I recently received a very generous care package (that synchronistically weighed in at exactly 23lbs) from the fine folks at Illuminated Brew Works, that included some cool swag along with a selection of their top-notch beer adorned with some of the coolest artwork/labels you’ll find on this or any other planet.
A selection of swag and brew from the Illuminated Crew.
My fav among this trove of tasty of whistle-wetter’s was “Your Soul, A UFO” which includes these illuminating words featured below from the renowned academic psychonaut, Dr. Jeffrey Kripal.
The Old Kripal
Not only does Illuminated Brew Works offer a rotating selection of great beers with ingenious packaging, but they also have their very own Lodge (in the Windy City) where you can be initiated as a club member if you pass through all the required rituals/degrees, which will then earn you a set of wings and a Passport to Magonia. Having already earned a 33rd degree grandmaster rating at several magical orders, the Illuminated Ascended Masters (ASM) at Illuminated Brew Works (IBW) went ahead and awarded yours truly my very own set of wings without ever having to actually cross the Abyss and travel to Chicago and down a pint of Adrenochrome in under 23 seconds.
My very own pair of Illuminated wings (on my very own bomber jacket from Spain) courtesy of the ASM at IBW.
Whatever the case, I definitely hope to travel to the windy city at some point in the near future to meet up with my illuminated beer enthusiast brethren and sistern.
A photo from inside the inner sanctum of Illuminated Lodge #1, ripped from the pages of Yelp.
Hot off the digital presses is the latest edition of Disco Road (issue 3 to be exact), a Discordian zine and podcast produced by Leigh Wright, which just so happens to be 23 pages long and 23 minutes in length, and features a contribution from yours truly as well as an essay by Brenton Clutterbuck entitled ‘Who is John Guilt?’
I’m happy, and also somewhat saddened, to announce the release of 3 new books for which I played a role, either large or small, in the same manner that the authors of these three titles—Kerry Thornley, James Shelby Downard and Antero Alli—themselves had their own roles, both large or small, in the annals of Discordia.
Of course, you all should know well the name Kerry Thornley, without whom this site would have never been imagined. Thornley, as well, was an influence, either large or small—depending on who you talk to—on another religion (or irreligion or spoof religion, as the case may), that being the Church of SubGenius, and it’s the church’s publishing arm—namely The SubGenius Foundation—which brings us the latest installment in the Thornley literary canon in a book called Jailbird: The Dreadlock Recollections that has been compiled by Trevor Blake aka Rev. Onan Canobite and contains what Trevor/Onan describes as “the first publication of the complete text, under the author’s preferred title, with related unpublished essays, annotations and index…” The book also includes an intro by Rev. Ivan Stang, who recounts—among other things—how Kerry photographed himself fucking a chair. 5 (Discordian) stars.
And lastly, the sadness I spoke to earlier concerns Antero Alli’s latest, and what he advises us, is his last book: Last Words: Towards an Insurrection of the Poetic Imagination, which as the title states will provide a bookend to the many, many great works of film and literature Antero has produced over the last several decades.
Sad, yes, and at the same time this book is an inspiring, no-nonsense look at how we can make magic in our own individual lives, with the realization that we are all finite beings in an infinite universe of possibilities.
Here is the back cover blurb I provided for Last Words:
“There’s no escaping it; each of us in our time will confront loss in its many forms: loss of love, health, innocence, loss of life; such losses form a tapestry, each thread woven from the next ‘high’ or ‘low’ or ‘in between,’ all part of this mystery we’re passing through. And among the many losses we suffer, life can also be a joyous dance, a game we play, a palette from which to paint—if we choose to frame it that way. Antero Alli’s Last Words represent another loss, one where wisdom can be gained: that by acknowledging our losses head on, in some way we can become larger, deeper, fuller; there’s a silent grace that comes with such knowledge. And as we walk through the next door to whatever may await, with it comes the understanding that there’s little time left to look back at what is or was or what might have been It was all part of the journey that got us here, and what’s immediately in front of us is where we should be right now.” – Adam Gorightly
One of these gems is a YouTube video (as above, so below) of the July 8, 1968 broadcast of the Stan Bohrman Show, in which audio of the One and Only Rev. Raymond Broshears is to be found!
If you’ve been reading this website for Discordian information, you may be familiar with Broshears from our fnord-winning, six-part series published a few years ago, The Raymond Broshears Files.
