title of a Romain Gary novel; however, the “F.A.B.” appellation was something Eldridge Cleaver had come up with, short for “fucking anarchist bitch.” As the story went, one day Cleaver was standing outside the Ramparts office with another unnamed staff writer who—when he saw Louise walking toward them out on the street—remarked, “Here comes that fucking anarchist bitch.” Cleaver, who had a soft spot for Louise, begged to differ with the fucking anarchist bitch appellation, noting that he considered Louise good people, and that furthermore she had taught him how to eat and appreciate artichokes.
Another book I took home with me during Louise’s move was Cleaver’s Soul On Ice, and only later flipping through it did I notice this inscription:
Book inscription from Mickey Hart to Louise Lacey from Drumming at the Edge of Magic.
Like Thornley, Louise was an active observer/participant of the 60s counterculture as demonstrated in this previously posted article “Mellow Yellow and the Summer of Love”.
Louise was a founding member of Earth People’s Park, and during this late0-60s period she joined a commune called The Mendocino Way. I don’t really know all of the details surrounding The Mendocino Way, but her involvement with the group was short-lived when she apparently called BS on the leader who she felt was going down the guru path through manipulation of fellow commune members, including herself. In other words, Louise was shown the door when she started asking too many challenging questions of the group’s leadership. She was never one to fall in line.
Around this time, Louise began working on a book about the counterculture called With No Respect for Authority, which you must admit is a rather brilliant title. During our many conversations, Louise occasionally mentioned this project (that ultimately never came to fruition) and I don’t know why it was never completed, but by the mid-70s she had moved in another direction, having her first book published, Lunaception (1975), her landmark work on a natural method of conception, using the phases of the moon as a guide.
Lunaception by Louise Lacey.
However, as I would later learn, Lunaception wasn’t technically Louise’s first published work, and that while with Novel Books she had ghost-written a tabloid style tell-all called The Beautiful Pervert, concerning Errol Flynn’s under-aged lover. Although Louise pretty much always kept this book on the down-low and never listed it in any of her published biographies, she would nonetheless pull it out on occasion and show it to me punctuated by her famous and uproariously nose laugh.
The Beautiful Pervert by Florence Aaland with ‘Lisa Janssen.’
As the 1960s rolled into the 1970s, Louise published a newsletter called Woman’s Choice. As she described the concept at the time:
“Woman’s Choice is the ultimate realization of a twenty-plus year-old dream whereby people would pay me to write to them. My curiosities are so omnivorous that I could never write a book about each subject that fascinates me. Woman’s Choice is an intimate monthly letter by subscription. Thus I have a vehicle with which to write about things as diverse as dependency, the rhythms of life, and traveling alone. My purpose is to give a mental, emotional, and spiritual goosing to the reader on a new subject each month. No dogmas, just intriguing ideas and a fresh perspective in a personal but non-sentimental style.”
Here’s a download of Issue #2 of Woman’s Choice, which features a fascinating recounting of Louise’s experience with past life regression, and her subsequent journey to Central America in an attempt to confirm what she experienced during her trance state.
To fund Woman’s Choice, Louise decided to sell her house in the Berkeley Hills, which she’d later regret during the last decade or so of her life when the cost of Bay Area housing really put a crunch on her expenses, as over time she was forced to move from one place to another, with the condition or arrangement continually getting worse. Not that Louise ever lived in poverty, but times were certainly getting rough over the last decade and she had to pinch her pennies and get creative to make ends meet.
Louise Lacey, circa mid-1970s.
Among Louise’s many accomplishments was a government study she was involved in that resulted in a report she authored called Drug Use in San Jose, Project DARE (1978.) She found a certain irony in this project, as her lover during this same period became addicted to methamphetamine, effectively ending their relationship.
As noted in her Chronicle> obit, Louise sometime worked as a “tech writer,” which wasn’t quite accurate; Louise often freelanced as a technical writer for different outfits, but she was never really a “techie,” so to speak, and like a lot of people her age Louise often struggled keeping up with computers and technology. Louise never engaged in social media, but she was tech savvy enough to be concerned about the potential threat that social media posed to our personal privacy and so she avoided it like the plague. However, with the help of a webmaster, at one point Louise launched a site where she sold information about a cure for hemorrhoids she’d discovered. And so she was always working one angle or another to keep a positive cash flow rolling in.
At some point, Louise transitioned from Woman’s Choice to a newsletter she put out for several years called Growing Native, which promoted the benefits of growing native California plants. Here’s a download for what I believe was the final issue of Growing Native, published in October of 2001.
Louise Lacey power place dowsing, circa 1980s.
