This is a photo of RAW and yours truly from the spring of 2001. In it he is sporting a shirt that says “I have seen the fnords” and of course wearing his famous ring with the spiral on it. A couple years back I had a dream with RAW in which we engaged in a deep discussion about the meaning of his ring, and how it was an allegory to The Buddha. Photo courtesy of Greg Bishop.
Yesterday I was reviewing a list of potential posts for Historia Discordia, one of which is a piece I wrote on Robert Anton Wilson’s passing back in 2007. So I got to wondering what day RAW died, and thought it would be apropos to coincide posting the piece on that date.
I did a quick Google search and, as our crazy Goddess would have it, RAW died on the date of January 11th, which is just the sort of stone cold synchronicity one encounters when pulling cosmic triggers and rolling golden apples. Perhaps a day late and a dollar short, we share with you now my RAW eulogy. —Adam Gorightly
Poster from the Seattle stage production of Illuminatus!, 1978. Courtesy of Iona Miller.In a recent Historia Discordia post we mentioned the London stage production of Ken Campbell and Chris Langham’s famed Illuminatus! as well as the duo’s lesser known Seattle production.
Shortly afterwards, visual artist, psychedelic chronicler and all around multimedia magus Iona Miller posted the following images to my facebook page of which she has agreed to share here.
Though not the crispest images, they document the Illuminatus! Seattle production in all its chaotic grandeur.
As I learned from Iona, the Seattle stage production took place at The Empty Space Uncommon Theatre in 1978. At this link is a listing of The Empty Space Uncommon Theatre productions for 1978/79, listing Illuminatus! in three parts. Also listed were a couple other Ken Campbell productions with such interesting titles as Skungpoomery and Psychosis Unclassified.
Promotional poster for the Seattle stage production of Illuminatus!, 1978. Courtesy of Iona Miller.In the promotion poster below, British Sci-Fi author Brian Aldis had this to say about the Illuminatus! play:
“Nobody is going to believe this… I can’t recall ever sitting in a theatre sweating with suspense while laughing my head off…. here is Genius with a Gee!”
From the late-60s through the early-70s, Greg Hill published a newsletter called The Greater Poop aka The Greater Metropolitan Yorba Linda Herald-News-Sun-Tribune-Journal-Dispatch-Post and San Francisco Discordian Society Bulletin and Intergalactic Report & Pope Poop, a networking tool of sorts where Hill kept his fellow Popes and Momes informed about new initiates, cabals, projects and other current Discordian doings.
The early issues were a one page long sheet that was folded four times and mailed. The first few issues composed in long hand and later issues typed, often including hand drawn illustrations by Malaclypse himself.
Back (mailer) side of Issue #29 of The Greater Poop. Courtesy of the Discordian Archives.Front side of Issue #1 (archive copy) of The Greater Poop. Courtesy of the Discordian Archives.
As The Greater Poop evolved, it sometimes encompassed several pages, such as Issue #30, a ten page monstrosity that we’ve have posted here in its entirety.
This issue includes an announcement of the printing of the 4th Edition of the Principia Discordia and the official rescinding of the 1st thru 3rd Editions… along with the rest of reality.
Kerry Thornley’s Senior Class photo, CalHi, 1957. Photo courtesy of Sylvia Bortin.In The Prankster and the Conspiracy, Kerry Thornley’s high school friend, Sylvia Bortin, recalled an infamous hoax which occurred in Drama Class at CalHi (Whittier, California).
Apparently the perpetrators — Kerry, Greg Hill and other unnamed cohorts — made a recording of what, at first, appeared to be a regular radio program, with music playing innocently from a radio positioned on the apron of the stage. In actuality, the sounds were projected from a reel-to-reel tape machine hidden backstage. Inserted into the seemingly mundane radio program, our merry pranksters had planted a series of interruptions, made by a newscaster, to the effect that Soviet planes were invading the U.S. and dropping bombs.
Photo of Greg Hill with the CalHi (Sophomore Class) Drama Club in 1957. Greg, who over the years cultivated a fetish for rubber stamps (featured prominently in the Principia Discordia), applied a stamp over his picture in the photo (center, top row). Photo courtesy of Sylvia Bortin.As Sylvia recalled:
“Somebody had told me early on that it was a joke, but some of the students didn’t know and got really scared… What made me feel bad was that one of the boys in the class was so scared that he was praying.”
Brenton Clutterbuck of the worldwide Chasing Eris project quest poses with the original cover page of the Paste-Up Principia Discordia (known as the Sacred PUD). Courtesy of the Discordian Archives.My young friend, Brenton Clutterbuck of Chasing Eris fame, is working on a book about contemporary Discordia, which I expect the Goddess will ultimately approve of.
Along the way I’ve tried my best to introduce him to a number of fellow Discordians, among them Rosemary Tantra Bensko, who in the following video describes her introduction to Kerry Thornley and the subsequent ritual the two engaged in concerning butter and cats licking thereof.
The following review of Illuminatus! entitled “Anarcho-Surrealism” was among the Discordian Archives I was first turned onto by Bob Newport in the early 2000s. At first blush, the document appeared to have been composed by Greg Hill — under the pseudonymous moniker of “Mordecai Zwack” — circa 1974-ish during the period he was living in NYC.
Later, while combing through correspondence between Robert Anton Wilson and Greg Hill from the period, I soon discovered that they actually collaborated on the piece. This would explain the Mordecai moniker in the byline, as Mordecai — it just so happens — was the first name of RAW’s Discordian persona, Mordecai Malignatus aka Mordecai the Foul.