But maybe you are new or shy to Historia Discordia and haven’t a clue as to what we are referring. Don’t worry, traveler, you can find, read, and discuss the first entry of The Raymond Broshears Files here. Have at it!
For more information on the amazing career of newsman Stan Bohrman, who also can be found acting in the film The China Syndrome as a somewhat disillusioned TV news anchor, check out this retrospective about his career:
At long last, for your reading pleasure, we present Kerry Thornley’s poem Illuminati Lady, which Robert Anton Wilson and Robert Shea described in Illuminatus! as “an endless epic poem which you really ought to read.” Of course, the Illuminated Bobs gave no indication about how one would go about doing so, but now you’ll finally have the golden (apple) opportunity, as my crack staff here at Historia Discordia headquarters finally got around to scanning the darn thing.
Page One of Thornley’s Illuminati Lady, courtesy of the Discordian Archives, all rites reversed. Click here to download the whole enchilada.
As far as I know, the only place Illuminati Lady had previously appeared was in a late-60s zine called St. John’s Bread published by Paul Encimer (Discordian name, Dr. Confusion), who I corresponded with many years ago while researching The Prankster and the Conspiracy. While putting this piece together, I did a google search which unfortunately informed me that Paul passed away in January of last year. Encimer led a full and fascinating life, which you can read about here.
In the obit/bio, written by Kym Kemp, it states that Encimer’s “publication Saint John’s Bread reflected all his interests with a combination of entertaining stories and opinion and comic absurdity, he contributed to a friends long running In Light Times and worked with his peers The 7 Mighty Anvils as Dr. Confusion, creating together to distribute regular editions of the Saint John’s Bread Wednesday Messenger and Paranoid Flash Illuminator. These works explored imagined and esoteric spirituality, and current politics, they experimented with early psychedelia, poetry, fiction and surrealistic discordia with multi-hued paper printed cheaply on aging mimeograph machines. A creative impulse that would become the zine movement embraced by young sub-cultures everywhere. He was one of the early ordained ministers of the Universal Life Church in full agreement with it’s free wheeling take on spiritual practice, and always recalled the motto he saw etched at it’s founders enclave during an early gathering: ‘There is no hope, without dope.’ Paul slipped easily into what became known as a Hippy lifestyle, but politically he considered himself one of Abby Hoffman’s Yippies—Just under the wire at the fabled 30 year old cut-off….”
In the video below, Thornley discusses Illuminati Lady.
I just recently learned that my dear friend and fellow Discordian Louise Lacey passed away.
Here’s her obit from the San Francisco Chronicle, which described Louise as a
“…writer, feminist and advocate for restoration of California native plants… Her writing career encompassed her best known book, Lunaception, which explored traditional ways of natural family planning, Woman’s Choice, a newsletter by and for women on topics of interest to women in all stages of life, and Growing Native, which educated readers and researchers on native plants from the rich diverse climatological regions of California. Several trips to Southern Mexico and Guatemala led to an enduring interest in the Mayan people. A tech writer by day, Louise often spent weekends hiking the hills w
ith friends from the West Coast Dowsers, searching for her Power Places…”
Besides all of the above, Louise accomplished even more…
I first met Louise in the early 2000s when I was researching my Kerry Thornley biography, and we became fast friends. At first, Louise was a bit guarded about Kerry, and as we were winding up our first meeting, she said something to the effect: “I hope you treat him right.” Ultimately, I think I told Kerry’s story honestly, which of course meant documenting some of his more trying times when he was teetering on the edge of madness, including a story Louise shared with me about a time when Kerry was visiting her in the mid-to-late 70s, and Louise could hear him during the middle of the night screaming out for the voices in his head to leave him alone. It was during this stay that Kerry almost set Louise’s house on fire when he left something burning on the stove.
I spent about three hours with Louise that first day, pouring through her voluminous files in search of articles and Discordian related correspondence, not to mention some photos she’d been telling me about of Kerry in her front yard in Berkeley from the mid-80s holding a harmonica. Although we discovered several cool Kerry photos from those bygone days, the ones with the harmonica seemed nowhere to be found, as if Eris herself had plucked them from our spacetime continuum and deposited them Goddess knows where.