As the Chronicle obit noted, Louise was a “Power Place Dowser.” Much like “water witches,” there’s a large community of folks who dowse for so-called “power places.” I have a number of Louise’s writings and recordings on this subject, materials I’ll share at a future date.
In his monograph Notes of a Neon Gringo, Kerry Thornley wrote:
“When Robert Anton Wilson printed up letterheads for the Bavarian Illuminati, they carried the notice: ‘Safeguard this letter; it may be an important historical document.’ That was very much how I felt about my first little notebook, penned in 1975. I had just begun to figure out how I was involved in the JFK assassination—in a way related only indirectly to my service in the Marines with Oswald—and I felt I was recording important facts for posterity. These ranged from license numbers of cars that seemed to be following me to suspicious characters, besides me, who hung out in Plaza Drug Store in Atlanta, to nearly lost memories of conversations in the three years leading up to November 22, 1963.” —Notes of a Neon Gringo, Kerry Thornley, Pretzal Press, 1987
The first iteration of Kerry’s writings related to his so-called “involvement” in the JFK assassination started, as noted, in 1975, and it was Greg Hill who ultimately brought some order to this chaotic process (order out of chaos) by compiling Kerry’s various letters, memos, journal entries and affidavits into the collection titled Thornley/Oswald.
Page 00001 of November 24, 1975 letter from Kerry Thornley to Greg Hill.Page 00002 of November 24, 1975 letter from Kerry Thornley to Greg Hill.
In the letter, Thornley mentions his love interest at the time, Judith Abrams, later identified in Robert Anton Wilson’s Cosmic Trigger I as one of the Early Discordians. Also mentioned was one of the more colorful characters to emerge from the 1960s counterculture, A.J. Weberman, a notorious yippie activist and dumpster diving Dylan-documentarian, otherwise known as the foremost “Dylanologist” of his generation—at least in his own estimation.
Weberman’s initial claim to fame (or infamy, as the case may be) started on a lark one night when he was passing by Dylan’s Harlem townhouse and the thought struck him that he might be able to find some interesting material by sifting through Mr. Zimmerman’s garbage. Thus began Weberman’s adventures in Garbology. According to My Life in Garbology:
“Garbology, as we know it today, is the study of human personality and contemporary civilization through analysis of garbage, or ‘garbanalysis.’ The basic premise is ‘You Are What You Throw Away.’ Garbage is a macrocosmic reflection, a mirror on life. The unassailable reality is that every living being makes waste. Excretion is both natural and universal, a process in which all lifeforms participate; the more sophisticated the organism, the more sophisticated the waste it produces…”
Part of Weberman’s dumpster diving proclivities brought him into proximity to the Watergate Break-In caper, and by the early 1970s he had shifted his focus from collecting Dylan’s garbage to, among other things, investigating the JFK assassination and its possible connection a couple of the Watergate burglars, namely E. Howard Hunt and Frank Sturgis.
Greg Hill was living in NYC during this period, and during a visit from Thornley the duo came across a Yipster Times article authored by Weberman that included a photo of E. Howard Hunt comparing him to one of the three mystery tramps picked up Dealey Plaza in the aftermath of the assassination. Kerry recognized Hunt as possibly the same person he’d met in New Orleans in the early 1960s, who went by the name of Gary Kirstein, and who Kerry suspected had been involved in Kennedy’s assassination. Weberman’s evidence that Hunt was one of the mystery tramps was later expanded upon in Coup D’état in America: The CIA and the Assassination of John F. Kennedy co-written with Michael Canfield.
Previous correspondence between Hill and Thornley (discovered in the Discordian Archives—though I can’t lay my hands on it at the moment!) included a back and forth about getting in touch with Weberman, presumably in the prospect of learning more about what he knew about Hunt’s alleged role in the assassination. Ultimately the connection between the two was made, and Weberman sent Kerry the following letter:
1975 letter from A.J. Weberman to Kerry Thornley.
Kerry ultimately closed the loop on his interest in talking to Weberman as stated in the below letter to Greg Hill where he commented on how he was “really burned out on the assassination… fuck Weberman… I’m so tired of my own paranoia, let alone other peoples’…”
December 29, 1975 letter from Kerry Thornley to Greg Hill.
Back cover of Oswald by Kerry Thornley, published in 1965.
According to the FBI’s book critic, W.A. Branigan, reviewing Kerry Thornley‘s book Oswald:
“This book by Thornley is not a good piece of literature. The language in the book at times is raw and there does not seem to be any continuity of contents. It sells for seventy-five cents a copy, in paperback form and appears to be an effort by Thornley and the publisher to make a quick financial killing. It is highly doubtful if it will achieve this purpose.”