In retrospect, “Anarcho-Surrealism” seems a prime example of Discordian Culture Jamming, in the sense that RAW was writing his own clandestine review of Illuminatus! with the covert aid of Discordian Society co-founder Greg Hill, aka Malaclypse the Younger, Omnibenevolent Polyfather of Virginity in Gold (K.S.C.).
Back in 2004, Brian Doherty of Reason Magazine reviewed The Prankster and the Conspiracy (Amazon Kindle, Paperback) and titled his review “Historia Discordia,” a title that, with Brian’s consent, I’ve decided to use for this website, as well as the forthcoming book Historia Discordia: The Origins of the Discordian Society coming soon from RVP Publishers.
Reprinted with permission, here’s Brian’s article from Reason Magazine:
Apocalypse: A Trade Journal for Doom Prophets, cover, 1960. Courtesy of the Discordian Archives.Among the many curiosities discovered in the Discordian Archives is what appears to be the first collaboration between Greg Hill and Kerry Thornley, predating Principia Discordia by five years, which, of course, corresponds to the Discordian Law of Fives. (Hail Eris!)
In 1960 — following Thornley’s Marine Corps discharge — he returned to Whittier, California and reunited with Hill at that time and the two produced a humor zine called Apocalypse: A Trade Journal For Doom Prophets.
Hill and Thornley published only one issue of Apocalypse, mainly because no one else, besides them, found it the least bit humorous. As Thornley later noted: “Things we thought were funny, nobody else did.”
Apocalypse: A Trade Journal For Doom Prophets will appear in its entirety in the forthcoming Historia Discordia: The Origins of the Discordian Society available soon from RVP Publishers.
Illuminatus! poster for the Science Fiction Theatre of Liverpool production, 1976.On November 23rd, 1976 (which just so happens to be a high holy day in Discordianism, both due to the mystical manifestation of the number 23 and because it’s Harpo Marx’s birthday) an Englishman named Kenneth Campbell premiered a ten-hour stage production of Robert Anton Wilson and Robert Shea’s Illuminatus! (Amazon Kindle, Paperback, Hardcover) at the Science-Fiction Theatre in Liverpool. In true Discordian fashion, the production consisted of five plays of five acts each, with each act 23 minutes in length. As Wilson wrote in Cosmic Trigger (Paperback):
Ken Campbell’s adaptation was totally faithful to this nihilistic spirit and contained long unexpurgated speeches from the novel explaining at sometimes tedious length just why everything the government does is always done wrong. The audiences didn’t mind this pedantic lecturing because it was well integrated into a kaleidoscope of humor, suspense, and plenty of sex (more simulated blow jobs than any drama in history, I believe.)
Working with the National Theatre (under the Patronage of Queen Elizabeth, no less!), Campbell arranged for the two Bobs, Wilson and Shea, to be flown across the pond for the London production premiere. In appreciation of Her Majesty’s largesse, Wilson made a cameo appearance: “The cast dared me to do a walk-on role during the National Theatre run. I agreed and became an extra in the Black Mass, where I was upstaged by the goat, who kept sneezing. Nonetheless, there I was, bare-ass naked, chanting ‘Do what thou wilt shall be the whole of the law’ under the patronage of Elizabeth II, Queen of England, and I will never stop wondering how much of that was programmed by Crowley before I was even born.” According to Michael Coveney’s Ken Campbell bio, RAW was so nervous about his nude cameo that he dropped some acid before going on stage, as well as doling out hits to other actors in the play.
At some point, during the course of the production (if I got the story straight), Kenneth Campbell’s daughter, Daisy Eris Campbell, was conceived backstage. More on the adventures of Daisy Campbell in a bit….
A year after of the Illuminatus! stage production, a Discordian reunion of sorts took place that included Bob and Arlen Wilson, Louise Lacey, Greg Hill, Bob and Rita Newport, as well as several other friends of the Wilson’s who traveled to Seattle to take in the Illuminatus! stage production during its stateside run.
‘Twas a chilly Seattle night (as the story goes), so someone (who shall remain nameless) produced enough MDMA for Wilson and all his colleagues (ingested between the second and third acts) which in due time took the chill from the bones of the assembled Discordians—and cranked up the glow surrounding their collected auras—as they sat entranced by the spectacle which unfolded.
Wilson (l) and Shea (r) during the Illuminatus! publication period.The MDMA notwithstanding, Louise Lacey recalls the Illuminatus! stage production as a “sublime experience” which had one and all rolling in the aisles.
In the spirit of the Illuminatus! stage play—and filled with the same sort of Erisian inspiration as her dearly departed father—Daisy Eris Campbell has taken on the task of creating a stage adaption of Wilson’s Cosmic Trigger, which you can find out more about in the YouTube video to follow.
Left to right: Camden Benares and John F. Carr at Camden's cabin in Tujunga, California circa late-70s. Photo courtesy of John F. Carr.John F. Carr has just recently published the long ago written and much anticipated (at least by me!) first book in the Crying Clown series, A Certain Flair For Death (Amazon Kindle, Hardcover), a collaboration with his good friend and fellow Discordian, the late, great Camden Benares, a result of their many “pot and plot” sessions of the mid-70s through late-90s.
Robert Anton Wilson once described A Certain Flair For Death as “The best psychological science-fiction novel since The Demolished Man… the tension mounts and mounts… I couldn’t put it down… it might do your head as much good as an Encounter Group with the Marx Brothers!”
I recently contacted John to get some background about how and when the Crying Clown series were written, and he was kind of enough to share the following response. —Adam Gorightly
The following review of Illuminatus! entitled “Anarcho-Surrealism” was among the Discordian Archives I was first turned onto by 