At one point in our visit, Louise recounted the time she’d done some research work on the history of drums for Mickey Hart of the Grateful Dead for his book Drumming at the Edge of Magic. During the course of conducting her research at the UC Berkeley Anthropology Library, Louise told me how she’d employed a method of dowsing to assist her in locating pertinent passages related to the history of the first drum. This method of literary dowsing was applied to save herself endless hours of thumbing through multiple shelves dedicated to drum history. Anyway, Louise demonstrated what she had done at the Anthropology Library way back when, by running her hands over her own bookshelf, then stopping at a place on the bookshelf where her intuition instructed her to.
We never did find the Kerry-with-the-harmonica-photo that afternoon, but Louise promised she would continue to seek it out. As Goddess would have it, Louise emailed me soon after with the following astounding revelation: “You know where I found the two photos of Kerry? At that place on the bookshelf where my hand ended up when I was telling the story about how I found the piece of information for Hart by dowsing!”
The elusive Kerry Thornley with harmonica photos.The elusive Kerry Thornley with harmonica photos.
About 4 years ago I helped Louise move from her place in Berkeley to an assisted living facility. Her memory was starting to deteriorate at this point, but she still had enough on the ball to realize it was time to make this move, basically signing an agreement to hand over whatever savings and social security she had to lock in a deal at this senior facility that would provide a nice place to live and three square meals a day; somewhere she’d be able to live in comfort for the remainder of her days without constantly worrying about how she’d pay the bills from month to month.
As I was helping Louise make this life-changing move, many of the books she’d held dear for so many years were now slipping through her grasp; she didn’t care about a lot of them at this point, because the memories of what they’d meant, or the emotions she’d previously attached to them, were quickly fading from view. I ended up with a few of those books she was no longer interested in, or had no room for at her new space. One of these was Historia Discordia, which Louise had delighted in when I first presented her with a copy several years ago, but by this point I don’t think she remembered what it was about, or that I’d given her the copy; same thing with the Mickey Hart drumming book that she’d contributed to, which bore this inscription:
Inscription from Mickey Hart to Louise Lacey from “Drumming at the Edge of Magic.
Louise’s Chronicle obit obviously hit on some of the high notes of her life, but I’ll add a few that weren’t mentioned. In 1963, Louise moved to Chicago where she worked as editor/staff writer at Novel Books, which published celebrity scandal type books in addition to titles with an Ayn Randian-Objectivist spin. Objectivism, at least in part, eventually morphed into what we know as Libertarianism, and during this period Louise was an adherent of sorts of Objectivism, or one might say she was a budding Libertarian; but like Kerry Thornley, Louise’s political identity soon after evolved into more that of an Anarchist, although any particular pigeonhole would never truly encompass such expansive characters as a Lacey or Thornley. Through her work with Novel Books, Louise first met Kerry in 1964 and ended up editing his first published work, Oswald.
After her stint in the windy city, Louise returned to California, working on the staff of Ramparts Magazine from 1966-1967. It was at Ramparts that Louise befriended Eldridge Cleaver, who worked as a freelancer there. As reported in Robert Anton Wilson’s Cosmic Trigger I, Louise’s Discordian moniker was “Lady L., F.A.B.” The “Lady L.” part was something Kerry had given Louise that was lifted from the title of a Romain Gary novel; however, the “F.A.B.” appellation was something Eldridge Cleaver had come up with, short for “fucking anarchist bitch.” As the story went, one day Cleaver was standing outside the Ramparts office with another unnamed staff writer who—when he saw Louise walking toward them out on the street—remarked, “Here comes that fucking anarchist bitch.” Cleaver, who had a soft spot for Louise, begged to differ with the fucking anarchist bitch appellation, noting that he considered Louise good people, and that furthermore she had taught him how to eat and appreciate artichokes.
Another book I took home with me during Louise’s move was Cleaver’s Soul On Ice, and only later flipping through it did I notice this inscription:
Book inscription from Mickey Hart to Louise Lacey from Drumming at the Edge of Magic.
Like Thornley, Louise was an active observer/participant of the 60s counterculture as demonstrated in this previously posted article “Mellow Yellow and the Summer of Love”.
Louise was a founding member of Earth People’s Park, and during this late0-60s period she joined a commune called The Mendocino Way. I don’t really know all of the details surrounding The Mendocino Way, but her involvement with the group was short-lived when she apparently called BS on the leader who she felt was going down the guru path through manipulation of fellow commune members, including herself. In other words, Louise was shown the door when she started asking too many challenging questions of the group’s leadership. She was never one to fall in line.
Around this time, Louise began working on a book about the counterculture called With No Respect for Authority, which you must admit is a rather brilliant title. During our many conversations, Louise occasionally mentioned this project (that ultimately never came to fruition) and I don’t know why it was never completed, but by the mid-70s she had moved in another direction, having her first book published, Lunaception (1975), her landmark work on a natural method of conception, using the phases of the moon as a guide.
Lunaception by Louise Lacey.
However, as I would later learn, Lunaception wasn’t technically Louise’s first published work, and that while with Novel Books she had ghost-written a tabloid style tell-all called The Beautiful Pervert, concerning Errol Flynn’s under-aged lover. Although Louise pretty much always kept this book on the down-low and never listed it in any of her published biographies, she would nonetheless pull it out on occasion and show it to me punctuated by her famous and uproariously nose laugh.
The Beautiful Pervert by Florence Aaland with ‘Lisa Janssen.’
As the 1960s rolled into the 1970s, Louise published a newsletter called Woman’s Choice. As she described the concept at the time:
“Woman’s Choice is the ultimate realization of a twenty-plus year-old dream whereby people would pay me to write to them. My curiosities are so omnivorous that I could never write a book about each subject that fascinates me. Woman’s Choice is an intimate monthly letter by subscription. Thus I have a vehicle with which to write about things as diverse as dependency, the rhythms of life, and traveling alone. My purpose is to give a mental, emotional, and spiritual goosing to the reader on a new subject each month. No dogmas, just intriguing ideas and a fresh perspective in a personal but non-sentimental style.”
Here’s a download of Issue #2 of Woman’s Choice, which features a fascinating recounting of Louise’s experience with past life regression, and her subsequent journey to Central America in an attempt to confirm what she experienced during her trance state.
To fund Woman’s Choice, Louise decided to sell her house in the Berkeley Hills, which she’d later regret during the last decade or so of her life when the cost of Bay Area housing really put a crunch on her expenses, as over time she was forced to move from one place to another, with the condition or arrangement continually getting worse. Not that Louise ever lived in poverty, but times were certainly getting rough over the last decade and she had to pinch her pennies and get creative to make ends meet.
Louise Lacey, circa mid-1970s.
Among Louise’s many accomplishments was a government study she was involved in that resulted in a report she authored called Drug Use in San Jose, Project DARE (1978.) She found a certain irony in this project, as her lover during this same period became addicted to methamphetamine, effectively ending their relationship.
As noted in her Chronicle> obit, Louise sometime worked as a “tech writer,” which wasn’t quite accurate; Louise often freelanced as a technical writer for different outfits, but she was never really a “techie,” so to speak, and like a lot of people her age Louise often struggled keeping up with computers and technology. Louise never engaged in social media, but she was tech savvy enough to be concerned about the potential threat that social media posed to our personal privacy and so she avoided it like the plague. However, with the help of a webmaster, at one point Louise launched a site where she sold information about a cure for hemorrhoids she’d discovered. And so she was always working one angle or another to keep a positive cash flow rolling in.
At some point, Louise transitioned from Woman’s Choice to a newsletter she put out for several years called Growing Native, which promoted the benefits of growing native California plants. Here’s a download for what I believe was the final issue of Growing Native, published in October of 2001.
Louise Lacey power place dowsing, circa 1980s.
As the Chronicle obit noted, Louise was a “Power Place Dowser.” Much like “water witches,” there’s a large community of folks who dowse for so-called “power places.” I have a number of Louise’s writings and recordings on this subject, materials I’ll share at a future date.
Newspaper photo of Jerry Milton Brooks, who Kerry Thornley believed to be “Slim” Brooks, ripped from the pages of the Sept. 27, 1967 issue of the Kansas City Star
Slim showed up a short while after I went to work for the Foster Awning Co. He occupied the same desk I did on the shift before mine, and about the second day he was there, Slim left some notes with Japanese writing on the desk so that I would be sure and notice them. I turned to him and said: “Hey – were you ever in Japan.” That is how Slim and I met. He didn’t act at all surprised. 1
Thornley received his Marine Corps discharge in October of 1961, his last assignment at the U.S. air base in Atsugi, Japan. Kerry later suspected that Slim’s notes referencing Japan were more than mere coincidence, and that Slim had been working covertly as his handler. Elsewhere in Thornley/Oswald, Kerry writes:
Slim was a down and out lumpen prole, a seaman who was in drydock with a case of TB. Greg [Hill] says he was also a cat burglar who could climb up walls like a human fly. Basically, I think he functioned as an errand boy for Gary.
I believe that Gary K*rst*n (or whatever his real name was) probably served in Naval Intelligence during WWII and continued to perform free-lance “dirty work” and small-time “surveillance” assignments for them after he got out. People ask me why Naval Intelligence would have a Nazi working for them—for the same reason the CIA has Nazis working for them in the Third World.2
The “Gary K*rst*n” that Thornley referenced was Gary Kirstein, aka Brother-in-Law, a neo Nazi type character who claimed intelligence community and underworld connections. Kerry, over time, grew to believe that Kirstein was, in reality, notorious Watergate burglar and CIA spy-master, E. Howard Hunt. Hunt was later rumored—by the likes of A.J. Weberman—to be one of the three mystery tramps picked up by Dallas Police in Dealey Plaza following the assassination. In fact, it was an article by Weberman in The Yipster Times that first clued in Thornley to the possibility that Kirstein was E. Howard Hunt in disguise.
Yipster Times paste-up page for issue concerning E. Howard Hunt and the Dealey Plaza Tramps.
Thornley was hanging out with Brooks and Kirstein one evening in the fall of 1962 and at that time engaged in what Kerry considered to be a theoretical discussion about how to kill a President, and in specific, JFK. Kerry’s contributions to the conversation included the use of a poison dart that would “blow his stomach apart,” as well as another scenario involving a remote control plane carrying a bomb.
After Thornley finished with his mock assassination plots, Kirstein added, “And next we’ll get Martin Luther King.” Of course, this was all big fun to Kerry, planning a murder that he never seriously intended going through with. At the time, Thornley considered these conversations nothing more than a morbid intellectual exercise; later they would come back to haunt him.
Thornley speculated that this conversation with Slim and Kirstein might have been surreptitiously recorded, a tape that could later be used to set him up as a fall guy. Kerry later grew to suspect that the true identity of Slim was that of Jerry Milton Brooks, who Journalist J. Harry Jones, Jr. described as “a thirty-eight-year-old enigma who emerged from the fringe of the East St. Louis underworld to spy on Communists for the Minutemen, then spy on Minutemen for the FBI and the U.S. Treasury Department.”3
According to an FBI memo dated Oct 30, 1973, Jerry Brooks:
…had been found guilty in an extortion case in November, 1957, in the Eastern District of Illinois, and had been placed on probation.
Springfield Division [of the FBI] advised that BROOKS was considered a “nut” who related fantastic stories which led people in the USA’s office to consider him mentally unbalanced…on 4/1/66 and 4/4/66 BROOKS contacted SA [Special Agent] George A. Arnett of the Kansas City Division and made outlandish claims, such as, Earl Warren and Vice President Humphrey were both Communists, and also that Bobby Kennedy killed Marilyn Monroe.
SA Arnett stated that BROOKS, whom he had known for several years, appeared extremely nervous and emotionally upset, and even described himself as a “nut” and a “kook”…
Thornley’s French Quarter friend, Grace Zabriskie, remembered Slim thusly:
I met Slim several times, didn’t really feel I knew him. All the things Kerry writes about Slim don’t tally with anything I was privy to in him. All I ever saw was the laconic, sort of “country” affect he cultivated. . . I THINK I may have heard about Brother-in-Law back then, but it’s possible I only heard about him later, in letters from Kerry. You know, though, it’s also a fact that the mention of Brother-in-Law gives me a dark feeling, the kind it’s hard to imagine I got by without ever setting eyes on him.4
But not only was Slim a man of intrigue and seemingly shady talents, he was also one of the original members of the New Orleans branch of the Discordian Society, known by his pope name of “The Keeper of the Submarine Keys.”
Slim’s singular contribution to Discordian lore (or at least his only contribution that I’m aware of) is exhibited in the form of the “Facetious Harbor” map below.
Slim Brooks’ “Facetious Harbor” map. Courtesy of the Discordian Archives.Flip side of the “Facetious Harbor” map with an explanation (sort of) of what exactly it represents. Courtesy of the Discordian Archives.A couple of articles pertaining to former Minutemen member Jerry Brooks from the Kansas City Star.
NOTES
1 Thornley/Oswald manuscript, Page 10.
2 Thornley/Oswald manuscript, Page 11.
3 Jones, J. Harry, Jr., The Minutemen, Doubleday 1968, New York. (p. 10)
In his monograph Notes of a Neon Gringo, Kerry Thornley wrote:
“When Robert Anton Wilson printed up letterheads for the Bavarian Illuminati, they carried the notice: ‘Safeguard this letter; it may be an important historical document.’ That was very much how I felt about my first little notebook, penned in 1975. I had just begun to figure out how I was involved in the JFK assassination—in a way related only indirectly to my service in the Marines with Oswald—and I felt I was recording important facts for posterity. These ranged from license numbers of cars that seemed to be following me to suspicious characters, besides me, who hung out in Plaza Drug Store in Atlanta, to nearly lost memories of conversations in the three years leading up to November 22, 1963.” —Notes of a Neon Gringo, Kerry Thornley, Pretzal Press, 1987
The first iteration of Kerry’s writings related to his so-called “involvement” in the JFK assassination started, as noted, in 1975, and it was Greg Hill who ultimately brought some order to this chaotic process (order out of chaos) by compiling Kerry’s various letters, memos, journal entries and affidavits into the collection titled Thornley/Oswald.
Page 00001 of November 24, 1975 letter from Kerry Thornley to Greg Hill.Page 00002 of November 24, 1975 letter from Kerry Thornley to Greg Hill.
In the letter, Thornley mentions his love interest at the time, Judith Abrams, later identified in Robert Anton Wilson’s Cosmic Trigger I as one of the Early Discordians. Also mentioned was one of the more colorful characters to emerge from the 1960s counterculture, A.J. Weberman, a notorious yippie activist and dumpster diving Dylan-documentarian, otherwise known as the foremost “Dylanologist” of his generation—at least in his own estimation.
Weberman’s initial claim to fame (or infamy, as the case may be) started on a lark one night when he was passing by Dylan’s Harlem townhouse and the thought struck him that he might be able to find some interesting material by sifting through Mr. Zimmerman’s garbage. Thus began Weberman’s adventures in Garbology. According to My Life in Garbology:
“Garbology, as we know it today, is the study of human personality and contemporary civilization through analysis of garbage, or ‘garbanalysis.’ The basic premise is ‘You Are What You Throw Away.’ Garbage is a macrocosmic reflection, a mirror on life. The unassailable reality is that every living being makes waste. Excretion is both natural and universal, a process in which all lifeforms participate; the more sophisticated the organism, the more sophisticated the waste it produces…”
Part of Weberman’s dumpster diving proclivities brought him into proximity to the Watergate Break-In caper, and by the early 1970s he had shifted his focus from collecting Dylan’s garbage to, among other things, investigating the JFK assassination and its possible connection a couple of the Watergate burglars, namely E. Howard Hunt and Frank Sturgis.
Greg Hill was living in NYC during this period, and during a visit from Thornley the duo came across a Yipster Times article authored by Weberman that included a photo of E. Howard Hunt comparing him to one of the three mystery tramps picked up Dealey Plaza in the aftermath of the assassination. Kerry recognized Hunt as possibly the same person he’d met in New Orleans in the early 1960s, who went by the name of Gary Kirstein, and who Kerry suspected had been involved in Kennedy’s assassination. Weberman’s evidence that Hunt was one of the mystery tramps was later expanded upon in Coup D’état in America: The CIA and the Assassination of John F. Kennedy co-written with Michael Canfield.
Previous correspondence between Hill and Thornley (discovered in the Discordian Archives—though I can’t lay my hands on it at the moment!) included a back and forth about getting in touch with Weberman, presumably in the prospect of learning more about what he knew about Hunt’s alleged role in the assassination. Ultimately the connection between the two was made, and Weberman sent Kerry the following letter:
1975 letter from A.J. Weberman to Kerry Thornley.
Kerry ultimately closed the loop on his interest in talking to Weberman as stated in the below letter to Greg Hill where he commented on how he was “really burned out on the assassination… fuck Weberman… I’m so tired of my own paranoia, let alone other peoples’…”
December 29, 1975 letter from Kerry Thornley to Greg Hill.
Back cover of Oswald by Kerry Thornley, published in 1965.
According to the FBI’s book critic, W.A. Branigan, reviewing Kerry Thornley‘s book Oswald:
“This book by Thornley is not a good piece of literature. The language in the book at times is raw and there does not seem to be any continuity of contents. It sells for seventy-five cents a copy, in paperback form and appears to be an effort by Thornley and the publisher to make a quick financial killing. It is highly doubtful if it will achieve this purpose.”
